Norman Mailer

"In The Spooky Art, Norman Mailer discusses with signature candor the rewards and trials of the writing life, and recommends the tools to navigate it. Addressing the reader in a conversational tone, he draws on the best of more than fifty years of his own criticism, advice, and detailed observations about the writer's craft. Mailer explores, among other topics, the use of first person versus third person, the pressing need for discipline, the pitfalls of early success, and the dire matter of coping with bad reviews. While The Spooky Art offers a fascinating preview of what can lie in wait for the student and fledgling writer, the book also has a great deal to say to more advanced writers on the contrary demands of plot and character, the demon writer's block, and the curious ins-and-outs of publishing. Throughout, Mailer ties in examples from his own career, and reflects on the works of his fellow writers, living and dead - Twain, Melville, Faulkner, Hemingway, Updike, Didion, Bellow, Styron, Beckett, and a host of others. In The Spooky Art, Mailer captures the unique untold suffering and exhilaration of the novelist's daily life and, while plotting a clear path for other writers to follow, maintains reverence for the underlying mystery and power of the art."--BOOK JACKET.

Norman Mailer fused fact and fiction to create indelible portraits of such figures as Marilyn Monroe, Gary Gilmore, and Lee Harvey Oswald. In The Gospel According to the Son, Mailer re-imagines, as no other modern author has, the key character of Western history. Here is Jesus Christ’s story in his own words: the discovery of his divinity and the painful, powerful journey to accepting and expressing it, “as if I were a man enclosing another man within.” In its brevity and piercing simplicity, it may be Mailer’s most accessible, direct, and heartfelt work. Praise for The Gospel According to the Son “Quietly penetrating . . . [Norman Mailer’s] gospel is written in a direct, rather relaxed English that yet has an eerie, neo-Biblical dignity.”—John Updike, The New Yorker

"MARVELOUS . . . BREATHTAKING."--The New York Times Book Review"MAILER SHINES . . . Explaining Kennedy's assassination through the flaws in Oswald's character has been attempted before, notably by Gerald Posner in Case Closed and Don Delillo in Libra. But neither handled Oswald with the kind of dexterity and literary imagination that Mailer here supplies in great force. . . . Oswald's Tale weaves a story not only about Oswald or Kennedy's death but about the culture surrounding the assassination, one that remains replete with miscomprehensions, unraveled threads and lack of resolution: All of which makes Oswald's Tale more true-to-life than any fact-driven treatise could hope to be. . . . Vintage Mailer."--The Philadelphia Inquirer"FASCINATING . . . A MASTER STORYTELLER . . . Mailer gives us our clearest, deepest view of Oswald yet. . . . Inside three pages you are utterly absorbed."--Detroit Free Press"MAILER AT HIS BEST . . . LIVELY AND CONVINCING . . . EXTREMELY LUCID . . . Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance. . . . [He] has found a way to make the dry bones of KGB tapes and his own interviews stand up and perform. . . . From the American master conjurer of dark and swirling purpose, a moving reflection."--Robert Stone The New York Review of Books"THIS IS A NARRATIVE OF TREMENDOUS ENERGY AND PANACHE; THE AUTHOR AT THE TOP OF HIS FORM."--Christopher Hitchens Financial Times"Mailer has written some pretty crazy books in his time, but this isn't one of them. Like its predecessor, Harlot's Ghost, it is the performance of an author relishing the force and reach of his own acuity."--Martin Amis The London Sunday TimesFrom the Trade Paperback edition.

In Portrait of Picasso as a Young Man, Mailer sets out to capture the meaning of Picasso's life and art and explores in bold fashion the originality of his ambition. Commenting upon much of the critical work on Picasso that has appeared over the years, Mailer's biography brings us closer to the young artist than we have ever been before. Much at the heart of Mailer's interpretation is Picasso's first great love, Fernande Olivier, with whom the artist lived for seven years - a period that included Picasso's most revolutionary works, from the explosive innovations of Les Demoiselles d'Avignon to the mysteries of Cubism itself. To understand Picasso in these years, Mailer argues, it is necessary to follow his relationship with the extraordinary Fernande, who is here given her own voice by way of excerpts from her candid memoirs, hitherto unpublished in English. Since this period also includes Picasso's friendships with Apollinaire and Gertrude Stein, the book evokes the charm and special character of bohemian life in Paris in the early 1900s. Closely integrated throughout the text are more than 250 illustrations, including black-and-white and color reproductions of Picasso's works (drawings, sketches, and major paintings), as well as pertinent photographs and contributory works by other artists.

Arguably the greatest book from America's most heroically ambitious writer, THE EXECUTIONER'S SONG follows the short, blighted life of Gary Gilmore who became famous after he robbed two men in 1976 and killed them in cold blood. After being tried and convicted, he immediately insisted on being executed for his crime. To do so, he fought a system that seemed intent on keeping him alive long after it had sentenced him to death. And that fight for the right to die is what made him famous.

