Routledge classics

From 1931 to 1935 Bertrand Russell was one of the regular contributors to the literary pages of the New York American, together with other distinguished authors such as Aldous Huxley and Vita Sackville-West. Mortals and Others presents a selection of his essays, ranging from the politically correct to the perfectly obscure: from Is the World Going Mad? to Should Socialists Smoke Good Cigars? Even though written in the politically heated climate of the 1930s, these essays are surprisingly topical and engaging for the present-day reader. Mortals and Others serves as a splendid, fresh introduction to the compassionate eclecticism of Bertrand Russell's mind.

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At the age of eight, Karl Popper was puzzling over the idea of infinity and by fifteen was beginning to take a keen interest in his father's well-stocked library of books. Unended Quest recounts these moments and many others in the life of one of the most influential thinkers of the twentieth century, providing an indispensable account of the ideas that influenced him most. As an introduction to Popper's philosophy, Unended Quest also shines. Popper lucidly explains the central ideas in his work, making this book ideal for anyone coming to Popper's life and work for the first time.

"In The Philosophy of Money, Georg Simmel presents a discussion of the social, psychological and philosophical aspects of the money economy. He provides us with a detailed analysis of the circulation and exchange of commodities, while considering the relationship of money to the human personality, the position of women, individual freedom and other key areas of human existence. Through this he creates a series of insights into the forms which social relationships take and gives us a comprehensive analysis of the interrelationships between the most diverse and seemingly unconnected social and cultural phenomena."--Jacket.

Classic work of anthropology, on the social function of gift exchange. First published in French in 1950. First translated into English 1954. Has inspired many subsequent studies of gift-giving.

"If Ruby Wright could have her way, her dad would never have met and married her stepmother Willow, her best friend George would be more than a friend, and her mom would still be alive. Then she discovers a tree in the middle of an Ohio cornfield with a wormhole to nine alternative realities. But is there such a thing as a perfect world? What is Ruby willing to give up to find out?"--

"Creativity is fundamental to human experience. In On Creativity, David Bohm, the world-renowned scientist, investigates the phenomenon from all sides: not only the creativity of invention and of imagination but also that of perception and of discovery. The creative impulse is instinctive to everyone, but its revolutionary potential is rarely realised. For, he argues, its success depends upon the individual's ability to jolt the workaday mind into a dynamic state that enables true creativity and originality to become possible. By awakening this creative state of mind each person can then discover the creative harmony that lies not only within their own psyche but also behind everything that they experience."--Jacket.

This work exposes the illogical logic of poor doctrines that shelter themselves behind the prestige of science. Midgley examines how science comes to be used as a substitute for religion and points out how badly that role distorts it.

"In Bodies That Matter, Judith Butler further develops her distinctive theory of gender by examining the workings of power at the most "material" dimensions of sex and sexuality. Deepening the inquiries she began in Gender Trouble, Butler offers an original reformulation of the materiality of bodies, examining how the power of heterosexual hegemony forms the "matter" of bodies, sex, and gender. Butler argues that power operates to constrain "sex" from the start, delimiting what counts as a viable sex. She offers a clarification of the notion of "performativity" introduced in Gender Trouble and explores the meaning of a citational politics. The text includes readings of Plato, Irigaray, Lacan, and Freud on the formation of materiality and bodily boundaries; "Paris is Burning," Nella Larsen's "Passing," and short stories by Willa Cather; along with a reconsideration of "performativity" and politics in feminist, queer, and radical democratic theory"--Publisher's website.

Although it may not be the goal of filmmaker, most of us learn something when we watch movies. They make us think. They make us feel. Occasionally they have the power to transform lives. In Reel to Real, Bell Hooks talks back to films she has watched as a way to engage the pedagogy of cinema - how film teaches its audience. Bell Hooks comes to film not as a film critic but as a cultural critic, fascinated by the issues movies raise - the way cinema depicts race, sex, and class. Reel to Real brings together Hooks's classic essays (on Paris is Burning or Spike Lee's She's Gotta Have it) with her newer work on such films as Girl 6, Pulp Fiction, Crooklyn, and Waiting to Exhale, and her thoughts on the world of independent cinema. Her conversations with filmmakers Charles Burnett, Julie Dash, and Arthur Jaffa are linked with critical essays to show how cinema can function subversively, even as it maintains the status quo.

Mary Midgley argues in her powerful new book that far from being the opposite of science, myth is a central part of it. In brilliant prose, she claims that myths are neither lies nor mere stories but a network of powerful symbols that suggest particular ways of interpreting the world.

[The author's] purpose is to exhibit philosophy as an integral part of social and political life: not as the isolated speculations of remarkable individuals, but as both an effect and a cause of the character of the various communities in which different systems flourished.-Pref.

When one defines ""order"" as a sorting of priorities, it becomes beautifully clear as to what Foucault is doing here. With virtuoso showmanship, he weaves an intensely complex history of thought. He dips into literature, art, economics and even biology in The Order of Things, possibly one of the most significant, yet most overlooked, works of the twentieth century. Eclipsed by his later work on power and discourse, nonetheless it was The Order of Things that established Foucault's reputation as an intellectual giant.

