Wole Soyinka

A dazzling memoir of an African childhood from Nobel Prize-winning Nigerian novelist, playwright, and poet Wole Soyinka. "Aké: The Years of Childhood" gives us the story of Soyinka's boyhood before and during World War II in a Yoruba village in western Nigeria called Aké. A relentlessly curious child who loved books and getting into trouble, Soyinka grew up on a parsonage compound, raised by Christian parents and by a grandfather who introduced him to Yoruba spiritual traditions. His vivid evocation of the colorful sights, sounds, and aromas of the world that shaped him is both lyrically beautiful and laced with humor and the sheer delight of a child's-eye view. A classic of African autobiography, "Aké" is also a transcendantly timeless portrait of the mysteries of childhood.

In this new book developed from the prestigious Reith Lectures delivered at Oxford, Nobel Prize-winning author Wole Soyinka, a courageous advocate for human rights around the world, considers fear as the dominant theme in world politics. Decades ago, the idea of collective fear had a tangible face: the atom bomb. Today our shared anxiety has become far more complex and insidious, arising from tyranny, terrorism, and the invisible power of the "quasi state." As Wole Soyinka suggests, the climate of fear that has enveloped the world was sparked long before September 11, 2001. Rather, it can be traced to 1989, when a passenger plane was brought down by terrorists over the Republic of Niger. From Niger to lower Manhattan to Madrid to Beslan, this invisible threat has erased distinctions between citizens and soldiers; we're all potential targets now. In this seminal work, Soyinka explores the implications of this climate of fear: the conflict between power and freedom, the motives behind unthinkable acts of violence, and the meaning of human dignity. Fascinating and disturbing, Climate of Fear is a brilliant and defining work for our age.

The Burden of Memory considers all of Africa - indeed, all the world - as it poses the logical question: Once repression stops, is reconciliation between oppressor and victim possible? In the face of centuries-long devastations wrought on the African continent and her Diaspora by slavery, colonialism, Apartheid, and the manifold faces of racism, what form of recompense could possibly be adequate? In a voice as eloquent and humane as it is forceful, Soyinka examines this fundamental question as he illuminates the principle duty and "near intolerable burden" of memory to bear the record of injustice. In so doing he challenges notions of simple forgiveness, of confession and absolution, as strategies for social healing. Ultimately, he turns to artpoetry, music, painting - as one source that may nourish the seed of reconciliation, art as the generous vessel that can hold together the burden of memory and the hope of forgiveness. Based on Soyinka's Stewart-McMillan lectures delivered at the Du Bois Institute at Harvard. The Burden of Memory speaks not only to those concerned specifically with African politics, but also to anyone seeking the path to social justice through some of history's most inhospitable terrain.

xxix, 223 pages ; 20 cm

This edition comprizes Millay's first three books, "Renascence", "Second April" and "A Few Figs", as well as a biographical and critical introduction and indexes both by title and by first line.

A triumph of the mythic imagination, Forest of a Thousand Daemons unfolds in a landscape where, true to Yoruba cosmology, human, natural and supernatural beings are compellingly and wonderfully alive at once: a world of warriors, sages and kings; magical trees and snake people; spirits, ghommids and bog-trolls. Here are the adventures of Akara-ogun – son of a brave warrior and a wicked witch – as he journeys into the forest, encountering and dealing with all-too-real unforeseen forces, engaging in dynamic spiritual and moral relationships with personifications of his fate, perhaps projections of the terrors and obsessions that haunt man.

Drawing on two decades of experience as a war correspondent and based on his numerous columns for Truthdig, Chris Hedges presents The World As It Is, a panorama of the American empire at home and abroad, from the coarsening effect of America's War on Terror to the front lines in the Middle East and South Asia and the continuing Israeli-Palestinian conflict. Underlying his reportage is a constant struggle with the nature of war and its impact on human civilization. "War is always about betrayal," Hedges notes. "It is about betrayal of the young by the old, of cynics by idealists, and of soldiers and Marines by politicians. Society's institutions, including our religious institutions, which mold us into compliant citizens, are unmasked."

Written in 1971, Madmen and Specialists is one of Soyinka's most excoriating portrayals of abusers and abused in the new Nigeria ushered in by Biafra and the civil war of 1967-70. Set in the "surgery" of a doctor, the play is populated by mendicants and the "insane," all fodder for "experimentation" by a shape-shifting doctor whose experiments may be more sinister than they at first appear.