Millions have been gripped by Oliver Stone's film JFK and its premise that the plot to assassinate Kennedy originated beyond the highest levels of the U.S. government. In the movie, the advocate of this theory is a character named "X" played by Donald Sutherland, who, as the film's "Deep Throat," explains how and why this plot came about. As Stone acknowledged, "X" not only was faithfully depicted in the film, but also as the film's creative adviser provided fully. Documented information and analysis that helped shape the script. This mystery man was not a fabricated character, as some critics contend. His identity can now be revealed: "X" is L. Fletcher Prouty, a former top-level "military-CIA" operative and the author of JFK: The CIA, Vietnam, and the Plot to Assassinate John F. Kennedy. Now, for the first time, Prouty presents in book form the explosive thesis that influenced Oliver Stone from the time he first began reading the. Author's writings in the late 1980s. Among the author's revelations in JFK:. Kennedy's plan to change the course of the Vietnam conflict and to remove all U.S. military personnel from that country by the end of 1965 created enormous concern at the center of the military-industrial complex and led directly to his assassination. Upon receiving the report of the Cuban Study Group from Gen. Maxwell Taylor after the Bay of Pigs disaster in 1961, Kennedy vowed to "shatter the. CIA into a thousand pieces." He began by firing longtime Director of Central Intelligence Allen W. Dulles and his top aides. The army set up a full-fledged covert operation derisively named Operation Camelot to thwart Kennedy's efforts to end the war. President Johnson reversed Kennedy's orders to wind down in Vietnam immediately following Kennedy's murder. And in March 1964 he set the course for massive troop escalation. Why Kennedy was ultimately against the war and. Why he was really murdered. Brilliantly written and researched over nearly eight years, JFK is riveting. It is the first eyewitness account by a top-level insider, a man who had access to the primary documents and personalities - including those in the White House - dating back to 1943. The shock waves generated by JFK will shake the halls of government for decades to come.

"The most daring, ambitious and by far the best written of the several very long, daring and ambitious books Norman Mailer has so far produced....Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book....There can no longer be any doubt that he possesses the largest mind and imagination at work in American literature today."CHICAGO TRIBUNENarrated by Harry Hubbard, a second-generation CIA man, HARLOT'S GHOST looks into the depths of the American soul and the soul of Hugh Tremont Montague, code name Harlot, a CIA man obsessed. And Harry is about to discover how far the madness will go and what it means to the Agency and the country....A Main Selection of the Book-of-the-Month ClubFrom the Trade Paperback edition.

A perfect morning (from The young lions) / Irwin Shaw Lunghua camp (from Empire of the Sun) / J.G. Ballard The journey (from A town like Alice) / Nevil Shute The birth of an idea (from The man who never was) / Ewen Montague The big day (from From here to eternity) / James Jones Abducting the general (from Ill met by midnight) / W. Stanley Moss The landing at Kuralei (from Tales of the South Pacific) / James A. Michener Shall I live for a ghost (from The last enemy) / Richard Hillary Billy Pilgrim (from Slaughterhouse Five) / Kurt Vonnegut Battalion in defense (from Officers and gentlemen) / Evelyn Waugh Anopopei (from The naked and the dead) / Norman Mailer 'Plane land here' (from Wingate's raiders) / Charles J. Rolo Mission asymptote (from The white rabbit) / Bruce Marshall Fraternizing with the enemy? (from Reach for the sky) / Paul Brickhill Shooting party (from Grand party) Graham Brooks H-hour (from The longest day) / Cornelius Ryan Into Germany (from Carve her name with pride) / R.J. Minney Ironbottom Sound (from Ironbottom Sound) / Lindsay Baly The first bid for freedom (from The Colditz story) / P.R. Reed Some were unlucky (from Enemy coast ahead) / Guy Gibson, VC May 1941 (from Nella Last's diary) / Nella Last Major major major major (from Catch 22) / Joseph Heller The battle of the bulge (from The face of war) / Martha Gelhorn The invasion of Papua (from Retreat from Kokoda) / Raymond Paull No trouble at all (from The stories of flying officer X) / H.E. Bates Stalingrad The story of the battle (from Stalingrad point of return) / Ronald Seth The soldier looks for his family / John Prebble The white mouse and the Maquis d'Auvergne (from The white mouse) / Nancy Wake Fear of death / F.J. Salfeld The invaders (from The Moon is down) / John Steinbeck The compass rose (from The cruel sea) / Nicholas Monsarrat The diary of a desert rat (from The diary of a desert rat) / R.L. Crimp The Mannerheim Line (from Of many men) / James Aldridge Midway (from Torpedo Junction) / Robert J. Casey Hiroshima the fire (from Hiroshima) / John Hersey

It has been called the single most historic event of the 20th century On July 20, 1969, after a decade of tests and training, supported by a staff of 400,000 engineers and scientists, and with a budget of billions, the most powerful rocket ever launched brought Neil Armstrong, Buzz Aldrin, and Michael Collins to the moon. Nobody captured the men, the mood, and the machinery like Norman Mailer, hired by LIFE magazine to cover the mission in a dazzling reportage he later enhanced and extended his reportage with deeper reflection in the brilliantly crafted book, "Of a Fire on the Moon", excerpted here for the first time.

Narrated by Ranald ("D.J.") Jethroe, Texas's most precocious teenager, on the eve of his departure to fight in Vietnam, this story of a hunting trip in Alaska is both brilliantly entertaining and profoundly thoughtful.