New York Review Books classics

Fllows the fortunes of Augustine from 1924 to 1934 and charts Hitler's rise to power as he recovers from his ill-fated 1923 Munich putsch.

"A House and Its Head is Ivy Compton-Burnett's subversive look at the politics of family life, and perhaps the most unsparing of her novels. No sooner has Duncan Edgeworth's wife died than he takes a new, much younger bride whose willful ways provoke a series of transgressions that begins with adultery and ends, much to everyone's relief, in murder."--Publisher's description.

Six decades ago in postwar Japan, long before Michael Pollan or Alice Waters, Masanobu Fukuoka, a laboratory scientist who had studied plant enzymes and rhizomes in Tokyo laboratories and had worked with poisonous wartime chemicals during the devastations of the Second World War, headed back to the land his father's family farmed for nearly 1,400 years. There he painstakingly recovered and developed a method of farming that aligned itself as closely as possible with natural principles. While Japan set itself on a breakneck course toward modernization, Fukuoka grew rice in the opposite way, refusing to farm with chemicals that would annihilate even something as small as a leaf beetle. Call his book "Zen and the Art of the Wild Cucumber," or see Fukuoka as a Japanese Thoreau tending the whole universe in a beanstalk -- however you approach Fukuoka's rich philosophical side, it's important also to notice that his deep spiritual wisdom was co-terminous with his genius as a farmer. Without fertilizers or even tilling, he nonetheless harvested some of the greatest rice yields per acre in all of Japan. By the late '70s, when The One Straw Revolution was translated into English, Fukuoka had become a guru and disciple in seemingly radical -- but eminently sensible -- ways of approaching food, gardening, farming, and eating. His book is an early cult classic in organic and natural farming circles, but its implications stretch beyond them and continue to resonate as a global food crisis looms. Fukuoka believed that fertilizers and pesticides caused the very problems that they proposed to solve; that rather than annihilating pests, they invited them. He argued that natural foods, grown without these costly additives, should be the cheapest; and that the body living closest to the land and aligning itself with the seasons would be the healthiest. Thirty years later, as this book is re-released, Fukuoka's message -- now more urgent than ever -- remains a deeply nourishing clarion call.

In der Erzählung Der kurze Brief zum langen Abschied reist ein junger Österreicher quer durch die USA, auf der Flucht vor und zugleich auf der Suche nach seiner Frau Judith. Er trifft Claire, nimmt, im Anschluß an eine Aufführung von Schillers Don Carlos, an einem Gespräch über das Verhältnis von Bühne und Wirklichkeit teil, erlebt seinen Bruder in seiner naiven Verbundenheit mit der Kindheit und redet mit John Ford über Natur und Geschichte. Seine Melancholie und Hoffnungslosigkeit geraten in Kontrast zu dem anderen Zeitgefühl und zu der anderen Lebensweise des fremden Landes. Diese große Erzählung von Peter Handke ist ein zeitgenössischer Entwicklungsroman, die abenteuerliche Geschichte einer Trennung und spannend wie ein Kriminalroman.

"Olivier Bertin is at the height of his career as a painter. After making his name with his Cleopatra, he went on to establish himself as "the chosen painter of the Parisiennes, the most adroit and ingenious artist to reveal their grace, their figures, and their souls." And though his hair may be white, he remains a handsome, vigorous, and engaging bachelor, a prized guest at every table and salon. Anne, the comtesse de Guilleroy, is a youthful forty, the wife of a busy politician. The painter and the comtesse have been lovers for many years. Anne's daughter, Annette--the spitting image of her mother in her lovely youth--has finished her schooling and is returning to Paris. Her parents are putting together an excellent match. Everything is as it should be--until the painter and comtesse are each seized by an agonizing suspicion, like death . . . In its devastating depiction of the treacherous nature of love, Like Death is more than the equal of Swann's Way. Richard Howard's new translation brings out all the penetration and poetry of this masterpiece of nineteenth-century fiction"--

Journal of a civil servant, married to a woman who has rejected him, telling of his life of fantasy and petty violence.

"A thirteen-year-old boy spending the summer at a Tuscan seaside resort feels displaced in his beautiful widowed mother's affections by her cocksure new companion and strays into the company of some local young toughs and their unsettling leader, a fleshy older boatman with six fingers on each hand. Initially repelled by their squalor and brutality, repeatedly humiliated for his well-bred frailty and above all for his ingenuousness in matters of women and sex, the boy nonetheless finds himself masochistically drawn back to the gang's rough games. And yet what he has learned is too much for him to assimilate; instead of the manly calm he had hoped for he is beset by guilty curiosity and an urgent desire to sever, at any cost, the thread of troubled sensuality that binds him to his mother still. Alberto Moravia's classic and yet still startling portrait of innocence lost was written in 1941 but rejected by Fascist censors and not published until 1944, when it became a best seller and secured the author the first literary prize of his career. Revived here in a sparkling new translation by Michael F. Moore, Agostino is poised to enthrall and astonish a twenty-first-century audience"--

George Stroud is a hard-drinking, tough-talking, none-too-scrupulous writer for a New York media conglomerate that bears a striking resemblance to Time, Inc. in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment. Janoth knows there was one witness to his entry into Pauline’s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn’t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?

"Hugo von Hofmannsthal made his mark as a poet, as a playwright, and as the librettist for Richard Strauss's greatest operas, but he was no less accomplished as a writer of short, strangely evocative prose works. The atmospheric stories and sketches collected here - fin de siecle fairy tales from the Vienna of Klimt and Freud, a number of them never before translated into English propel the reader into a shadowy world of uncanny fates and secret desires. An aristocrat from Paris in the plague years shares a single night of passion with an unknown woman, a cavalry sergeant meets his double on the battlefield, an orphaned man withdraws from the world with his four servants, each of whom has a mysterious power over his destiny." "The most influential of all of Hofmannsthal's writings is the title story, a fictional letter to the English philosopher Francis Bacon in which Lord Chandos explains why he is no longer able to write. The "Letter" not only symbolized Hofmannsthal's own turn away from poetry, it captured the psychological crisis of faith and language which was to define the twentieth century."--Jacket.

