New Directions paperbook

"Somehow or other I seem to have slipped in between all the 'schools,'" observed Nathanael West the year before his untimely death in 1940. "My books meet no needs except my own, their circulation is practically private and I'm lucky to be published." Yet today, West is widely recognized as a prophetic writer whose dark and comic vision of a society obsessed with mass-produced fantasies foretold much of what was to come in American life. Miss Lonelyhearts (1933), which West envisioned as "a novel in the form of a comic strip," tells of an advice-to-the-lovelorn columnist who becomes tragically embroiled in the desperate lives of his readers. The Day of the Locust (1939) is West's great dystopian Hollywood novel based on his experiences at the seedy fringes of the movie industry.

James Laughlin has been called the American Catullus. Like that most Greek of ancient Latin poets, he elevates his everyday subjects with wit and clarity of language. Love and hate, death and aging, politics, literature, travel, the horrors of war - Laughlin's muse speaks of all these things with a fresh directness that makes his poems both timeless and contemporary. The founder of New Directions, Laughlin's efforts as publisher and poet have been to prolong and extend the old poetic traditions. Poetry for him is, in Gertrude Stein's phrase, a "continuous present" in all times and cultures. Laughlin developed his distinctive tight metrics with the advice of William Carlos Williams. A longer, comical line is found in the recent poems of Laughlin's doppelganger, Hiram Handspring. The Man in the Wall follows Laughlin's recent Collected Poems (Moyer Bell Limited).

After their leader dies of AIDS, a group of men who meet every month to dine together meet his possible replacement.

"In The Red Notebook, Auster again explores events from the real world - large and small, tragic and comic - that reveal the unpredictable, shifting nature of human experience. A burnt onion pie, a wrong number, a young boy struck by lightning, a man falling off a roof, a scrap of paper discovered in a Paris hotel room - all these form the context for a singular kind of ars poetica, a literary manifesto without theory, cast in the irreducible forms of pure story telling."--BOOK JACKET.

Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabéa, one of life's unfortunates. Living in the slums of Rio and eking out a poor living as a typist, Macabéa loves movies, Coca-Colas, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly and unloved. Rodrigo recoils from her wretchedness, and yet he cannot avoid the realization that for all her outward misery, Macabéa is inwardly free/She doesn't seem to know how unhappy she should be. Lispector employs her pathetic heroine against her urbane, empty narrator—edge of despair to edge of despair—and, working them like a pair of scissors, she cuts away the reader's preconceived notions about poverty, identity, love and the art of fiction. In her last book she takes readers close to the true mystery of life and leave us deep in Lispector territory indeed.

Ezra Pound's The Pisan Cantos was written in 1945, while the poet was being held in an American military detention center near Pisa, Italy, as a result of his pro-Fascist wartime broadcasts to America on Radio Rome. Imprisoned for some weeks in a wire cage open to the elements, Pound suffered a nervous collapse from the physical and emotional strain. Out of the agony of his own inferno came the eleven cantos that became the sixth book of his modernist epic, The Cantos, themselves conceived as a Divine Comedy for our time. The Pisan Cantos were published in 1948 by New Directions and in the following year were awarded the Bollingen Prize for poetry by the Library of Congress. The honor came amid violent controversy, for the dark cloud of treason still hung over Pound, incarcerated in St. Elizabeths Hospital for the Criminally Insane. Yet there is no doubt that The Pisan Cantos displays some of his finest and most affecting writing, marking an elegaic turn to the personal while synthesizing the philosophical and economic political themes of his previous cantos. They are now being published for the first time as a separate paperback, in a fully annotated edition prepared by Richard Sieburth, who also contributes a thoroughgoing introduction, making Pound's master-work fully accessible to students and general readers.

The story of two young men who come to a picturesque beach town. Seen prismatically through the viewpoints of the town's residents, they offer a variety of worldviews. Yet are they really twins or a single person?