A Short History of Modern Philosophy is a lucid, challenging and up-to-date survey of the philosophers and philosophies from the founding father of modern philosophy, Rene Descartes, to the most important and famous philosopher of the twentieth century, Ludwig Wittgenstein. Roger Scruton has been widely praised for his success in making the history of modern philosophy cogent and intelligible to anyone wishing to understand this fascinating subject. In this new edition, he has responded to the explosion of interest in the history of philosophy by substantially rewriting the book, taking account of recent debates and scholarship.

Freud investigates the function and structure of totemic systems among primitive peoples and presents a psychoanalytical study of modern taboos.

A classic collection of Bertrand Russell's more controversial works, reaffirming his staunch liberal values, Unpopular Essays is one of Russell's most characteristic and self-revealing books. Written to "combat... the growth in Dogmatism", on first publication in 1950 it met with critical acclaim and a wide readership and has since become one of his most accessible and popular books.

Philosophers have traditionally concentrated on the qualities that make human beings different from other species. In Beast and Man Mary Midgley, one of our foremost intellectuals, stresses continuities. What makes people tick? Largely, she asserts, the same things as animals. She tells us humans are rather more like other animals than we previously allowed ourselves to believe, and reminds us just how primitive we are in comparison to the sophistication of many animals. A veritable classic for our age, Beast and Man has helped change the way we think about ourselves and the world in which we live.

`During the past few decades, modern technology, with radio, television, air travel and satellites has woven a network of communications which puts each part of the world into almost instant contact with all the other parts. Yet, in spite of this world-wide system of linkages, there is, at every moment, a general feeling that communication is breaking down everywhere, on an unparalleled scale.'[Bohm]The question of how we can communicate better is at the heart of On Dialogue. This is the most comprehensive documentation to date of best-selling author David Bohm's dialogical world view.

A selection of Jung's writings on the anima/animus concept. Provocative and controversial, it offers readers the opportunity to discover at first hand just how radical Jung's arguments are.

This is a book for anyone interested in history, what it is and where it comes from. Engaging and challenging, it confronts us with the many "histories" that exist and have existed around the world, from the Zulu kingdoms to Communist China. The Use and Abuse of History takes as its starting point the way history is taught to children. The different narratives that constitute the histories of countries as diverse as India, Iran, Trinidad and the United States make for fascinating reading in their own right. What makes this book so valuable, though, is what these narratives tell us about the societies which created them--how much is history distorted in order to condition the minds of those who are taught it? A pioneer in its field that has become a key text of contemporary historiography, this is a book that poses fundamental and disturbing questions about the use and abuse of history.

The purpose of The Archaeology of Knowledge is to suggest how rhetoric can be studied and understood in its relationship with power and knowledge.

1 online resource (xxii, 247 pages)

Bell hooks, one of America's leading black intellectuals, is also one of our most clear-eyed and penetrating analysts of culture. Outlaw culture--the culture of the margin, of women, of the disenfranchised, of racial and other minorities--lies at the heart of bell hooks' America. Raising her powerful voice against racism and other forms of oppression in the United States, hooks unlocks the politics of representation and the meaning of that politics for and in our time. Outlaw Culturegives us hooks on many of the most important subjects of the contemporary scene, from date rape, censorship, and ideas of race and beauty, to gangsta rap, the dilemmas of feminism, and the rise of black intellectuals. Using the mix of essays and sometimes highly personal dialogues for which she is well known, hooks takes on Spike Lee and Naomi Wolf, Malcolm X and Madonna, Camille Paglia, Jean-Michel Basquiat and Ice Cube, and the films The Bodyguard and The Crying Game. She speaks movingly about male violence against women, about black self-hatred, and about the ways an oppressive society creates its outlaws. In each case, hooks affirms a vision of intellectual and political engagement, foreseeing the possibility of active, critical participation in movements for radical social change. Outlaw Culture speaks clearly and strongly for the need to connect the production of knowledge with transformative democratic values.

There are no such things as natural symbols. Every culture naturalises a certain view of the human body to make it carry social meanings. This work focuses on how the selections from blood, bones, breath or excrement, are made. Body symbolism is always in service to social intentions, and the body cannot be endowed with universal meanings. In this now classic work Mary Douglas shows how certain forms of social life bring forth regularly the same varieties of symbolic expression. Hierarchy treats the body as a hierarchy; sect treats it as a closed system; individualism treats it as pervasive energy. Political movements as well as religions have their rituals, medicine, ethics, educational theory, aesthetics, a huge range of judgements fall into line behind the standard cultural bias.

A work of technical skill as well as outstanding literary merit, Structuralist Poetics was awarded the 1975 James Russell Lowell Prize of the Modern Language Association. It was during the writing of this book that Culler developed his now famous and remarkably complex theory of poetics and narrative, and while never a populariser he nonetheless makes it crystal clear within these pages. The book itself combines a survey of structuralist literary criticism with a discussion about how English and American criticism might benefit from its lessons. Now reissued as a Routledge Classic with a brand new introduction from the author, Structuralist Poetics remains an arresting and vital tome and an essential guide for anyone interested in the importance of literature and the debates surrounding it.