Walter Mosley

When his cousin Ulysses S. Grant IV comes knocking, Paris Minton would rather keep the door shut, because "Useless" is a snake who brings bad luck wherever he goes. But trouble always finds an open window, and soon there's a man murdered on his bookshop floor, evidence of blackmail is discovered, and Useless has vanished. To get out of this mess, Paris turns to his solid-hearted but quick-fisted friend Fearless Jones. Traversing the complex landscape of 1950s Los Angeles, where a wrong look can get a black man killed, Paris and Fearless find deperate women, secret lives--and more than one dead body.

It is the Summer of Love and Easy Rawlins is contemplating robbing an armored car. It's farther outside the law than Easy has ever traveled, but his daughter, Feather, needs a medical treatment that costs far more than Easy can earn or borrow in time. And his friend, Mouse, tells him it's a cinch. Then another friend, Saul Lynx, offers him a job that might solve Easy's problem without jail time. He has to track the disappearance of an eccentric, prominent attorney. An assistant, of sorts, the beautiful 'Cinnamon' Cargill is gone as well. Easy can tell there is much more than he is being told...Robert Lee, his new employer, is a suspect in the attorney's disappearance. But his need overcomes all concerns, and he plunges into unfamiliar territory, from the newfound hippie enclaves to a vicious plot that stretches back to the battlefields of Europe. The New York Times said of Mosley's bestseller, Little Scarlet, "Nobody, but nobody, writes this stuff like Mosley."

The man at Charles Blakey's door has a proposition almost too strange for words. He wants to spend the summer in Charles's basement, and Charles cannot even begin to guess why. The beautiful house has been in the Blakey family for generations, but Charles has just lost his job and is behind on his mortgage payments. The money would be welcome. But Charles Blakey is black and Anniston Bennet is white, and it is clear that the stranger wants more than a basement view. There is something deeper and darker about his request, and Charles does not need any more trouble. But financial necessity leaves him no choice. Once Anniston Bennet is installed in his basement, Charles is cast into a role he never dreamed of. Anniston has some very particular requests for his landlord, and try as he might, Charles cannot avoid being lured into Bennet's strange world. At first he resists, but soon he is tempted-tempted by the opportunity to understand the secret ways of white folks. Tempted to understand a set of codes that has always eluded him. Charles's summer with a man in his basement turns into an exploration of inconceivable worlds of power and manipulation, and unimagined realms of humanity. Walter Mosley pierces long-hidden veins of justice and morality with startling insight into the deepest mysteries of human nature.

Walter Mosley delivers at last the compelling master work everyone's been waiting for--a novel so intriguing, so soulful, so unstoppably dramatic that it will rank among the classic mysteries of our time.At the height of the riots that cripple LA in the summer of 1965, a white man is pulled from his car by a mob and escapes into a nearby apartment building. Soon afterward, a red-headed woman known as Little Scarlet is found dead in that apartment building--and the fleeing man is the obvious suspect. The police ask Easy Rawlins to investigate. What he finds is a killer whose rage, like that which burned the city for weeks, is intrinsically woven around race and passion. Rawlins's hunt for the killer will reveal a new city emerging from the ashes--and a new life for Easy and his friends. Mosley's lean and muscular vernacular captures the heat and the rhythm of Los Angeles' heart, where danger is the common currency of everyday life.

Walter Mosley's Easy Rawlins has few illusions about the world--at least not about the world of a young black veteran in the late 1940s in Southern California. His stint in the Army didn't do anything to dissuade him from his belief that justice doesn't come cheap, especially for men like him. "I thought there might be some justice for a black man if he had money to grease it," Easy says. Fired from his job on the line at an aircraft plant, he's in danger of losing his home, symbol of his tenuous hold on middle class status. That's a good enough reason to accept a white man's offer to pay him for finding a beautiful, mysterious Frenchwoman named Daphne Monet, last seen in the company of a well-known gangster. Easy's search takes the reader to an L.A. few writers have shown us before--the mean streets of South Central, the after-hours joints in dirty basement clubs, the cheap hotels and furnished rooms, the places people go when they don't want to be found. Evocative of a past time, and told in a style that's reminiscent of Hammet and Chandler, yet uniquely his own, Mosley's depiction of an inherently decent man in a violent world of intrigue and corruption rang up big sales when it was published in 1990 (although the movie version, with Denzel Washington as Easy, never found the audience it deserved). The minor characters are deftly and brilliantly developed, especially Mouse, who saves Easy's life even as he draws him deeper into the mystery of Daphne Monet. Like many of Mosley's characters, Mouse makes a return appearance in the succeeding Easy Rawlins mysteries, such as A Red Death, Black Betty, and White Butterfly, every one of which is as good as Devil in a Blue Dress, his first. --Jane Adams --This text refers to an out of print or unavailable edition of this title.

Easy Rawlins is out of the investigation business and as far away from crime as a black man can be in 1960s Los Angeles. But living around desperate men means life gets complicated sometimes. When an old friend gets in enough trouble to ask for Easy's help, he finds he can't refuse.