The first part of the book, which begins on March 8, 1918, is a story of family life on the Costa Brava and the coming-of-age story of a young man torn between an old-fashioned ideal of a life of quiet dedication to work and family and the intellectual seductions of European culture. Pla's enthusiasms and uncertainties, friendships and crushes, his reading, the drama and politics and absurdity of family life-we are drawn into all these as we also follow Pla in his wanderings through town, scrutinizing his fellow citizens, or out under the magnificent skies of the still-unspoiled countryside of the coast. In January 1919, Pla returns to Barcelona to complete his studies, and the book's second part paints a hilariously revealing picture of student life. He learns next to nothing from his teachers, a good deal more from the writers and artists he meets in cafés and salons, and most of all from Barcelona itself, with its night life and ramblas, the city of Gaudi and Modernisme, where just outside the city limits the seemingly timeless life of the country still went on as before.

"An acknowledged masterpiece of twentieth-century Hungarian fiction, Dezso Kosztolanyi's Skylark is a classic portrait of provincial life in the Austro-Hungarian monarchy at the turn of the century. Set in the autumn of 1899, it focuses on one extraordinary week in the otherwise uneventful lives of an elderly Hungarian couple."--BOOK JACKET. "Their ugly spinster daughter - nicknamed Skylark - has left them for an unprecedented holiday with relatives in the country. At first the couple, whose entire existence revolves around their daughter, are devastated by her absence. Slowly, however, they rediscover the delights and diversions of small-town society life. Accustomed to a dull, reclusive existence with Skylark, of whom they are secretly ashamed, their awakening is masterfully described against the vivid background of the bustling fin-de-siecle town and its memorable characters. Finally they are forced to confront the disturbing truth: their daughter is a burden and has deprived them of all the pleasures of life. Their outward expression of affection conceals a smouldering resentment. When Skylark's train home is delayed, her father even hopes for the worst."--BOOK JACKET. "In this beautifully written tale - introduced here by one of Hungary's most exciting contemporary novelists - Kosztolanyi turns family sentiment on its head with an irony that is as telling now as it was nearly seventy years ago."--BOOK JACKET.

John Horne Burns brought The Gallery back from World War II, and on publication in 1947 it became a critically-acclaimed bestseller. However, Burns's early death at the age of 36 led to the subsequent neglect of this searching book, which captures the shock the war dealt to the preconceptions and ideals of the victorious Americans. Set in occupied Naples in 1944, The Gallery takes its name from the Galleria Umberto, a bombed-out arcade where everybody in town comes together in pursuit of food, drink, sex, money, and oblivion. A daring and enduring novel—one of the first to look directly at gay life in the military—The Gallery poignantly conveys the mixed feelings of the men and women who fought the war that made America a superpower.

In a large apartment house in central Rome, two crimes are committed within a matter of days: a burglary, in which a good deal of money and precious jewels are taken, and a murder, as a young woman whose husband is out of town is found with her throat cut. Called in to investigate, melancholy Detective Ciccio, a secret admirer of the murdered woman and a friend of her husband's, discovers that almost everyone in the apartment building is somehow involved in the case, and with each new development the mystery only deepens and broadens. Gadda's sublimely different detective story presents a scathing picture of fascist Italy while tracking the elusiveness of the truth, the impossibility of proof, and the infinite complexity of the workings of fate, showing how they come into conflict with the demands of justice and love.

In preewar Budapest three families live side by side on gracious Katalin Street, their lives closely intertwined. A game is played by the four children in which Bálint, the promising son of the Major, invariably chooses Irén Elekes, the headmaster's dutiful elder daughter, over her younger sister, the scatterbrained Blanka, and little Henriette Held, the daughter of the Jewish dentist. Their lives are torn apart in 1944 by the German occupation, which only the Elekes family survives intact. The postwar regime relocates them to a cramped Soviet-style apartment and they struggle to come to terms with social and political change, personal loss, and unstated feelings of guilt over the deportation of the Held parents and the death of little Henriette, who had been left in their protection. But the girl survives in a miasmal afterlife, and reappears at key moments as a mute witness to the inescapable power of past events."--

Description of PLF's sojourn in various monasteries where he spent time as a guest so he could enjoy the privacy and silence to write.

"This brief novel tells the story of Sophia, a six-year-old girl awakening to existence, and Sophia's grandmother, nearing the end of hers, as they spend the summer on a tiny unspoiled island in the Gulf of Finland." -- Publisher's description.

Simenon (1903-1989), creator of Inspector Maigret, dispassionately describes the fate of the odd Mr. Hire, a reclusive middle-aged man whose life of dull routine begins an inevitable slide into disaster when a prostitute is brutally murdered near his apartment in a Paris suburb. Guilty only of a slightly disreputable occupation, a voyeuristic fascination and an unusual physical appearance, Hire inadvertently seals his fate with mundane, unremarkable observations and suggestions.

