Fernando Arrabal

206 p. ; 22 cm

From Publishers Weekly Cast as an accidentally discovered memoir written by a nameless young woman, the Spanish dramatist's newly translated work is more fable and parable than conventional novel. Its 18-year-old narrator/heroine, a kind of beautiful, seductive queen bee, shares a crumbling mansion with her aged father, the "Maimed One," and two women called "The Sisters." She has two principal activities: one is speculation on hierarchies in nature and societya persistent inquiry into the relation of human and insect behavior; the other is the dexterous use of a barber's straight razor, slashing the throats of casual acquaintances just as they reach the throes of sexual rapture. Her few friendsan adoring suma wrestler, a painter with bizarre tastesreveal their own oddities. To pass the time, they plan an orgy featuring paranoics, "depraved couples," sado-masochists and even the notorious Marquis de Sade. The reader never doubts that the speaking voice and questioning mind belong not to the beguiling and terrifying girl but to Arrabal himself. Voice and mind are quirkily interesting, but they are too much given to abstruse, obsessive analogies that inevitably slacken, confuse and, ultimately, vitiate dramatic effect and narrative momentum. Copyright 1987 Reed Business Information, Inc. From Library Journal This is the dark memoir of a young murderess who shares a mansion with her father the Maimed One but lives alone in that part of it she calls the Greenhouse. An incomparable beauty, she more than once entices a man to a homicidal "soiree" at which she slits his throat with a razor while he is in the midst of orgasm. She gives no hint of her reaction to the speculation of S---, an amateur detective whose fascination with the murders provides the novel's only element of suspense. Her own thoughts, invariably in interrogative form, may lead the reader to wonder in turn: Is there no relief from this decadence? L. M. Lewis, Eastern Kentucky Univ., Richmond Copyright 1987 Reed Business Information, Inc.

The Burial of the Count of Orgaz is a key work in the Mannerist tradition and a supreme achievement of the human spirit. Like The Divine Comedy and the Eroica Symphony, it epitomizes an age, and any study of it has to probe deeply not only into the history of art but also into religion, society and psychology. It is appropriate therefore that a whole book should be devoted to this single painting - a painting whose subject is both particularized and universal. The painting is reproduced in all its glory in this magnificent book, bringing the reader face to face with its splendor, its rich colors and its incredible expressiveness. Shown in a series of specially commissioned photographs, it is illustrated first as a whole, and then in a series of enlarged details that magnify every minute embellishment and brushstroke.