Bloom's modern critical views

Gives a personal look at the man, husband, father and writer who became "Master of the Macabre." Also describes how works were conceived and written.

x, 667 pages ; 21 cm

"Charlatan, plagiarist, pathological liar, whimpering child, egomaniac, braggart, and irresponsible drunkard, he did what few American writers had ever tried to do before: he tapped the rich reservoir of the subconscious mind to set free the terrible images which had seldom been allowed to stalk the printed page." Thus in his introduction to this collection Philip Van Doren Stern sums up the strange genius of Edgar Allan Poe, one of America's most original men of letters. The Portable Poe compiles Poe's greatest writings: tales of fan- tasy, terror, death, revenge, murder, and mystery, including "The Pit and the Pendulum," "The Fall of the House of Usher," "The Cask of Amontillado," and "The Murders in the Rue Morgue," the world's first detective story. In addition, this vol-ume offers letters, articles, criticism, visionary poetry, and a selection of random "opinions" on fancy and the imagination, music and poetry, intuition and sundry other topics. --back cover

"Stories of hardship amid the wilderness and on the open sea typify the works of Jack London. This inexpensive, single-volume edition features three complete novels by the adventure writer -- The Call of the Wild, White Fang, and The Sea Wolf -- in addition to selected essays and short Klondike tales"--

An anthology of English romantic poems

No writer plunged more wholeheartedly into the chaotic energies of the 1960s than Norman Mailer, as he fearlessly revolutionized literary norms and genres to capture the political, social, and sexual explosions of an unsettled era. Here, for the first time in one volume, are his unforgettable books of the 1960s: two disruptive and visionary novels, and two radically innovative journalistic masterpieces. War hero, television star, existential hipster, seducer, murderer: such is the protagonist of An American Dream, Mailer's hallucinatory voyage through the dark night of an America awash in money, sex, and violence. In Why Are We in Vietnam? a motor-mouthed 18-year-old Texan on the eve of military service recounts with manic and obscene exuberance a grizzly bear hunt in Alaska that exposes the macho roots of the war. The acclaimed "non-fiction novel" The Armies of the Night (winner of the Pulitzer Prize and National Book Award) and its follow-up Miami and the Siege of Chicago are on-the-scene, in-the-scene accounts of an antiwar march on the Pentagon and the party conventions of 1968, as Mailer casts himself as a player in the drama he reports, bringing a sharp and merciless eye on the decade's political upheavals.

Few playwrights write as much of their lives into every work as did Tennessee Williams, and few had lives that were so obviously theatrical. Growing up amid abusive alcoholism, genteel posturing, and the incipient madness of his beloved sister, Rose, Williams produced plays in which violence exploded into rape, castration, and even cannibalism, projecting dramatic personal traumas. In this frank, compelling study, the distinguished biographer and critic Ronald Hayman explores the intersection of biography and art in one of the most exuberantly autobiographical dramatists of the American theater. By the time he died, in 1983, Williams's reputation had seriously declined. More than twenty years of drug and alcohol addiction, coupled with devastating openness about his promiscuous homosexuality, had all but destroyed one of America's greatest playwrights, while Williams's new works were increasingly unsuccessful. In recent years, however, Broadway revivals and amateur productions have testified to his enduring greatness as one of the shapers of the American theater. The major plays, such as The Glass Menagerie, Cat on a Hot Tin Roof and A Streetcar Named Desire, never disappeared from American theatrical consciousness. Their heroes - Tom Wingfield, Brick Pollitt, even Blanche Du Bois - are portraits of the artist as a very troubled man. Hayman explores the life and writings of Tennessee Williams and shows how they were linked. More than any previous biographer, he unmasks the compulsive, driven man behind the characters and lays bare the pain that engendered Williams's violent apocalypses. Tennessee Williams will change the way lovers of drama experience and understand some of its finest achievements.

"Award-winning African-American playwright August Wilson has created a cultural chronicle of black America through such works as Ma Rainey's Black Bottom, Fences, Joe Turner's Come and Gone, The Piano Lesson, and Two Trains Running. He forces readers and audiences to examine the despair generated by poverty and racism by exploring African-American heritage and experiences over the course of the twentieth century." "This literary companion provides the reader with a source of basic data and analysis of characters, dates, events, allusions, staging strategies, and themes from the work on one of America's finest playwrights. The text opens with an annotated chronology of Wilson's life and works, followed by his family tree. Each of the 166 encyclopedic entries that make up the body of the work combines insights from a variety of sources and includes suggestions for further reading. Appendices provide a timeline of events in Wilson's life and those of his characters, and a list of forty topics for projects, composition, and oral analysis."--BOOK JACKET.

The veldt. -- Let's play poison. -- Fever dream. -- Zero hour. -- The Foghorn. -- A sound of thunder. -- The wind. -- The scythe. -- Marionettes Inc. -- The other foot. -- The pedestrian. -- The trolley. -- The smile. -- The gift. -- The last night of the world.

Using oral biography, a technique that perfectly matches the style of his subject, George Plimpton blends the voices of Capote's lovers, haters, acquaintances, and colleagues into a highly readable narrative. Here we are present for the entire span of Capote's life: his Southern childhood and his early days in New York; his first literary success with the publication of Other Voices, Other Rooms; his highly active love life; the groundbreaking excitement of In Cold Blood, the first "nonfiction novel"; his years as a jet-setter; and his final days of flagging inspiration, alcoholism, and isolation. All his famous friends and enemies are here: Katherine Graham, Lauren Bacall, Gore Vidal, Joan Didion, William Styron, Kurt Vonnegut, Norman Mailer, Lee Radziwill, John Huston, John Knowles, William F. Buckley, Jr., and dozens of others.