"An NYRB Classics Original Mavis Gallant's two novels are as memorable as her many short stories. Full of wit, whim, and psychological poignancy, A Fairly Good Time, here accompanied by Green Water, Green Sky, encapsulates Gallant's unparalleled skill as a storyteller. Shirley Perrigny (nee Norrington, then briefly Higgins), the heroin of A Fairly Good Time, is an original. Derided by the Parisians she lives among and chided by her fellow Canadians, this young, widowed girl recently remarried to a French journalist named Philippe is fond of quoting from Jane Austen and Kingsley Amis to describe her life and of using her myopia as a defense against social aggression. As the fixed points in Shirley's life begin to recede Philippe having apparently though not definitively left her freewheeling, makeshift and self-abnegating ways come to seem an aspect of devotion to her fellow man. Could the unreliable protagonist be the unwitting heroine of her own story? Green Water, Green Sky, Gallant's first novel, is a darker tale of the fractured family life of Bonnie McCarthy, an American divorcee, and her daughter, Flor. Uprooted and unmoored, mother and daughter live like itinerants--in Venice, Cannes, and Paris--glamorous and dependent. From this untidy life and the false notes of her mother, Flor attempts to flee, with little hope of escape"--

By turns lyrical and philosophical, witty and baffling, A School for Fools confounds all expectations of the novel. Here we find not one reliable narrator but two "unreliable" narrators: the young man who is a student at the "school for fools" and his double. What begins as a reverie (with frequent interruptions) comes to seem a sort of fairy-tale quest not for gold or marriage but for self-knowledge. The currents of consciousness running through the novel are passionate and profound. Memories of childhood summers at the dacha are contemporaneous with the present, the dead are alive, and the beloved is present in the wind. Here is a tale either of madness or of the life of the imagination in conversation with reason, straining at the limits of language; in the words of Vladimir Nabokov, "an enchanting, tragic, and touching book."

A revelatory World War II novel about a German prisoner of war fleeing for the border and encountering a variety of Germans, good and bad and indifferent, along his way. Now available in a new English translation. The Seventh Cross is one of the most powerful, popular, and influential novels of the twentieth century, a hair raising thriller that helped to alert the world to the grim realities of Nazi Germany and that is no less exciting today than when it was first published in 1942. Seven political prisoners escape from a Nazi prison camp; in response, the camp commandant has seven trees harshly pruned to resemble seven crosses: they will serve as posts to torture each recaptured prisoner, and capture, of course, is certain. Meanwhile, the escapees split up and flee across Germany, looking for such help and shelter as they can find along the way, determined to reach the border. Anna Seghers's novel is not only a supremely suspenseful story of flight and pursuit but also a detailed portrait of a nation in the grip and thrall of totalitarianism. Margot Bettauer Dembo's expert new translation makes the complete text of this great political novel available in English for the first time.

"A weird wonder of Argentine and modern literature, a crucial work for Julio Cortazar ("If there's one person in my country I feel close to, it's Roberto Arlt"), The Seven Madmen begins when its hapless and hopeless hero, Erdosain, is dismissed from his job as a bill collector for embezzlement. Then his wife leaves him and things only go downhill after that. Erdosain wanders the crowded, confusing streets of Buenos Aires, thronging with immigrants almost as displaced and alienated as he is, and finds himself among a group of conspirators who are in thrall to a man known simply as the Astrologer. The Astrologer has the cure for everything that ails civilization. Unemployment will be cured by mass enslavement. (Mountains will be hollowed out and turned into factories.) Mass enslavement will be funded by industrial-scale prostitution. That scheme will be kicked off with murder. "D'you know you look like Lenin?" Erdosain asks the Astrologer. Meanwhile Erdosain struggles to determine the physical location and dimensions of the soul, this thing that is causing him so much pain. Brutal, uncouth, caustic, and brilliantly colored, The Seven Madmen takes its bearings from Dostoyevsky while looking forward to Thomas Pynchon and Marvel Comics"--

George R. Stewart’s classic study of place-naming in the United States was written during World War II as a tribute to the varied heritage of the nation’s peoples. More than half a century later, Names on the Land remains the authoritative source on its subject, while Stewart’s intimate knowledge of America and love of anecdote make his book a unique and delightful window on American history and social life.

"A grand hotel in the center of 1920s Berlin serves as a microcosm of the modern world in Vicki Baum's celebrated novel, a Weimar-era bestseller that retains all its verve and luster today. Among the guests of the hotel is Dr. Otternschlag, a World War I veteran whose face has been sliced in half by a shell. Day after day he emerges to read the paper in the lobby, discreetly inquiring at the desk if the letter he's been awaiting for years has arrived. Then there is Grusinskaya, a great ballerina now fighting a losing battle not so much against age as against her fear of it, and Gaigern, a sleek professional thief, who may or may not be made for each other. Herr Preysing also checks in, the director of a family firm that isn't as flourishing as it appears, who would never imagine that Kringelein, his underling, a timorous petty clerk he's bullied for years, has also come to Berlin, determined to live at last now that he's received a medical death sentence. All these characters and more, with their secret fears and hopes, come together and come alive in the pages of Baum's delicious and disturbing masterpiece"--

Great Granny Webster is Caroline Blackwood's masterpiece. Heiress to the Guinness fortune, Blackwood was celebrated as a great beauty and dazzling raconteur long before she made her name as a strikingly original writer. This macabre, mordantly funny, partly auto-biographical novel reveals the gothic craziness behind the scenes in the great houses of the aristocracy, as witnessed through the unsparing eyes of an orphaned teenage girl. Great Granny Webster herself is a fabulous monster, the chilliest of matriarchs, presiding with steely self-regard over a landscape of ruined lives.

Stefan Zweig was particularly drawn to the novella, and Confusion, a rigorous and yet transporting dramatization of the conflict between the heart and the mind, is among his supreme achievements in the form. A young man who is rapidly going to the dogs in Berlin is packed off by his father to a university in a sleepy provincial town. There a brilliant lecture awakens in him a wild passion for learning—as well as a peculiarly intense fascination with the graying professor who gave the talk. The student grows close to the professor, be­coming a regular visitor to the apartment he shares with his much younger wife. He takes it upon himself to urge his teacher to finish the great work of scholarship that he has been laboring at for years and even offers to help him in any way he can. The professor welcomes the young man’s attentions, at least on some days. On others, he rages without apparent reason or turns away from his disciple with cold scorn. The young man is baffled, wounded. He cannot understand. But the wife understands. She understands perfectly. And one way or another she will help him to understand too.

