Crofts classics

"This new Norton Critical Edition presents a comprehensive collection of Donne's poetry. The texts are divided into sections: "Satires," "Elegies," "Verse Letters to Several Personages," "Songs and Sonnets," and "Divine Poems." They have been scrupulously edited and are from the Westmoreland manuscript where possible - collated against the best exemplars from the most important families of Donne manuscripts: the Cambridge Balam, the Dublin Trinity, the O'Flahertie - and compared with all seven of the seventeenth-century printed editions of the poems as well as with the major twentieth-century editions. Annotations to the texts of the poems define uncommon terms and locate historical references." ""Criticism" is divided into four sections. "Donne and Metaphysical Poetry" includes seventeenth-century views on Donne and his style by Ben Jonson, Thomas Carew, Izaak Walton, John Dryden, Samuel Johnson, Dennis Flynn, and John Carey. "Satires, Elegies, and Verse Letters" offers insights into Donne's frequently overlooked early poems and their social and literary backgrounds, Collected here are selections by Arthur F. Marotti, M. Thomas Hester, Alan Armstrong, Achsah Guibbory, Margaret Maurer, Heather Dubrow, and Gary A. Stringer. Pieces on Donne the love poet are included in "Songs and Sonnets," by Donald L. Guss, Patrick Cruttwell, John A. Clair, M. Thomas Hester, Theresa M. DiPasquale, and Camille Wells Slights. "Holy Sonnets/Divine Poems" includes essays that discuss Donne's struggles as a Christian, by R.V. Young, Louis L. Martz, David M. Sullivan, and Donald R. Dickson. A Chronology, Selected Bibliography, Index of Titles, and Index of First Lines are also included."--Jacket.

The School for Scandal debuted at Drury Lane Theater in London in 1777. The play is still popular and regularly performed today. It is a comedy of manners about "the deceptive nature of appearances, the fickleness of reputation, [and] the often disreputable guises behind which goodness and honesty can conceal itself."

Areopagitica: A speech for the Liberty of Unlicensed Printing to the Parliament of England is John Milton's famous tract against censorship. Published in 1644, Areopagitica is named after a speech by Isocrates, a fifth century BC Athenian orator. The work is counted as one of the most influential and inspired defenses of the right to freedom of expression in history. It is also a personal issue for Milton who was submitted to censorship himself when he tried to publish his defenses of divorce, radical works for the time that gained no quarter with censors. Distributed as a pamphlet, Milton's powerful arguments against 1643's Licensing Order note that classical Greek and Roman society was never subjected to such censorship, and he uses many classical and biblical references to reinforce his argument.