Socrates Fortlow, an ex-convict forced to define his own morality in a lawless world, confronts wrongs that most people would rather ignore and comes face-to-face with the most dangerous emotion: hope. It has been nine years since his release from prison, and he still makes his home in a two-room shack in a Watts alley. But he has a girlfriend now, a steady job, and he is even caring for a pet, the two-legged dog he calls Killer. These responsibilities make finding the right path even harder - especially when the police make Socrates their first suspect in every crime within six blocks.--BOOK JACKET. "In each chapter of Walkin' the Dog, Socrates challenges a different conundrum of modern life. In "Blue Lightning, " he is offered a better-paying job but has to consider whether the extra pay is worth the freedom he would have to give up. In "Promise, " he keeps a vow made long ago to a dying friend, and learns that a promise to one person can mean damage to another. In "Mookie Kid, " he gets a telephone and,learns that the price of being able to reach others is that others can contact him - whether he wants to be reached or not."--BOOK JACKET. "Walkin' the Dog builds to a stunning climax as Socrates takes on a rogue cop who has terrorized his neighborhood."--BOOK JACKET.

A spiritual novel on a cosmic ray which hits some people on Earth, giving them superhuman powers in strength and intelligence. They band to form a commune in California, but come under threat from the spirit of Death, also created by the ray.

No more excuses. "Let the lawn get shaggy and the paint peel from the walls," bestselling novelist Walter Mosley advises. Anyone can write a novel now, and in this essential book of tips, practical advice, and wisdom, Walter Mosley promises that the writer-in-waiting can finish it in one year. Intended as both inspiration and instruction, the book provides the tools to turn out a first draft painlessly and then revise it into something finer. Mosley tells how to:- Create a daily writing regimen to fit any writer's needs--and how to stick to it.- Determine the narrative voice that's right for every writer's style.- Get past those first challenging sentences and into the heart of a story.

The Walter Mosley and his new hero, Leonid McGill, are back in the new New York Times-bestselling mystery series that's already being hailed as a classic of contemporary noir. Leonid McGill-the protagonist introduced in The Long Fall, the book that returned Walter Mosley to bestseller lists nationwide -is still fighting to stick to his reformed ways while the world around him pulls him in every other direction. He has split up with his girlfriend, Aura, because his new self won't let him leave his wife-but then Aura's new boyfriend starts angling to get Leonid kicked out of his prime, top-of-the­skyscraper office space. Meanwhile, one of his sons seems to have found true love-but the girl has a shady past that's all of sudden threatening the whole McGill family-and his other son, the charming rogue Twilliam, is doing nothing but enabling the crisis.Most ominously of all, Alfonse Rinaldo, the mysterious power-behind- the-throne at City Hall, the fixer who seems to control every little thing that happens in New York City, has a problem that even he can't fix- and he's come to Leonid for help. It seems a young woman has disappeared, leaving murder in her wake, and it means everything to Rinaldo to track her down. But he won't tell McGill his motives, which doesn't quite square with the new company policy- but turning down Rinaldo is almost impossible to even contemplate.Known to Evil delivers on all the promise of the characters and story lines introduced in The Long Fall, and then some. It careens fast and deep into gritty, glittery contemporary Manhattan, making the city pulse in a whole new way, and it firmly establishes Leonid McGill as one of the mystery world's most iconic, charismatic leading men.

Briefly discusses different types of stories and encourages the reader to complete and compose stories.

Timed for the 60th anniversary, the iconic and influential first issue of the Fantastic Four by Stan Lee and Jack Kirby, deconstructed by award-winning designer Chip Kidd; with text by Marvel editor Tom Brevoort and historian Mark Evanier; and photographs by Geoff Spear.

"Eight years ago, Zella Grisham came home to find her man, Harry Tangelo, in bed with her friend. The weekend before, $6.8 million had been stolen from Rutgers Assurance Corp., whose offices are across the street from where Zella worked. Zella didn't remember shooting Harry, but she didn't deny it either. The district attorney was inclined to call it temporary insanity - until the police found $80,000 from the Rutgers heist hidden in her storage space. For reasons of his own, Leonid McGill is convinced of Zella's innocence. But as he begins his investigation, his life begins to unravel. His wife is drinking more than she should. His oldest son has dropped out of college and moved in with an ex-prostitute. His youngest son is working for him and trying to stay within the law. And his father, whom he thought was long dead, has turned up under an alias."-- Publisher description.

Debbie Dare has to come to terms with her sordid life in the adult-entertainment industry. Millions of men (and, no doubt, many women) have watched the famed black porn queen-- she of the blond wig and blue contact lenses-- 'do it' on television and computer screens every which way and with every combination of partners the mind can imagine. When she discovers her "film producer" husband dead in a hot tub electrocution with a starlet he was "auditioning," Debbie decides she's done with porn. Dealing with estrangement from her family and the child she had to give up, her options for what might come next include the possibility of suicide ...

Investigating the murder of a client he initially refused to help, Leonid navigates difficult personal elements in his own life while uncovering dark secrets about the victim's old-money family and its missing heiress.