Adam Kirsch

"A collection of essays from a "great poet-critic-intellectual" (Daily Beast). In these brilliant, wide-ranging essays, published over the last seven years in the New Republic, The New Yorker, and elsewhere, renowned American critic Adam Kirsch explores the intersection of literature with larger questions about ideas, history, and society. Kirsch has been described as "elegant and astute . . . [a] critic of the very first order" (Michiko Kakutani, New York Times). In Rocket and Lightship he examines the work and lives of writers past and present, from intellectuals Susan Sontag, Hannah Arendt, and Walter Benjamin to novelists including E. M. Forster, David Foster Wallace, and Zadie Smith. Kirsch quotes G. M. Hopkins: "Nor rescue, only rocket and lightship, shone." So, according to Kirsch, shines literature: as an unattainable speed, as a moving beacon. Taken together, the provocative and bold essays in Rocket and Lightship show how literature can illuminate questions of meaning, ethics, and politics, and how those questions shape the way we take pleasure in art" --

In the Global Novel, acclaimed literary critic Adam Kirsch explores some of the 21st century's best-known writers--including Orhan Pamuk, Haruki Murakami, Roberto Bolaño, Chimamanda Ngozi Adichie, Mohsin Hamid, Margaret Atwood, Michel Houellebecq, and Elena Ferrante. They are employing a way of imagining the world that sees different places and peoples as intimately connected. From climate change and sex trafficking to religious fundamentalism and genetic engineering, today's novelists use 21st-century subjects to address the perennial concerns of fiction, like morality, society, and love. The global novel is not the bland, deracinated, commercial product that many critics of world literature have accused it of being, but rather finds a way to renew the writer's ancient privilege of examining what it means to be human. -- Back cover.

A dandy, a best-selling novelist, and a man of political and sexual intrigue, Benjamin Disraeli was one of the most captivating figures of the nineteenth century. His flirtation with proto-Zionism, his ideas about power and empire, and his fantasies about the Middle East remain prophetically relevant today. How a man who was born a Jew--and who remained in the eyes of his countrymen a member of a despised minority--managed to become prime minister of England seems even today nothing short of miraculous.In this compelling biography, renowned poet and critic Adam Kirsch looks at Disraeli as a novelist as well as a statesman, recognizing that the outsider Jew who became one of the world's most powerful men was his own greatest character. Though baptized by his father at the age of twelve, Disraeli was seen--and saw himself--as a Jew. But her created an idea of Jewishness to rival the British notion of aristocracy.Disraeli was a figure of fascinating contradictions: an archconservative who benefited from England's liberal attitudes, a baptized Christian who saw Jewishness as a matter of racial superiority, a perennial outsider who dreamed of glory for England, which, in the words of one contemporary, became for Disraeli "the Israel of his imagination."From the Hardcover edition.

"An essential exploration of a rich literary tradition from the Bible to modern times, by a 'rare literary authority' (New York Times Book Review). Jews have long embraced their identity as 'the people of the book.' But outside of the Bible, much of the Jewish literary tradition remains little known. The People and the Books shows how central questions and themes of our history and culture are reflected in the Jewish literary canon: the nature of God, the right way to understand the Bible, the relationship of the Jews to their Promised Land, and the challenges of living as a minority in Diaspora. Adam Kirsch explores eighteen classic texts including the biblical books of Deuteronomy and Esther, the philosophy of Maimonides, the autobiography of the medieval businesswoman Gluckel of Hameln, and the Zionist manifestos of Theodor Herzl. From the Jews of ancient Rome to the mystical devotees of Hasidism in Eastern Europe, The People and the Books brings the treasures of Jewish literature to life and offers new ways to think about their enduring power and influence"--

In his second collection of poems, Adam Kirsch examines the world we live in now, a world in which the dangers of history have invaded the pleasures of private life. His connected poems use traditional forms to create a free, contemporary music amidst the omens of the post-September 11 world.

"August Sander's photographic portraits of ordinary people in Weimar Germany inspire this uncanny new collection of poems by one of America's most celebrated writers and critics. -- Through his portraits of ordinary people--soldiers, housewives, children, peasants, and city dwellers--August Sander, the German photographer whose work chronicled the extreme tensions and transitions of the twentieth century, captured a moment in history whose consequences he himself couldn't have predicted. Using these photographs as a lens, Adam Kirsch's poems connect the legacy of the First World War with the turmoil of the Weimar Republic with moving immediacy and meditative insight, and foreshadow the Nazi era. Kirsch writes both urgently and poignantly about these photographs, creating a unique dialogue of word and image that will speak to all readers interested in history, past and present"--

352 pages ; 22 cm

"Lionel Trilling, regarded at the time of his death in 1975 as America's preeminent literary critic, is today often seen as a relic of a vanished era. His was an age when literary criticism and ideas seemed to matter profoundly in the intellectual life of the country. In this eloquent book, Adam Kirsch shows that Trilling, far from being obsolete, is essential to understanding our current crisis of literary confidence--and to overcoming it. By reading Trilling primarily as a writer and thinker, Kirsch demonstrates how Trilling's original and moving work continues to provide an inspiring example of a mind creating itself through its encounters with texts. Why Trilling Matters introduces all of Trilling's major writings and situates him in the intellectual landscape of his century, from Communism in the 1930s to neoconservatism in the 1970s. But Kirsch goes deeper, addressing today's concerns about the decline of literature, reading, and even the book itself, and finds that Trilling has more to teach us now than ever before. As Kirsch writes, "Trilling's essays are not exactly literary criticism" but, like all literature, "ends in themselves.""--