Relates the story of the young outcast peasant girl, Mouchette ... and her search for the compassion and strength to combat her loneliness.

English: The novel is about Mattia Pascal, who leaves home after one of the usual quarrels with his wife Romilda, and arrives in Monaco, where he wins thousands of pounds. So much money and a news story that he reads -announcing his death ( but it is the corpse of a desperate man who killed himself by jumping into a well)- suggests him to simulate its death and to start a new life. Mattia renamed Adriano Meis went to live in Rome. And... Italian: Il romanzo narra la storia di Mattia Pascal, che si allontana di casa dopo una delle consuete liti con la moglie Romilda, e, arrivato a Montecarlo, vince decine di migliaia di lire. Il possesso di una grossa somma e la lettura di una notizia di cronaca che annuncia la sua morte (una bufala; in realtà si tratta del cadavere di un disperato che si è ucciso gettandosi nel pozzo di casa Pascal), lo inducono a simulare la propria morte e a tentare di cominciare una nuova vita. Mattia ribattezzato Adriano Meis va a vivere a Roma. E...

"A harrowing account of life in Italy in the year leading up to World War II, available in the US for the first time. War in Italy in 1939 was by no means necessary or even beneficial to the country. But in June 1940, Mussolini finally declared war on Britain and France. The awful inevitability with which Italy stumbled its way into a war for which they were ill prepared and largely unenthusiastic is documented here with grace and clarity by one of the twentieth century's great diarists. This diary, which has never been published and was recently found in Iris Origo's archives, is the sad and arresting account of the grim absurdities that Italy and the world underwent as war became more and more unavoidable. Origo, British-born and living in Italy, was ideally placed to record the events. Extremely engaged with the world around her, connected to people from all areas of society (from the peasants on her estate to the US ambassador to Italy), she writes of the turmoil, the danger, and the bleakness of Italy in 1939 and 1940, as war went from a possibility to a dreadful reality. A Chill in the Air covers the beginning of a war whose catastrophic effects are documented in Origo's bestselling War in Val D'Orcia"--

"An NYRB Classics Original Shakespeare, Nietzsche once wrote, was Montaigne's best reader. It is a typically brilliant Nietzschean insight, capturing the intimate relationship between the ever-changing record of the mutable self constituted by Montaigne's Essays and Shakespeare's kaleidoscopic register of human character. For all that, how much Shakespeare actually read Montaigne remains a matter of uncertainty and debate to this day. That he read him there is no doubt. Passages from Montaigne are evidently reworked in both King Lear and The Tempest, and there are possible echoes elsewhere in the plays. But however closely Shakespeare himself may have pored over the Essays, he lived in a milieu in which Montaigne was widely known, oft cited, and both disputed and respected. This in turn was thanks to the inspired and dazzling translation of his work by a man who was a fascinating polymath, man-about-town, and master of language himself, John Florio. Shakespeare's Montaigne offers modern readers a new, adroitly modernized edition of Florio's translation of the Essays, a still-resonant reading of Montaigne that is also a masterpiece of English prose. Florio's translation, like Sir Robert Burton's Anatomy of Melancholy and the works of Sir Thomas Browne, is notable not only for its stylistic range and felicity and the deep and lingering music of many passages, but also for having helped to invent the English language as we know it today, supplying it, very much as Shakespeare also did, with new words and enduring turns of phrase. Stephen Greenblatt's introduction also explores the echoes and significant tensions between Shakespeare's and Montaigne's world visions, while Peter Platt introduces readers to the life and times of John Florio. Altogether, this book provides a remarkable new experience of not just two but three great writers who ushered in the modern world"-- "Shakespeare, Nietzsche once wrote, was Montaigne's best reader. It is a typically brilliant Nietzschean insight, capturing the intimate relationship between the ever-changing record of the mutable self constituted by Montaigne's Essays and Shakespeare's kaleidoscopic register of human character. For all that, how much Shakespeare actually read Montaigne remains a matter of uncertainty and debate to this day. That he read him there is no doubt. Passages from Montaigne are evidently reworked in both King Lear and The Tempest, and there are possible echoes elsewhere in the plays. But however closely Shakespeare himself may have pored over the Essays, he lived in a milieu in which Montaigne was widely known, oft cited, and both disputed and respected. This in turn was thanks to the inspired and dazzling translation of his work by a man who was a fascinating polymath, man-about-town, and master of language himself, John Florio. Shakespeare's Montaigne offers modern readers a new, adroitly modernized edition of Florio's translation of the Essays, a still-resonant reading of Montaigne that is also a masterpiece of English prose. Stephen Greenblatt's introduction also explores the echoes and significant tensions between Shakespeare's and Montaigne's world visions, while Peter Platt introduces readers to the life and times of John Florio. Altogether, this book provides a remarkable new experience of not just two but three great writers who ushered in the modern world"--

Strange things happen in the countryside. And for bisexual private detective Duffy, this is his strangest case yet. Summoned to a country mansion following an unusual murder, Duffy finds the house awash with potential suspects. Does Vic Crowther, the man who called on Duffy in the first place, have a far more sinister motive up his sleeve? Or perhaps his wife, the ex-page three model, knows more than she's letting on ...

A half-mad spinster, an aboriginal painter, a washerwoman, and a Jewish refugee--all vision seekers--struggle with the evil around them. Australian setting.

