Rebecca Makkai

Meet the Devohrs: Zee, a Marxist literary scholar who detests her parents' wealth but nevertheless finds herself living in their carriage house; Gracie, her mother, who claims she can tell your lot in life by looking at your teeth; and Bruce, her step-father, stockpiling supplies for the Y2K apocalypse and perpetually late for his tee time. Then there's Violet Devohr, Zee's great-grandmother, who they say took her own life somewhere in the vast house, and whose massive oil portrait still hangs in the dining room. Violet's portrait was known to terrify the artists who resided at the house from the 1920s to the 1950s, when it served as the Laurelfield Arts Colony -- and this is exactly the period Zee's husband, Doug, is interested in. An out-of-work academic whose only hope of a future position is securing a book deal, Doug is stalled on his biography of the poet Edwin Parfitt, once in residence at the colony. All he needs to get the book back on track -- besides some motivation and self-esteem -- is access to the colony records, rotting away in the attic for decades. But when Doug begins to poke around where he shouldn't, he finds Gracie guards the files with a strange ferocity, raising questions about what she might be hiding. The secrets of the hundred-year house would turn everything Doug and Zee think they know about her family on its head -- that is, if they were to ever uncover them.

Lucy Hull, a young children's librarian in Hannibal, Missouri, finds herself both a kidnapper and kidnapped when her favorite patron, ten-year-old Ian Drake, runs away from home. The precocious Ian is addicted to reading, but needs Lucy's help to smuggle books past his overbearing mother, who has enrolled Ian in weekly antigay classes with celebrity Pastor Bob. Lucy stumbles into a moral dilemma when she finds Ian camped out in the library after hours with a knapsack of provisions and an escape plan. Desperate to save him from Pastor Bob and the Drakes, Lucy allows herself to be hijacked by Ian. The odd pair embarks on a crazy road trip from Missouri to Vermont, with ferrets, an inconvenient boyfriend, and upsetting family history thrown in their path. But is it just Ian who is running away? Who is the man who seems to be on their tail? And should Lucy be trying to save a boy from his own parents?

Safe passage / Ramona Ausubel -- Uncle Chaim and Aunt Rifke and the angel / Peter S. Beagle -- Cardiology / Ryan Boudinot -- The Pentecostal Home for Flying Children / Will Clarke -- For a ruthless criticism of everything existing / Martin Cozza -- Daltharee / Jeffrey Ford -- Is / Chris Gavaler -- The torturer's wife / Thomas Glave -- Reader's guide / Lisa Goldstein -- Search continues for elderly man / Laura Kasischke -- Pride and Prometheus / John Kessel -- The New York times at special bargain rates / Stephen King -- Couple of lovers on a red background / Rebecca Makkai -- Flying and falling / Kuzhali Manickavel -- The King of the Djinn / Benjamin Rosenbaum & David Ackert -- The city and the moon / Deborah Schwartz -- The two-headed girl / Paul G. Tremblay -- The first several hundred years following my death / Shawn Vestal -- Rabbit catcher of Kingdom Come / Kellie Wells -- Serials / Katie Williams.

Presents a collection of wide-ranging, evocative short stories, including several inspired by the author's family history or featuring protagonists whose lives are shaped by irony.

In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup: bringing an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDs epidemic grows around him. One by one, his friends are dying and after his friend Nico's funeral, he finds his partner is infected, and that he might even have the virus himself. The only person he has left is Fiona, Nico's little sister. Thirty years later, Fiona is in Paris tracking down her estranged daughter who disappeared into a cult. While staying with an old friend, a famous photographer who documented the Chicago epidemic, she finds herself finally grappling with the devastating ways the AIDS crisis affected her life and her relationship with her daughter. Yale and Fiona's stories unfold in incredibly moving and sometimes surprising ways, as both struggle to find goodness in the face of disaster.