Shambhala pocket classics

"Rene Daumal's Mount Analogue is a twentieth-century classic, combining the author's poetic gifts and philosophical accomplishments. Among other things, this is an allegory for the journey of life, as well as a tale in which the narrator/author, one of an intrepid company of eight, sets sail in the yacht Impossible to search for Mount Analogue, the solid, geographically located, albeit hidden, peak that reaches inexorably towards heaven - as Mount Olympus reached to the home of the Greek gods, or Mount Sinai to the presence of Yahweh. Daumal, one of the greatest French writers of the twentieth century, died before the novel was completed, providing an uncanny one-way quality to the journey."--BOOK JACKET.

Contains 55 sonnets in English and German.

A collection of maxims on wordly behavior observed by a Jesuit scholar 300 years ago.

Flatland: A Romance of Many Dimensions, though written in 1884, is still considered useful in thinking about multiple dimensions. It is also seen as a satirical depiction of Victorian society and its hierarchies. A square, who is a resident of the two-dimensional Flatland, dreams of the one-dimensional Lineland. He attempts to convince the monarch of Lineland of the possibility of another dimension, but the monarch cannot see outside the line. The square is then visited himself by a Sphere from three-dimensional Spaceland, who must show the square Spaceland before he can conceive it. As more dimensions enter the scene, the story's discussion of fixed thought and the kind of inhuman action which accompanies it intensifies.

A “hippie capitalist” shows how money flows to those who “do the right thing” and respect its objective rules and laws. This is a book about the psychological and philosophical and even mystical nature of money and the unexpected effects it can have on your life.

Free renderings of selections from the works of Chuang-tzŭ, taken from various translations.

Collection of essays about complex Asian concepts with a Western directness. Merton believed that there must be a little of Zen in all authentic creative and spiritual experience and the Study of Zen, then, is not a study of doctrine, still less a polemic about ultimate religious principles, it is simply an attempt to reach the ground of pure, direct experience which underlies all creative thought and activity. His essays approach this experience through Japanese art and philosophy (Kataro Nishida), through the Zen of Suzuki, and through the Classic Zen Masters themselves. Dialogue between Merton and Suzuki explores the many congruencies of Christian mysticism and Zen.

Letters written to F.X. Kappus during the years 1903-1908. Chronicle of Rilkes's life for the years 1903-1908 (p. 81-123).

In this hardcover volume in the Shambhala Library, Thomas Merton (1915-1968) shares his enthusiasm for these fourth century monks who lived in the deserts of Egypt and Palestine. They sought "purity of heart," fought the demons of the false self, and lived upright lives attuned as best they could to the Gospel. These pioneers, as Merton calls them, have much to teach us about the inner life: "What can we gain by sailing to the moon if we are not able to cross the abyss that separates us from ourselves? This is the most important of all voyages of discovery, and without it all the rest are not only useless but disastrous." Love animated these faithful souls and prayer was central to their lives. Merton compares the desert fathers to Indian Yogis and Zen Buddhist monks of China and Japan. His translations of their sayings model for contemporary Christians a life of diligent and serious spiritual practice.