Between the Woods and the Water is a travel book by British author Patrick Leigh Fermor, the second in a series of three books narrating the author's journey on foot across Europe from the Hook of Holland to Constantinople in 1933/34. The first book in the series, A Time of Gifts, recounts Leigh Fermor's journey as far as the Middle Danube. Between the Woods and the Water (1986) begins with the author crossing the Mária Valéria bridge from Czechoslovakia into Hungary and ends when he reaches the Iron Gate, where the Danube formed the boundary between the Kingdom of Yugoslavia and Romania. The planned third volume of Leigh Fermor's journey to its completion in Constantinople, The Broken Road, was not completed in his lifetime, but was finally published in September 2013. Many years after his travel, Leigh Fermor's diary of the Danubian leg of his journey was found in a castle in Romania and returned to him. He used it in his writing of the book, which also drew on the knowledge he had accumulated in the intervening years. (

"Henry James led a wandering life, which took him far from his native shores, but he continued to think of New York City, where his family had settled for several years during his childhood, as his hometown. Here Colm Toibin brings together for the first time all the stories that James set in New York City. Written over the course of James's career and ranging from the deliciously tart comedy of the early "An International Episode" to the surreal and haunted corridors of "The Jolly Corner," and including Washington Square, the poignant novella considered by many (though not, as it happens, by the author himself) to be one of James's finest achievements, the nine fictions gathered here reflect James's varied talents and interests as well as the deep and abiding preoccupations of his imagination."--Jacket.

A landmark of 20th Century literature about New York in the late 1960s, now in English for the first time. As a novel, Uwe Johnson's masterpiece, Anniversaries, is at once daringly simple in conception and wonderfully complex and engaging in effect. Late in 1967, Johnson, already one of the most celebrated German novelists of his generation, set out to write a book that would take the form of an entry for every day of the year that lay ahead. The first section was dated August 20, and Johnson had of course no idea what the year would bring--that was part of the challenge--but he did have his main character--Gesine Cresspahl, a German emigre living on the Upper West Side of New York City and working as a translator for a bank who is the single mother of a ten-year-old daughter, Marie. The book would tell the story of a year in the life of this little family in relation to the unfolding story of the year, as winnowed from the pages of the New York Times, of which Gesine is a devoted if wary reader. These stories would in turn be overlayed by another--Gesine is 34, born just as Hitler was coming to power, and she has decided to tell Marie the story of her grandparents' lives and of her own rural childhood in Nazi Germany. It is important that Marie know where and what she comes from. The days of the year are also anniversaries of years past. The world that was and the world of the 1960s--with the struggle for civil rights leading to riots in American cities and, abroad, the escalating destruction of the Vietnam War--are, in the end, one world. Anniversaries was published in four volumes over the more than ten years that it took Johnson to write it, and as the volumes came out it became clear that this was one the great twentieth-century novels. The book courts comparison to Joyce's Ulysses, the book of a day, and to Proust's In Search of Lost Time, the book of a lifetime, but it stands apart in its dense polyphonic interplay of voices and stories. Anniversaries is many books--the book of a mother and daughter, of a family and its generations, of the country and the city, and of two times and two countries that seem farther apart perhaps than they are. It is a novel of private life, a political novel, and a new kind of historical novel, reckoning not only with past history but with history in the making. Monumental and intimate, sweeping in vision and full of incident, richly detailed and endlessly absorbing, Anniversaries, now for the first time available in English in a brilliant new translation by Damion Searls, is nothing short of a revelation.

First published in 1970, and now a Canadian classic, Memoirs of Montparnasse by John Glassco portrays expatriate life in Paris, which began for him in 1928 when he arrived there from Montreal at the age of nineteen. Glassco revelled in his youth, his carefree existence, his powers of observation, above all in Paris, and his book is a celebration of these things. In the course of his lively narrative describing the often wayward activities of his circle, we meet George Moore, Robert McAlmon, Man Ray, Kay Boyle, Peggy Guggenheim, Ernest Hemingway, Morley Callaghan, Gertrude Stein, James Joyce, Frank Harris, and many hedonists and eccentrics who are less well known. Each of them makes an indelible impression on the reader through Glassco's literary skill.--Cover.

The lives of the talented Aubrey children have long been clouded by their father's genius for instability, but his new job in the London suburbs promises, for a time at least, reprieve from scandal and the threat of ruin. Mrs. Aubrey, a former concert pianist, struggles to keep the family afloat, but then she is something of a high-strung eccentric herself, as is all too clear to her daughter Rose, through whose loving but sometimes cruel eyes events are seen. Still, living on the edge holds the promise of the unexpected, and the Aubreys, who encounter furious poltergeists, turn up hidden masterpieces, and come to the aid of a murderess, will find that they have adventure to spare.

The four women at the center of The Enchanted April are alike only in their dissatisfaction with their everyday lives. They find each other--and the castle of their dreams--through a classified ad in a London newspaper one rainy February afternoon. The ladies expect a pleasant holiday, but they don't anticipate that the month they spend in Portofino will reintroduce them to their true natures and reacquaint them with joy.

From archaeological and scientific knowledge and the evidence of classical writers, a picture is drawn of the lives of Danish Iron-Age people found preserved in peat bogs.

Russian literature at its most magnificent and intense. This novel rolls like the steppe unforgivably barren and exhausting, on and on until the reader is left exhausted by the enormity of the story and its telling.

"Aickman's superbly written tales terrify not with standard thrills and gore but through a radical overturning of the laws of nature and everyday life. His territory of the strange, of the 'void behind the face of order,' is a surreal region that grotesquely mimics the quotidian: Is that river the Thames, or is it even a river? What does it mean when a prospective lover removes one dress, and then another--and then another? Do a herd of cows in a peaceful churchyard contain the souls of jilted women preparing to trample a cruel lover to death?" --

"Gershom Scholem is celebrated as the twentieth century's most profound student of the Jewish mystical tradition; Walter Benjamin, as a master thinker whose extraordinary essays mix the revolutionary, the revelatory, and the esoteric. Scholem was a precocious teenager when he met Benjamin, who became his close friend and intellectual mentor. His account of that relationship - which was to remain crucial for both men - is both a celebration of his friend's genius and a lament for the personal and intellectual self-destructiveness that culminated in Benjamin's suicide in 1940." "Walter Benjamin: The Story of a Friendship is an absorbing memoir with the complication of character and motive of a novel. As Scholem revisits the passionate engagements over Marxism and Kabbala, Europe and Palestine that he shared with Benjamin, it is as if he sought to summon up his lost friend's spirit again, to have the last word in the argument that might have saved his life."--Jacket.

