John Lahr

Fron December 1966 to his murder in August 1967, Joe Orton kept a series of diaries that prove to be one of the most candid and unfettered accounts of that remarkable era. They chronicle his life from his literary success to his sexual escapades.

Here, together for the first time in one volume, are Joe Orton's earliest and last published works. Head to Toe is the saga of Gombold, who strays onto the head of a creature some hundred miles high and begins making his way through the giant's nether regions and on toward his toes. En route, he falls into the clutches of a dominating and gender-bending policewoman; finds himself in an assassination squad whose target is the prime minister; and finally enlists in an apocalyptic war between the Left and Right Buttocks. Up Against It is a screenplay commissioned by the Beatles in 1967, in which, as Orton described it, "The boys have been caught in flagrante, become involved in dubious political activity, dressed as women, committed murder, been put in prison, and committed adultery." The two works, which mirror each other in many ways, combine elements of satire, eroticism, and nightmare with Orton's characteristic glee

This mesmerizing story of playwright and author Joe Orton’s brief and remarkable life was named book of the year by Truman Capote and Nobel Prize–winning novelist Patrick White Told with precision and extensive detail, Prick Up Your Ears is the engrossing biography of playwright and novelist Joe Orton. Orton’s public career spanned only three years (1964–1967), but his work made a lasting mark on the international stage. From Entertaining Mr. Sloane to his career-making Loot, Orton’s plays often shocked, sometimes outraged, and always captivated audiences with their dark yet farcical cynicism. A rising star and undeniable talent, Orton left much undone when he was bludgeoned to death by his lover, Kenneth Halliwell, who had educated Orton and also dreamed of becoming a famous writer. Prick Up Your Ears was the basis for the distinguished 1987 film of the same name, directed by Stephen Frears, with a screenplay by Alan Bennett, and starring Gary Oldman and Vanessa Redgrave. A brilliant, page-turning examination of the dueling forces behind Orton’s work, Prick Up Your Ears secured the playwright’s reputation as a great twentieth-century artist.

John Lahr is one of the most celebrated critics of the performing arts. Winner of Britain's 1992 Roger Machell Award for the best writing about public performance, Dame Edna Everage and the Rise of Western Civilisation is an insider's account of a great clown and a great act. It takes us backstage at London's Theatre Royal in Drury Lane, with Barry Humphries, and into the weird and wonderful world of his show-stopping creation--Dame Edna Everage. Humphries is a prodigious comic talent. His copresence in Edna-- a character so real to the public that her autobiography, My Gorgeous Life, appeared on the nonfiction list--actively invites speculation about reality and fantasy, male and female. With her "natural wisteria" hair and her harlequin eyeglasses, Dame Edna was the first solo performer to sell out the most famous theater in England, and she also took the United States by storm, filling theaters from coast to coast. Hilarious and malign, polite and rude, highbrow and very low, the character Barry Humphries inhabits is a bundle of contradictions. John Lahr, the son of another comic genius, takes us behind the scenes to investigate how a provincial dandy from Melbourne transformed himself into one of the most unlikely megastars of today. In showing the connection between Humphries's comedy and the life it parodies, Dame Edna Everage and the Rise of Western Civilisation goes beyond reportage to an exploration of the nature of comedy, a subject that Lahr has pursued over the years in his acclaimed biographies of Bert Lahr, Noël Coward, and Joe Orton. Richly entertaining and engagingly written, this book is an anecdotal treatise on the nature of comedy and an absorbing inquiry into what makes us laugh.

John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate. With vivid cameos of the formative influences in Williams's life—his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin—Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams’s plays and the tortured process of bringing them to stage and screen.

Includes essays by Joseph Brodsky, William H. Gass, Henry Louis Gates, Jr., Edward Hoagland, Edna O'Brien, Cynthia Ozick, Grace Paley, John Edgar Wideman, and Tobias Wolff, among others.

A collection of science activities demonstrating the properties of light.

In five dexterously argued chapters, John Lahr investigates all the major plays and many of Nël Coward's lesser-known pieces.

Ben wreaks havoc at school when he decides to bring his baby sister for show and tell.

Lahr's professional career and his complex private life are seen as an organic whole in a work that, combining immediacy with genuine perspective, is important both as a personal portrait and as a contribution to theater history.