Ralph M. McInerny

Father Roger Dowling is a busy man. He's got the ambitious and all-encompassing task of running St. Hilary's Parish, dealing with his busybody housekeeper, Mrs. Murkin, and counseling his flock with his characteristic blend of faith and compassion. He's not complaining, but it's no surprise that even a superior priest like Father Dowling needs a break now and again. So off he heads for a week-long retreat in Indiana on the quiet grounds of an old Catholic religious order, where he can meditate, reflect, and pray for a quick recharge of his waning energy. Unfortunately, Father Dowling's spiritual retreat turns into a baffling murder investigation when a dead man is found in a grotto on the grounds with the handle of an axe protruding from his back. Complicating matters is a long-running real-estate dispute that has pitted the brothers of the order against the previous owners of the huge and valuable piece of land on which their sanctuary sits. Who could have killed the man and why, and does it have something to do with the high-stakes mind games being played out between the parties vying for the land? No one's too sure, but what is clear is that Father Dowling is once again at the center of it all in another winning entry in a mystery series that's become an institution.

As private detective Philip Knight and his brother Roger, a Catholic Studies professor, probe a series of threatening letters targeting Notre Dame, the campus is rocked by an explosion and the brothers search for an unknown villain.

An unusual bird relates how he located his relatives, invented a monetary system, appeared on television, and disproved the notion that dodoes are dumb.

Seventeen-year-old Kia barely survived her parents' divorce several years ago. Now her mom is in the hospital battling cancer and Kia is stuck with her workaholic father, leaving her searching for an escape from the everyday horrors of her life.She finds this escape with a group of people acting out a dark fantasy. These "vampires" spend all night in dark clubs, wearing gothic outfits, and even baring fake fangs. But when Kia meets Damon, she begins to wonder if maybe a true vampire exists among them, one who could be the answer to all of her problems . . .

Preparing to leave for a conference at Notre Dame, Father Dowling is drawn into a couple's stormy marriage--an uncomfortable matter that complicates when the husband is found dead. But at Notre Dame, a more dangerous situation places him at the center of controversy.

Fox River is amazed: Howard Downs, on trial for the murder of his wife, is found to be not guilty! Back to Square One for Captain Keegan and his aides, and for Father Dowling, who, in his priestly role, has had long talks with Downs. The action turns to all who had in some way been related to the dead woman and, one by one, four more corpses come to light.

Father Dowling, respected by all, is well-known for being willing to lend a helping hand whenever he can. So it's no surprise when Stanley Collins shows up at the St. Hilary rectory to confide in Father Dowling about the troubled marriage of one of the church's parishioners. Dowling promises to do his best to find a way to help, but it soon becomes too late. One of the parties involved is viciously killed in a hit and run car accident.Is it murder? Dowling knows there is good reason to suspect it might be, but when his friend, Detective Phil Keegan, labels it an accident, Dowling 's hands are tied. It's a question of ethics. Unable to break Collins's confidence, he can only keep tabs on the investigation from afar. While searching for the truth, Dowling must protect the secrets of his parishioners at all costs.In Requiem for a Realtor, the charming Father Dowling returns once again, tangled in a web of deceit that will intrigue and delight his dedicated fans in a complex, satisfying mystery from Ralph McInerny.

Since his work first began to appear in the early 1960s, Thomas Disch has proven himself, again and again, to be one of the most prodigiously talented novelist/playwright/poets of our time. In Newsweek he was saluted by Walter Clemons as "the most formidably gifted unfamous American writer." But in 1991, with the publication of The M.D., Disch's remarkably various gifts converged in a horror novel that propelled him into the mainstream even as it remade the genre in its own startling image. Now, in The Priest, Disch gives us an even more potent, darkly hypnotic, and fiendishly comic novel - a gothic romance like no other. At the center: Father Patrick Bryce, a Catholic priest with a present-day Minneapolis parish - and a pedophile past. He's spent time at a church-run retreat for priests of his persuasion and returned "rehabilitated": even better equipped to keep his vice active and hidden. Until the blackmail begins. It comes from three different sources (his own bishop being one), and each tops the next in imaginative proposals: Father Pat must head a militant (and probably illegal) anti-abortion campaign; Father Pat must apologize to each of his victims, face-to-face; Father Pat must read, and be ready to discuss, the work of a bizarre cult science fiction writer, and get the face of Satan tattooed on his chest. But the blackmailers and their demands are the least of Father Pat's problems. More dire is his increasingly incontrovertible sense that the nightmares in which he has been leading the life of a thirteenth-century bishop are not dreams at all. And that the Church, rife with corruption and scandal in both eras, is the only realistic sanctuary for him and his doppelganger, Bishop Silvanus de Roquefort, as they move - at once separately and together - through their own centuries-spanning maze of soul-killing horrors toward a distinctly hellish destiny. The astonishments, mayhem, and villainy they encounter along the way come brilliantly to life in an eerie and wildly populated narrative that builds at breakneck speed to its gripping, gruesome, and romantic finale. The Priest is a spellbinding confirmation of Thomas Disch's standing as a master conjurer of the most darkly compelling tales.

A collection of Carroll's verse, including "Phantasmagoria" and the complete "Hunting of the Snark."