"It has been more than thirty-five years since Renata Adler's Speedboat, Winner of the Ernest Hemingway Award for Best First Novel, charged through the literary establishment, blasting genre walls and pointing the way for a newly liberated way of writing. This unclassifiable work is simultaneously novel, memoir, commonplace book, confession, and critique. It is the story of every man and woman cursed with too much consciousness and too little comprehension, and it is the story of Jen Fein, a journalist negotiating the fraught landscape of contemporary urban America. Her voice is searching, cuttingly perceptive, and darkly funny as she breaks narrative convention to send dispatches back from the world as she finds it"--

"Written over the course of four decades, Francois-René de Chateaubriand's epic autobiography has drawn the admiration of Baudelaire, Flaubert, Proust, Roland Barthes, Paul Auster, and W. G. Sebald. In this unabridged section of the Memoirs, spanning the years 1768 to 1800, Chateaubriand looks back on the already bygone world of his youth. He recounts the history of his aristocratic family and the first rumblings of the French Revolution. He recalls playing games on the beaches of Saint-Malo, wandering in the woods near his father's castle in Combourg, hunting with King Louis XVI at Versailles, witnessing the first heads carried on pikes through the streets of Paris, meeting with George Washington in Philadelphia, and falling hopelessly in love with a young woman named Charlotte in the small Suffolk town of Bungay. The volume ends with Chateaubriand's return to France after eight years of exile in England. In this new translation, Chateaubriand emerges as a writer of great wit and clarity, a self-deprecating egoist whose meditations on the meaning of history, memory, and morality are leavened with a mixture of high whimsy and memorable gloom."--

"Eileen Chang is one of the great writers of twentieth-century China. At the heart of Chang's achievement is her short fiction - tales of love, longing, and the shifting and endlessly treacherous shoals of family life. Written when Chang was still in her twenties, these stories combine a contemporary sensibility, keenly alert to sexual politics and psychological ambiguity, with a lyricism that echoes the classics of Chinese literature. Love in a Fallen City, the first collection in English of this body of work, introduces American readers to the stark vision of a modern master."--BOOK JACKET

"In the last two years of his life, the Sicilian aristocrat Giuseppe Tomasi di Lampedusa, in addition to his internationally celebrated novel, The Leopard, also composed three shorter pieces of fiction that confirm and expand our picture of his brilliant late-blooming talent. In the parable-like "Joy and the Law," a mediocre clerk in receipt of an unexpected supplement to his Christmas bonus (an awkwardly outsize version of the traditional panettone) finds his visions of domestic bliss upset by unwritten rules of honor and obligation. At the heart of the collection stands "The Siren" and its redoubtable hero, Professor La Ciura, the only Hellenist scholar to claim firsthand experience of ancient Greek--from the mouth of the beautiful half-human sea creature he loved in his youth. The volume closes with the last piece of writing completed by the author, "The Blind Kittens," a story originally conceived as the first chapter of a follow-up to The Leopard, a novel that would have traced the post-unification emergence of a new agrarian ruling class in Sicily, coarser than its predecessor but equally blind to the inexorable march of change. This elegant new translation of Lampedusa's complete short fiction, the first by a single hand, updates and corrects previously available English versions"-- "In the last two years of his life, the Sicilian aristocrat Giuseppe Tomasi di Lampedusa, in addition to his internationally celebrated novel, The Leopard, also composed three shorter pieces of fiction that confirm and expand our picture of his brilliant late-blooming talent. In the parable-like "Joy and the Law," a mediocre clerk in receipt of an unexpected supplement to his Christmas bonus (an awkwardly outsize version of the traditional panettone) finds his visions of domestic bliss upset by unwritten rules of honor and obligation. At the heart of the collection stands "The Professor and the Siren" and its redoubtable hero, Professor La Ciura, the only Hellenist scholar to claim firsthand experience of ancient Greek--from the mouth of the beautiful half-human sea creature he loved in his youth. The volume closes with the last piece of writing completed by the author, "The Blind Kittens," a story originally conceived as the first chapter of a follow-up to The Leopard, a novel that would have traced the post-unification emergence of a new agrarian ruling class in Sicily, coarser than its predecessor but equally blind to the inexorable march of change. This elegant new translation of Lampedusa's complete short fiction, the first by a single hand, updates and corrects previously available English versions"--

Kein Urteil, kein literarisches Denkmal für eine Mutter, kein abgeschlossenes Bild, nach dessen Beendigung der Autor und mit ihm der Leser befreit aufatmen könnte, sondern die Beschreibung einer grausigen offenen Wunde. - Helmut Scheffel - Back cover. Peter Handke's mother, Maria Handke, committed suicide in 1971. Within a few weeks, Peter Handke set about the task of reconstructing his mother's life in the form of a narrative. As he explains in the story, he did this partly in order to come to terms with his own grief, by attempting to make sense of the path her life had taken, and partly to give substance to her existence by creating a memorial. Handke constantly assesses the course of his mother's life in relation to the social, historical, political, and cultural influences to which she was exposed. - Introduction of Manchester University Press edition (1993).

