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Books in this Series

#29

The literature of the Anglo-Saxons

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Emphasis is on literature rather than on the language. Annotations and bibliographical notes are an outstanding feature.

Jung on death and immortality

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21

"Encountering Jung offers selections from all the published works of C.G. Jung on subjects of continuing interest to contemporary readers, especially in the areas of psychology spirituality, and personal growth. The texts have been chosen and presented by leading Jungian writers and analysis with the purpose of introducing Jung's thought to a new generation of readers."--Jacket.

Three critics of the Enlightenment

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"Isaiah Berlin was deeply admired during his life, but his full contribution was perhaps underestimated because of his preference for the long essay form. The efforts of Henry Hardy to edit Berlin's work and reintroduce it to a broad, eager readership have gone far to remedy this. Now, Princeton is pleased to return to print, under one cover, Berlin's essays on Vico, Hamann, and Herder. These essays on three relatively uncelebrated thinkers are not marginal ruminations, but rather among Berlin's most important studies in the history of ideas. They are integral to his central project: the critical recovery of the ideas of the Counter-Enlightenment and the explanation of its appeal and consequences - both positive and (often) tragic."--BOOK JACKET.

Jung on Christianity

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10

"C. G. Jung, son of a Swiss Reformed pastor, used his Christian background throughout his career to illuminate the psychological roots of all religions. Jung believed religion was a profound, psychological response to the unknown - both the inner self and the outer worlds. He understood Christianity to be an intense meditation on the meaning of the life of Jesus of Nazareth within the context of Hebrew spirituality and the Biblical worldview."--BOOK JACKET. "Murray Stein's introduction relates Jung's personal relationship with Christianity with his psychological views on religion in general, his hermeneutic of religious thought, and his therapeutic attitude toward Christianity. This volume includes extensive selections from: "A Psychological Approach to the Dogma of the Trinity," "Christ as a Symbol of the Self," from Aion, "Answer to Job," letters to Father Vincent White from Letters, and many more."--BOOK JACKET.

Early verse drama and prose plays

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"Goethe's early plays bear witness to his urgent desire to enliven German theater--an ambition that followed him to the National Theater in Weimar, where he was named director in the early 1790s. This volume contains eight of these plays, written between 1771 and 1787. Not only do they demonstrate Goethe's unprecedented versatility in experimenting with new forms of dramatic expression, but they also give insight into his development from Sturm und Drang to classicism. These works include prose plays (Goetz von Berlichingen with the Iron Hand and Egmont), tragedies and comedies (Clavigo, Stella, and Brother and Sister), and dramatic verse forms (Prometheus, Jery and Betty, and Proserpina)"--Publisher.

Kino

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Documents the evolutionary development of the nation's cinema and its film artists, focusing on the period between 1896 and the death of Eisenstein in 1948.

The abolitionist legacy

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3

Tracing the activities of nearly 300 abolitionists and their descendants, this title reveals that some played a crucial role in the establishment of schools and colleges for southern blacks, while others formed the vanguard of liberals who founded the NAACP in 1910.

The passions and the interests

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In this volume, Albert Hirschman reconstructs the intellectual climate of the seventeenth and eighteenth centuries to illuminate the intricate ideological transformation that occurred, wherein the pursuit of material interests --so long condemned as the deadly sin of avarice --was assigned the role of containing the unruly and destructive passions of man. Hirschman here offers a new interpretation for the rise of capitalism, one that emphasizes the continuities between old and new, in contrast to the assumption of a sharp break that is a common feature of both Marxian and Weberian thinking. Among the insights presented here is the ironical finding that capitalism was originally supposed to accomplish exactly what was soon denounced as its worst feature: the repression of the passions in favor of the "harmless," if one-dimensional, interests of commercial life. To portray this lengthy ideological change as an endogenous process, Hirschman draws on the writings of a large number of thinkers, including Montesquieu, Sir James Steuart, and Adam Smith.