Mikhail Zoshchenko

Though little known to English readers, Zoshchenko was one of the most popular writers in early Soviet Russiaa̮ time when, as Hicks explains in a useful introduction to this collection of brief comic tales, satire was not yet prohibited by the authorities. Describing himself as "a temporary substitute for the proletarian writer," Zoshchenko wrote in a deliberately simple style, filling his pages with corrupt officials, petty thieves, and confused bureaucrats.

A young man and woman meet on a train in Europe, and wind up spending one romantic evening together in Vienna. Unfortunately, both know that this will probably be their only night together.

A book of satirical short stories describing life in the early Soviet Union

Among the most popular writers of the early Soviet period was the satirist Mikhail Zoshchenko, whose career spanned nearly four decades and who was as beloved by ordinary people as he was admired by the elite. His most popular pieces, often appearing in newspapers, were "short-short stories" written in a slangy, colloquial style. Typical targets of his satire are the Soviet bureaucracy, crowded conditions in communal apartments, marital infidelities and the rapid turnover in marriage partners, and what a disdainful Soviet judge in one of the sketches dismisses as "the petty-bourgeois mode of life, with its adulterous episodes, lying, and similar nonsense." Farcical complications, satiric understatement, humorous anachronisms, and an ironic contrast between high-flown sentiments and the down-to-earth reality of mercenary instincts were his favorite devices. Zoshchenko had an uncanny knack for eluding Soviet censorship (one of the sketches even touches humorously on the dangerous topic of party purges) and his work as a result offers us a marvelous window on life in Russia during the twenties and thirties.

"Mikhail Zoshchenko's Sentimental Tales are satirical portraits of small-town characters on the fringes of Soviet society in the first decade of Bolshevik rule. The tales are narrated by one Kolenkorov, who is anything but a model Soviet author: not only is he still attached to the era of the old regime, he is also, quite simply, not a very good writer. Shaped by Zoshchenko's masterful hands--he takes credit for editing the tales in a series of comic prefaces--Kolenkorov's prose is beautifully mangled, full of stylistic infelicities, overloaded flights of metaphor, tortured cliché, and misused bureaucratese, in the tradition of Gogol. Yet beneath Kolenkorov's intrusive narration and sublime blathering, the stories are genuinely moving. They tell tales of unrequited love and amorous misadventures among down-on-their-luck musicians, provincial damsels, aspiring poets, and liberal aristocrats hopelessly out of place in the new Russia, against a backdrop of overcrowded apartments, scheming, and daydreaming. Zoshchenko's deadpan style and sly ventriloquy mask a biting critique of Soviet life--and perhaps life in general. An original perspective on Soviet society in the 1920s and simply uproariously funny, Sentimental Tales at last shows Anglophone readers why Zoshchenko is considered among the greatest humorists of the Soviet era."--Amazon.com.

Short stories that show the importance for children to behave well and to help others.

The leader of the people / John Steinbeck Mr. Know-all / W. Somerset Maugham Vanka / Anton Chekhov The happy prince / Oscar Wilde The old demon / Pearl S. Buck The sailor-boy's tale / Isak Dinesen Young Archimedes / Aldous Huxley Butch minds the baby / Damon Runyon Suspicion / Dorothy L. Sayers Hautot and his son / Guy de Maupassat The open boat / Stephen Crane My Oedipus complex / Frank O'Connor The snows of Kilimanjaro / Ernest Hemingway A letter to God / Gregorio López y Fuentes The little Bouilloux girl / Colette The ruby / Corrado Alvaro Six feet of the country / Nadine Gordimer [The boarding house]( / James Joyce The brute / Joseph Conrad A double game / Alberto Moravia Maternity / Lilika Nakos Lead her like a pigeon / Jessamyn West God sees the truth, but waits / Leo Tolstoy The walker-through-walls / Marcel Ayme [The lottery]( / Shirley Jackson The McWilliamses and the burglar alarm / Mark Twain The Augsburg chalk circle / Bertolt Brecht The overcoat / Sally Benson Blind MacNair / Thomas H. Raddall The procurator of Judaea / Anatole France The open window / Saki (H.H. Munro) María Concepción / Katherine A. Porter My Lord, the baby / Rabindranath Tagore The end of the party / Graham Greene Modern children / Sholom Aleichem Babylon revisited / F. Scott Fitzgerald Carrion spring / Wallace Stegner Just lather, that's all / Hernando Téllez The secret life of Walter Mitty / James Thurber The rocking-horse winner / D.H. Lawrence The Sunday menace / Robert Benchley The Mezzotint /Montague R. James The alligators / John Updike Pelageya / Mikhail Zoshchenko Haircut / Ring Lardner The burning city / Hjalmar Söderberg Fireworks for Elspeth / Rumer Godden The old chief Mshlanga / Doris Lessing Who cares? / Santha Rama Rau Over the river and though the wood / John O'Hara Dental or mental, I say it's spinach / S.J. Perelman The drover's wife / Henry Lawson The huntsmen / Paul Horgan The guest / Albert Camus Patience / Nigel Balchin Among the paths to Eden / Truman Capote Admiral's night / Machado de Assis The bet / Anton Chekhov The man who could work miracles / H.G. Wells A country love story / Jean Stafford A worn path / Eudora Welty The outstation / W. Somerset Maugham A priest in the family / Leo Kennedy The cop and the anthem / O. Henry Marriage á la mode / Katherine Mansfield The nightingale / Maxim Gorky The launch / Max Aub The wreath / Luigi Pirandello The eighty-yard run / Irwin Shaw You were perfectly fine / Dorothy Parker Luzina takes a holiday / Gabrielle Roy