"Building can be seen as a master metaphor for modernity, which some great irresistible force, be it fascism or communism or capitalism, is always busy building anew, and Houses is a book about a man, Arseniev Negoyan, who has devoted his life and his dreams to building. Bon vivant, Francophile, visionary, Negoyan spent the first half of his life building houses he loved and even gave names to--Juliana, Christina, Agatha--making his hometown of Belgrade into a modern city to be proud of. The second half of his life, after World War II and the Nazi occupation, he has spent in one of those houses, being looked after by his wife and a nurse, in hiding. Now, on the last day of his life, Negoyan has decided to go out at last to see what he has wrought. Negoyan is one of the great characters in modern fiction, a charming monster of selfishness and self-delusion. And for all his failings, his life poses a question for the rest of us: Where in the modern world is there a home except in illusion?"--

An elderly rake and womanizer tells his life's story to a group of sunbathing women who remind him of past lovers. Entire story is written in one long sentence.

"Who was Louki? Did anyone really know? She made her mark on all of us in different ways. We all remember her, some of us more than others, but did any of us truly know her? Can anyone honestly say they know another person? In the Café of Lost Youth is vintage Patrick Modiano, an absorbing evocation of a particular Paris of the 1950s, shadowy and shady, a secret world of writers, criminals, drinkers, and drifters. The novel, which includes vignettes of a number of historical figures and is inspired in part by the circle (depicted in the photographs of Ed van der Elsken) of the notorious and charismatic Guy Debord, centers on the enigmatic, waiflike figure of Louki, who catches everyone's attention even as she eludes possession or comprehension. Through the eyes of four very different narrators, we contemplate Louki's character and her fate, while Modiano explores the themes of identity, memory, time, and forgetting that are at the heart of his hypnotic and deeply moving art."--

"The elusive French luminary Joseph Joubert is a great explorer of the mind's open spaces. Edited and translated by Paul Auster, this selection from Joubert's notebooks introduces a master of the enigmatic who seeks 'to call everything by its true name' while asking us to 'remember everything is double.' 'Joubert speaks in whispers,' Auster writes. 'One must draw very close to hear what he is saying'" --Page 4 of cover.

An NYRB Classics Original Tove Jansson excelled at the brief tale, writing stories that in their short spans unfold to reveal entire worlds. This is true of her internationally syndicated cartoon strip about a family of hippo-like creatures, the Moomins; of her beloved Moomin novels; and of her best-selling books for adults, like The Summer Book. Until now, however, Jansson's short stories have been nearly impossible to find in the United States. This volume brings together, for the first time in English, a generous selection of stories from the most fruitful period of her career, from her earliest collected stories, dating from the early 1970s, to her mature work, written not long before her death in 2001. In them are moments of the sublime and the mundane, as well as small heroisms and large griefs. Unsentimental, yet kind and humane, Jansson's short stories complement and enlarge our understanding of a giant of world literature.

A sweeping epic by Nobel Prize-winner Ivo Andrić about power, identity, and Islam set in 19th-century Ottoman Bosnia and Istanbul. This previously untranslated historical novel by the Nobel Prize-winner Andrić tells the story of Omer Pasha Latas, born Mihailo Latas, a Serbian Christian who rose to a position of power in the Ottoman Empire. When Mihailo's chances of a military career in Austria fail, he flees across the border into Ottoman Bosnia, converts to Islam, and makes his way to Istanbul where his exceptional intelligence and qualities as a potential military leader are recognized by the sultan. Having distinguished himself in mercilessly suppressing uprisings in Albania, Syria, and Kurdistan, and subsequently in Montenegro, Herzegovina, and Albania, Omer Pasha is sent to Bosnia in 1850 to quell resistance by local landowners to modernizing reforms. Now in the land of his fathers, Omer Pasha's display and misuse of power is all the more urgent but also more complex. Along with an exquisitely drawn array of local characters, Ivo Andrić portrays a man who is both supremely arrogant and pitifully vulnerable, and a city in the grip of fear.

"In Seven Men the English caricaturist and critic Max Beerbohm turns his comic searchlight upon the fantastic fin de siecle world of the 1890s - the age of Oscar Wilde, Aubrey Beardsley, and the young Yeats, as well as of Beerbohm's own first success. In a series of luminous prose sketches, Beerbohm captures the likes of Enoch Soames, only begetter of the neglected poetic masterwork Fungoids; Maltby and Braxton, two fashionable novelists caught in a bitter rivalry; and "Savonarola" Brown, author of a truly incredible tragedy encompassing the entire Italian Renaissance. An ingenious and enduring work of humorous writing, Seven Men is also a shrewdly perceptive, heartfelt homage to the eccentric character of a bygone age."--BOOK JACKET.

The city is winched along tracks through a devastated land full of hostile tribes. Rails must be freshly laid ahead of the city and carefully removed in its wake. Rivers and mountains present nearly insurmountable challenges to the ingenuity of the city's engineers. But if the city does not move, it will fall farther and farther behind the "optimum" into the crushing gravitational field that has transformed life on Earth. The only alternative to progress is death. The secret directorate that governs the city makes sure that its inhabitants know nothing of this. Raised in common in creches, nurtured on synthetic food, prevented above all from venturing outside the closed circuit of the city, they are carefully sheltered from the dire necessities that have come to define human existence. And yet the city is in crisis. The people are growing restive, the population is dwindling, and the rulers know that, for all their efforts, slowly but surely the city is slipping ever farther behind the optimum. Helward Mann is a member of the city's elite. Better than anyone, he knows how tenuous is the city's continued existence. But the world--he is about to discover--is infinitely stranger than the strange world he believes he knows so well.

Portrays love between two older women, a writer and artist, as they work side-by-side in their Helsinki studios, travel together and share summers on a remote island.

