UNITED STATES AUTHOR · FICTION · SOCIAL LIFE AND CUSTOMS
John O'Hara
Also known as: John O'Hara, John O'HARA
John Henry O'Hara (January 31, 1905 – April 11, 1970) was an American writer. He was one of America's most prolific writers of short stories, credited with helping to invent The New Yorker magazine short story style. He became a best-selling novelist before the age of 30 with Appointment in Samarra and BUtterfield 8. While O'Hara's legacy as a writer is debated, his work was praised by such contemporaries as Ernest Hemingway and F. Scott Fitzgerald, and his champions rank him highly among the major under-appreciated American writers of the 20th century. Few college students educated after O'Hara's death in 1970 have discovered him, chiefly because he refused to allow his work to be reprinted in anthologies used to teach literature at the college level.
It rained lightly on the morning of Wednesday, July 4, 1917, and the Festival Committee met to decide whether to postpone the Festival until the following Saturday.
— from A rage to live, 1949
Most acclaimed
The big laugh
1962
Richard Hubert ("Hubie") Ward is a wily young actor from the Easternmost world of prep schools and summers on the Cape. By the time he is twenty-five, he has lied, cheated, and seduced his way to the big-time on the Coast. Hollywood prizes Hubie for his air of respectability: "He was not a Latin or a Jew...he was not a booze artist...he was not actorish, he was not pugnacious...he was of the theater, he had been given good notices in an Art picture, he was not confused by an oyster fork, he stood up when ladies entered the room..." But Hubie's blind ambition quickly strips away the guise. He blackmails the man who gave him his first acting job, then spends an amorous afternoon with the wife of a studio head who happens to be his boss. Nothing, it seems, can stop the self-destructive philandering that dogs this shooting star.
Short stories
For over three decades, Reynolds Price has been one of America's most distinguished writers, in a career that has been remarkable both for its virtuosity and for the variety of literary forms he has embraced. Now he shows himself as much a master of the story as he is of the novel, in a volume that presents fifty stories, including two early collections - The Names and Faces of Heroes and Permanent Errors - as well as more than two dozen new stories that have never been gathered together before. In his introduction, Mr. Price explains how, after the publication of his first two collections, he wrote no new stories for almost twenty years. "But once I needed - for unknown reasons in a new and radically altered life - to return to the story, it opened before me like a new chance...A collection like this then," he adds, "...will show a writer's pre-occupations in ways the novel severely rations (novels are partly made for that purpose - the release from self, long flights through the Other). John Keats's assertion that 'the excellence of every Art is its intensity' has served as a license and standard for me. From the start my stories were driven by heat - passion and mystery, often passion for the mystery I've found in particular rooms and spaces and the people they threaten or shelter - and my general aim is the transfer of a spell of keen witness, perceived by the reader as warranted in character and act.". There is, indeed, much for the reader to "witness" here of passion and mystery, of character and act. And the variety of stories - many of them set in Reynolds Price's native North Carolina, but a surprising number set in distant parts: Jerusalem in "An Early Christmas," the American Southwest in "Walking Lessons," and a number in Europe - will astonish even his most devoted readers. In short, The Collected Stories of Reynolds Price is as deeply rewarding a book as any he has yet published.
A rage to live
1949
Naturalistic study of a stratum of upperclass life in America, set in a Pennsylvania town.