Borislav Pekić

Borislav Pekic's The Houses of Belgrade, first published in 1970, draws a parallel between the unrest culminating in the Belgrade student riots of 1968 and that at two earlier points in the history of Yugoslavia: the riots which immediately preceded Germany's attack on Belgrade in the spring of 1941 and the turmoil of Serbia's entry into World War I. Pekic relates his tale through the character of Arsenie Negovan, one of the prime builders of houses in Belgrade. Although Arsenie is dying, losing his sanity as his life seeps away, his narrative is sustained by his intellectual and aesthetic vision, by his love of buildings and his passionate obsession with the houses of Belgrade. Through this metaphor of the gradual decline of a builder's mind, Pekic gives us a compelling look at the unspoken fear of loss and destruction in a chronically disrupted urban society.

"Building can be seen as a master metaphor for modernity, which some great irresistible force, be it fascism or communism or capitalism, is always busy building anew, and Houses is a book about a man, Arseniev Negoyan, who has devoted his life and his dreams to building. Bon vivant, Francophile, visionary, Negoyan spent the first half of his life building houses he loved and even gave names to--Juliana, Christina, Agatha--making his hometown of Belgrade into a modern city to be proud of. The second half of his life, after World War II and the Nazi occupation, he has spent in one of those houses, being looked after by his wife and a nurse, in hiding. Now, on the last day of his life, Negoyan has decided to go out at last to see what he has wrought. Negoyan is one of the great characters in modern fiction, a charming monster of selfishness and self-delusion. And for all his failings, his life poses a question for the rest of us: Where in the modern world is there a home except in illusion?"--