The title of this book is taken from Henry Miller's into the Night Life and expresses the way Lawrence Ferlinghetti felt about these poems when he wrote them during a short period in the 1950's-as if they were taken together, a kind of Coney Island of the mind, a kind of circus of the soul. The twenty-nice poems of the title section form an integrated sequence in which the poet's eye sees beneath the "surface of the round world," while the section entitled "Oral Messages" was particularly written to be read aloud and communicated in the voice of our times. A measure of the poet's success in this is evident in that the paperback edition of a Coney Island of the Mind is now in its nineteenth printing with a total of 300,000 copies in print.

Johannes Bobrowski is widely regarded as the most important German poet of this century. He began to write poetry on the Eastern Front in 1941 where, as a 24-year-old German soldier in Kaunas, he saw the "slavering wolves" of the SS drive the "grey processions" over a hill to death. A prisoner-of-war in Russia until 1949, he returned to Berlin to write with a purpose: to inform his countrymen of the history and myths of Eastern Europe and to preserve the memory of his childhood home. The poems in Shadow Lands reflect Bobrowski's hope, in the words of Michael Hamburger, "that he might succeed poetically in bearing witness to that vanished world," that is, the world of Eastern Germany before the war. With an almost surreal lyrical beauty, he evokes the pre-Christian era of the gods and heroes of the ancient Prussians. The poems also resonate with the most eloquent and picturesque descriptions of Bobrowski's homeland - its rivers, its forests and quiet villages - ultimately leaving us with a sense of "the hiddenness of all perfect things." Personally intense and far-reaching, these poems have been treasured for their originality, their beauty, and their broad and lasting appeal.

Kamau Brathwaite, who won the 1994 Neustadt International Prize for Literature, has revised his celebrated 1979 Casa de las Americas collection, Black + Blues, for its first edition by a U.S. publisher. A rich and beautiful collection, Black + Blues is cast in three parts - "Fragments," "Drought," and "Flowers."

A Welsh poet recalls the celebration of Christmas in Wales and the feelings it evoked in him as a child.

Essays on a variety of cultural topics and personalities.

"The concluding novel in Joyce Cary's "Second Trilogy," Not Honour More (1955) takes up at the point Prisoner of Grace (1952) ends. The setting is Palm Cottage, the remnant property of the Slapton-Latter family and now the scene of an unhappy ménage consisting of Captain Jim Latter (retired), his wife Nina (née Woodville), and her former husband, Chester Nimmo. It is 1926, the year of the General Strike. Nimmo, once a Cabinet Minister, sees the situation as his chance for a political comeback, while Jim, head of the emergency civilian police, feels it his duty to take his stand, however desperate, against "the grabbers and tapeworms... sucking the soul out of England." For Nina, the trapped go-between, their inevitable clashes can lead nowhere but disaster. Not Honour More is Jim's book, "my statement, so help me, as I hope to be hung." -- Publisher

"Here are three of Denise Levertov's finest books: The Freeing of the Dust (1975), Life in the Forest (1978), and Candles in Babylon (1982). This new compilation - beginning where Denise Levertov's Poems 1968-1972 left off - testifies not only to Levertov's technical mastery, but also to her spiritual vision. Some of Levertov's best war poems, the result of her visit to North Vietnam in 1972, are contained in this collection. Poems 1972-1982 enables readers to observe a crucial phase in Levertov's poetic development."--BOOK JACKET.

This book is wrote by French poet and painter Henri Miaux. Michaux went to Asia for a journey in 1931. During the 8-month journey, he visited India, Sri Lanka, China, Japan, Korean and Malaysia. It is after this long journey that Michaux published the book Abarbarian in Asia which recorded what he saw, heard, felt and thinking in Asia.

feministic study or women charecters in rich like us

A visiting professor of Swedish named Lars Gustafsson finds himself involved in "a sudden series of bizarre events" in Austin, Texas, in 1974.

As Denise Levertov comments in her brief foreword to The Life Around Us, she has "shared with most poets in every time and place an ardent love of what my eyes and other senses revealed to me in the world we call 'nature'." Yet in this selection of sixty-two poems chosen by the author "celebration and fear of loss are necessarily conjoined." The Life Around Us shows us both the eternal renewal of the natural world and its imperilment.