Jane Jacobs

A mansion filled with Western art in the center of old Calcutta, the Mughal emperor's letters in an archive in the French Alps, the names of Italian adventurers scratched into the walls of Egyptian temples. In this book, Jasanoff delves into the stories behind vestiges such as these to uncover the lives of people who lived on the frontiers of the British Empire during a pivotal century of its formation. She traces the exploits of collectors to tell an intimate history of imperialism, offering a fresh account of European imperialism that challenges received wisdom about how imperial power was asserted in Asia and the Middle East. This book enters a world where people lived, loved, mingled, and identified with one another in ways richer and more complex than we might have believed possible. -- From publisher description.

Dark Age Ahead is a 2004 book by Jane Jacobs describing what she sees as the decay of five key "pillars" in "North America": community and family, higher education, science and technology, taxes and government responsiveness to citizen's needs, and self-regulation by the learned professions. She argues that this decay threatens to create a Dark Age unless the trends are reversed. Jacobs characterizes a Dark Age as a "mass amnesia" where even the memory of what was lost is lost.

Analyzes the economic functions, powers and limitations of cities and the uneasy relationship of cities with the national governments that preside over them.

Buildings, although inanimate, are often assumed to have "life." And the architect, through the act of design, is assumed to be their conceiver and creator. But what of the "death" of buildings? What of the decay, deterioration, and destruction to which they are inevitably subject? And what might such endings mean for architecture's sense of itself? In Buildings Must Die, Stephen Cairns and Jane Jacobs look awry at core architectural concerns. They examine spalling concrete and creeping rust, contemplate ruins old and new, and pick through the rubble of earthquake-shattered churches, imploded housing projects, and demolished Brutalist office buildings. Their investigation of the death of buildings reorders architectural notions of creativity, reshapes architecture's preoccupation with good form, loosens its vanities of durability, and expands its sense of value. It does so not to kill off architecture as we know it, but to rethink its agency and its capacity to make worlds differently. Cairns and Jacobs offer an original contemplation of architecture that draws on theories of waste and value. Their richly illustrated case studies of building "deaths" include the planned and the unintended, the lamented and the celebrated. They take us from Moline to Christchurch, from London to Bangkok, from Tokyo to Paris. And they feature the work of such architects as Eero Saarinen, Carlo Scarpa, Cedric Price, Arata Isozaki, Rem Koolhaas and François Roche. Buildings Must Die is both a memento mori for architecture and a call to to reimagine the design values that lay at the heart of its creative purpose.

This collection of conversations with Jane Jacobs brilliantly illuminates the career of one of America's most influential urban theorists and beloved public intellectuals. Ranging a span of decades, it offers a revealing look at Jacobs' writings on urban life, economics, and politics, as well as her long history of activism.

"Nearly forty years after The Death and Life of Great American Cities changed the field of urban studies, Jane Jacobs brings us a modern classic on economies and ecology. This new book looks at the connection between the economy and nature, arguing that the principles of development, common to both systems, are the proper subject of economic study.". "The Nature of Economics is written in the form of a Platonic dialogue, a conversation over coffee among five contemporary New Yorkers. The question they discuss is: Does economic life obey the same rules as those governing the systems in nature? For example, can the way fields and forests maximize their intakes and uses of sunlight teach us something about how economies expand wealth and jobs and can do this in environmentally beneficial ways? The underlying question is both simple and profound, and the answers that emerge will shape the way people think about how economies really work."--BOOK JACKET.

A survey of Jacobs's career in forty short pieces that have never been collected in a single volume: essays, articles, speeches, interviews, and lectures, covering her work in urban and economic planning as well as globalization, feminism, and universal health care.

The thesis of Jane Jacobsʹ The Economy of Cities remains remarkably fresh and provocative three decades later. Cities, she asserts, are not the result of processes most scientists and economists have assumed they were: Cities do not develop because a pre-existing rural economic base develops and eventually becomes strong enough to support an essentially parasitic urban growth. Instead, Jacobs argues, cities are the prerequisite for any kind of rural economy. Where there are no cities, there are no sustainable rural economies, and the rural economy depends on the city rather than the other way around. Jacobs defines "city" as a "settlement that consistently generates its economic growth from its own local economy"; population centers of any size that have never done this do not meet her definition of city. Likewise, Jacob defines "urban" as "pertaining only to cities ..."--Review from (Oct. 18, 2012).

In 1980, Jacobs offered an urbanistic perspective on Quebec's sovereignty in her book The Question of Separatism: Quebec and the Struggle over Separation. Jacobs was an advocate of a Province of Toronto to separate the city proper from Ontario. Jacobs said, "Cities, to thrive in the twenty-first century, must separate themselves politically from their surrounding areas."

The Death and Life of Great American Cities was described by The New York Times as “perhaps the most influential single work in the history of town planning. . . . [It] can also be seen in a much larger context. It is first of all a work of literature; the descriptions of street life as a kind of ballet and the bitingly satiric account of traditional planning theory can still be read for pleasure even by those who long ago absorbed and appropriated the book’s arguments.” Jane Jacobs, an editor and writer on architecture in New York City in the early sixties, argued that urban diversity and vitality were being destroyed by powerful architects and city planners. Rigorous, sane, and delightfully epigrammatic, Jane Jacobs’s tour de force is a blueprint for the humanistic management of cities. It remains sensible, knowledgeable, readable, and indispensable.