A. M. Homes

An acclaimed novelist's riveting memoir about what it means to be adopted and how all of us construct our sense of self and familyBefore A.M. Homes was born, she was put up for adoption. Her birth mother was a twenty-two- year-old single woman who was having an affair with a much older married man with children of his own. The Mistress's Daughter is the story of what happened when, thirty years later, her birth parents came looking for her.Homes, renowned for the psychological accuracy and emotional intensity of her storytelling, tells how her birth parents initially made contact with her and what happened afterward (her mother stalked her and appeared unannounced at a reading) and what she was able to reconstruct about the story of their lives and their families. Her birth mother, a complex and lonely woman, never married or had another child, and died of kidney failure in 1998; her birth father, who initially made overtures about inviting her into his family, never did.Then the story jumps forward several years to when Homes opens the boxes of her mother's memorabilia. She had hoped to find her mother in those boxes, to know her secrets, but no relief came. She became increasingly obsessed with finding out as much as she could about all four parents and their families, hiring researchers and spending hours poring through newspaper morgues, municipal archives and genealogical Web sites. This brave, daring, and funny book is a story about what it means to be adopted, but it is also about identity and how all of us define our sense of self and family.

This is the most comprehensive biography of John F. Kennedy ever undertaken. It centers on the his relationship to his awesome and powerful family- dominated by the one man in the United States both determined to place a son in the White House and capable of doing it. Combining vivid personal glimpses with insights into the political currents of the times, the author renders in fascinating and fully human terms Jack Kennedy's lifelong struggle to live up to his father's unbending expectations. There is much to this book that is new: It tells for the first time the full story of the grave illness that plagued Kennedy all his life, and of his desperate fight to overcome and then to conceal it. It brings to light the more shadowy of his celebrated affairs: the love for the suspected "Nazi agent" that resulted in his hurried transfer to the South Pacific during World War II, from which he returned a hero. It reveals the truth about his controversial friendship with Senator Joe McCarthy and it explores his peculiar relationship with Richard Nixon, whom he regarded as a rival but never an enemy. It also reconstructs the political machinations that led to Kennedy's election to the House and then to the Senate, and illuminates his complex relationship with the woman who was to become more famous as his widow than she was as his wife. -- Publisher description.

As A.M. Homes's incendiary novel unfolds, the Kodacolor hues of the good life become nearly hallucinogenic.Laying bare th foundations of a marriage, flash frozen in the anxious entropy of a suburban subdivision, Paul and Elaine spin the quit terors of family life into a fantastical frenzy that careens out of control. From a strange and hilarious encounter with a Stepford Wife neighbor to an ill-conceived plan for a tattoo, to a sexy cop who shows up at all the wrong moments, to a housecleaning team in space suits, a mistress calling on a cell phone, and a hostage situationat a school, A.M. Homes creates characters so outrageously flawed and deeply human that thery are entriely believable.

From fashion and food to literature and music, the Beats heralded a new way of living, and a new mode of recording their lives. There is hardly a part of American culture today that is untouched by their work. Fred and Gloria McDarrah lived and worked in the heart of the Beat scene. Astute observers and participants, they faithfully recorded what they saw in word and picture. Besides their own thoughts and images, they amassed a collection of authentic Beat writings, all in the author's own hand or typed by them. Now reproduced for the first time, these writings complement the photographs and memories in giving a full picture of what it was like to be a Beat. With over 240 photographs, this work promises to be a landmark document of the Beats, their lives, and times.

The End of Alice sneaks us in the back doors of our upright suburban neighborhoods to reveal the impulses that even in our frank, outspoken times we don't talk about. This is a tale told by a pedophile in his twenty-third year in a maximum security prison. He is intelligent; he is witty; he is profoundly dangerous. Beyond the reality of his stark cell and the violent perversion of the other inmates lies his imagination, which he turns to his past, to an "accident" with a little girl named Alice, and now to the erotic life of a nineteen-year-old suburban co-ed who draws him into a flirtatious epistolary exchange. At home on summer break from college, she writes to the prisoner about her taste for young boys, her lust for one twelve-year-old in particular. She is inspired by the convict's crimes; he is excited by her peculiar obsession. Into the veneer of middle-class convention - the tennis lessons, baby-sitting, and family dinners - she casts her line for the boy. He bites. As her reports of their strange affair progress, the prisoner's memory unravels, revealing the appalling circumstances of his captivity, his deadly and lingering infatuation with Alice. The intertwined fixations of these unlikely correspondents give The End of Alice its haunting, unsettling power. A. M. Homes, whom the New York Times Book Review calls "exhilaratingly perverse," lures us into the lives of characters simultaneously repellent and seductive.

"A razor-sharp story collection from a writer who is always "furiously good" (Zadie Smith, bestselling author of Swing Time). With her signature humor and compassion, A.M. Homes exposes the heart of an uneasy America in her new collection - exploring our attachments to each other through characters who aren't quite who they hoped to become, though there is no one else they can be. In "A Prize for Every Player," a man is nominated to run for president by the customers of a big box store, while he and his family do their weekly shopping. At a conference on genocide(s) in the title story, old friends rediscover themselves and one another - finding spiritual and physical comfort in ancient traditions. And in "Hello Everybody" and "She Got Away," Homes revisits a Los Angeles family obsessed with the surfaces and frightened of what lives below. In the nearly three decades since her seminal debut collection The Safety of Objects, Homes has been celebrated by readers and critics alike as one of our boldest and most original writers, acclaimed for her psychological accuracy and "satire so close to the truth it's terrifying" (Ali Smith). Her first book since the Women's Prize-winning May We Be Forgiven, Days of Awe is a major new addition to her body of visionary, fearless, outrageously funny work"--

"This exhibition catalogue, published to accompany the Solomon R. Guggenheim Museum's major mid-career survey of Catherine Opie's work, is the first to gather all of the artist's key projects to date in a single volume. Each of Opie's series in the exhibition - among them Portraits, Freeways, Domestic, American Cities, Icehouses, and in and Around Home - is reproduced in full-color plates alongside works featured exclusively here, allowing for the most complete overview of the artist's work yet assembled. The volume features a lead essay by Guggenheim Curator of Photography Jennifer Blessing, which surveys Opie's artistic career and its historical contexts; a series of interviews with the artist by Russell Ferguson, Chair of the Department of Art at UCLA; and a brief personal reflection by internationally renowned novelist Dorothy Allison, whose work explores many concerns similar to Opie's. It also includes introductory essays on each of the artist's series by Nat Trotman, Assistant Curator at the Guggenheim, as well as a newly researched, comprehensive exhibition history and bibliography."--Book jacket.

Feeling overshadowed by his more-successful younger brother, Harold is shocked by his brother's violent act that irrevocably changes their lives, placing Harold in the role of father figure to his brother's adolescent children and caregiver to his aging parents.

In this stunningly original collection, A. M. Homes writes with terrifying compassion about the things that matter most. Homes's distinctive narrative illuminates our dreams and desires, our memories and losses, and demonstrates how extraordinary the ordinary can be. With uncanny emotional accuracy, wit, and empathy, Homes takes us places we recognize but would rather not go alone.