"The Glory of the Empire is the rich and absorbing history of an extraordinary empire, at one point a rival to Rome. Rulers such as Prince Basil of Onessa, who founded the Empire but whose treacherous ways made him a byword for infamy, and the romantic Alexis the Bastard, who dallied in the fleshpots of Egypt, studied Taoism and Buddhism, returned to save the Empire from civil war, and then retired "to learn how to die," come alive in The Glory of the Empire, along with generals, politicians, prophets, scoundrels, and others. D'Ormesson also goes into the daily life of the Empire, its popular customs, and its contribution to the arts and the sciences, which, as he demonstrates, exercised an influence on the world as a whole, from East to West, and whose repercussions are still felt today. But it is all fiction, a thought experiment worthy of Jorge Luis Borges, and in the end The Glory of the Empire emerges as a great shimmering mirage, filling us with wonder even as it makes us wonder at the fugitive nature of power and the meaning of history itself"--

A new translation of an 1890 Polish classic about a man infatuated with a woman of higher birth, cold as a doll. A tale of unrequited love. By the author of The Sins of Childhood.

One afternoon in a French village in the 1920s, Alwyn Tower is visiting another American friend, Alexandra Henry. The Cullens, an Irish couple, accompanied by their chauffeur and a trained bird, Lucy, stop by. Alexandra's servants, Jean and Eva, complete this peaceful scene. But as the afternoon wears on, Lucy upsets this cozy assemblage and therein lies a tale of love and fidelity.

"In the nonfiction writings collected here, many of them unpublished in his lifetime, Thomas Flanagan brings what Christopher Cahill calls his "keen eye and strong gaze and sharp tongue" to reassessments of key figures of Irish culture. They range from Richard Brinsley Sheridan and Lord Edward Fitzgerald, through W.B. Yeats and James Joyce, Charles Stewart Parnell and Michael Collins, to contemporaries and friends like Brian Moore and Frank O'Connor, and American Irish like the Molly Maguires and the director John Ford." "Flanagan probes the tragically intertwined origins of celebrity and literary modernism in the careers of Irish-American writers such as F. Scott Fitzgerald, Eugene O'Neill, and John O'Hara. He reflects on what his own novels have taught him about the possibilities of historical fiction. And his thoughts on Irish-American identity sum up the long-pondered mixture of experience and scrutiny he brought to his heritage."--Jacket.

Cardano, an accomplished scientist of medicine and mathematics, wrote his autobiography in 1575. It's bright, satirical, and still enjoyable to read today. Annotation copyrighted by Book News, Inc., Portland, OR.

These tales cover the range of Greek mythology, including the creation story of Deucalion and Pyrrha, the heroic adventures of Perseus, the fall of Icarus, Cupid and Psyche's tale of love, and the tragic history of Oedipus and Thebes.

"Tropic Moon is set in the early 1930s in French West Africa, where the promise of opportunity runs up against the stark realities of brutal racism and boundless corruption. A young Frenchman, Joseph Timar, travels to Gabon carrying a letter of introduction from an influential uncle. He wants work experience; he wants to see the world. It turns out, though, that no one in the tightknit colonial community has the least bit of use for him - except, that is, Adele, the hotel owner's wife, who takes him to bed one day and ignores him the next, leaving him sick with desire. But then, in the course of a couple of nights, a black servant is shot and Adele's husband dies. Timar is sure that Adele is implicated. If he holds his tongue, maybe she'll do his bidding. The fix is in. But Timar can't even begin to imagine how deep."--Jacket.

The whimsical, macabre tales of British writer H. H. Munro, better known as Saki, skewer the banality and hypocrisy of polite English society between the end of the Victorian era and the beginning of World War I. Saki's heroes are enfants terribles who marshal their considerable wit and imagination against the cruelty and fatuousness of a decorous and doomed world.

Clark Gifford is a disaffected politician in a nameless, media-driven modern state where representative politics has dwindled to the corrupt transaction of business as usual, and a foreign war is always breaking out on the horizon. One night Gifford and some of his followers seize radio stations to broadcast a call for freedom -- a rebellion that is immediately put down by the government and whose motive will remain forever obscure. Even so, it leads to twenty years of war.

Moral dilemmas of our age are faced by convalescent who saves ex-red friend from harm.

Jessica Mitford has written a gay and touching account of her growing up from childhood through early marriage. She was the sixth child of a pair of splendid English eccentrics, Lord and Lady Redesdale, and sister to Nancy, now famous for her novels, Unity, who became notorious through her attachment to Hitler, Diana, who married Sir Oswald Mosley and joined him in that strange anachronism, British fascism, and Deborah, the present Duchess of Devonshire. From the first, her definitely "U" background was a source of infinite boredom to Jessica and her lively account of it explains not only her own rebellion, but much about her sisters'. It seemed quite natural to little Jessica, for example, that she should learn how to shoplift. Later it was just as natural for her to fall in love with a young man she had never met. His name was Esmond Romilly, he was a nephew of Winston Churchill, and he was fighting for the Loyalists in Spain. Jessica pulled strings and things happened. She met him when he came home on leave. When he went back he was not alone. Not even the threat of the English version of the Mann Act or the arrival of her sister on a warship could tear Jessica away, and finally she and Esmond were married. After Spain they returned to London where they had an odd assortment of friends, a great deal of fun, and almost no money - a fairly permanent condition. The last third of the book is devoted to their adventures in America and it is a rollicking account of two "blueblooded babes in Hobohemia," a designation which infuriated the "babes" in question. We meet Esmond as a door-to-door stockting salesman (he took lessons), and as a bartender in Miami, as a guest badly in need of a shave and a dinner jacket but very well known to the butler. Finally the long shadow of the war clouded the Florida sunshine and the Romillys started north, Esmond headed for Canada to enlist in His Majesty's forces. He left Jessica in Washington to have her baby and it is there that the book ends. It was there too that World War II put an end to her childhood, for Esmond was killed in action fighting for a world he had so thoroughly enjoyed. Jessica Mitford's autobiography is warm, funny, and real. It proves that Nancy is not the only Mitford with the gift of wit and words.