Patrick J. Geary

From the Publisher: In these four artfully crafted essays, Patrick Geary explores the way ancient and medieval authors wrote about women. Geary describes the often marginal role women played in origin legends from antiquity until the twelfth century. Not confining himself to one religious tradition or region, he probes the tensions between women in biblical, classical, and medieval myths (such as Eve, Mary, Amazons, princesses, and countesses), and actual women in ancient and medieval societies. Using these legends as a lens through which to study patriarchal societies, Geary chooses moments and texts that illustrate how ancient authors (all of whom were male) confronted the place of women in their society. Unlike other books on the subject, Women at the Beginning attempts to understand not only the place of women in these legends, but also the ideologies of the men who wrote about them. The book concludes that the authors of these stories were themselves struggling with ambivalence about women in their own worlds and that this struggle manifested itself in their writings.

Modern-day Europeans by the millions proudly trace back their national identities to the Celts, Franks, Gauls, Goths, Huns, or Serbs--or some combination of the various peoples who inhabited, traversed, or pillaged their continent more than a thousand years ago. According to Patrick Geary, this is historical nonsense. The idea that national character is fixed for all time in a simpler, distant past is groundless, he argues in this unflinching reconsideration of European nationhood. Few of the peoples that many Europeans honor as sharing their sense of ''nation'' had comparably homogeneous identities even the Huns, he points out, were firmly united only under Attila's ten-year reign. Geary dismantles the nationalist myths about how the nations of Europe were born. He contrasts the myths with the actual history of Europe's transformation between the fourth and ninth centuries--the period of grand migrations that nationalists hold dear. The nationalist sentiments today increasingly taken for granted in Europe emerged, he argues, only in the nineteenth century. Ironically, this phenomenon was kept alive not just by responsive populations--but by complicit scholars. Ultimately, Geary concludes, the actual formation of European peoples must be seen as an extended process that began in antiquity and continues in the present. The resulting image is a challenge to those who anchor contemporary antagonisms in ancient myths--to those who claim that immigration and tolerance toward minorities despoil ''nationhood.'' As Geary shows, such ideologues--whether Le Pens who champion ''the French people born with the baptism of Clovis in 496'' or Milosevics who cite early Serbian history to claim rebellious regions--know their myths but not their history.

In Phantoms of Remembrance, Patrick Geary makes important new inroads into the widely discussed topic of historical memory, vividly evoking the everyday lives of eleventh-century people and both their written and nonwritten ways of preserving the past. Through richly detailed descriptions of various acts of remembrance - including the naming of children and the recording of visions - the author unearths a wide range of approaches to preserving the past as it was or formulating the past that an individual or group prefers to imagine. By focusing on a turning point in medieval history, one in which an effort was made to make a cultural break with the previous centuries, Geary offers a dramatic example of specific mental and social structures that filtered the memories communicated by social elites and ordinary individuals alike.

In this innovative new study, Patrick Geary rejects traditional notions of European history to present the Merovingian period (ca. 400-750) as an integral part of Late Antiquity. Drawing on current scholarship in archaeology, cultural history, historical ethnography, and other fields, the author formulates an original interpretation not only of Merovingian history but of the Romano-barbarian world from which it arose. Mapping the complex interactions of a volatile era, he carefully traces the Romanization of barbarians and the barbarization of Romans that ultimately made these populations indistinguishable. (BARNES & NOBLE).

In search of specific national traditions nineteenth-century artists and scholars did not shy of manipulating texts and objects or even outright manufacturing them. The essays edited by János M. Bak, Patrick J. Geary and Gábor Klaniczay explore the various artifacts from outright forgeries to fruits of poetic phantasy, while also discussing the volatile notion of authenticity and the multiple claims for it in the age. --Provided by publisher.

"Across the nineteenth century European history, philology, archaeology, art, and architecture turned from a common classical vocabulary and ideology to images of pasts and origins drawn primarily from the Middle Ages. The result was a paradox, as scholars and artists, schooled in the same pan-European vocabularies and methodologies nevertheless sought to discover through them unique and, frequently, oppositional national identities. These essays, edited by Patrick J. Geary and Gábor Klaniczay, discuss this all-European phenomenon with a special focus on Scandinavia and East-Central Europe, bearing witness to the inextricable links between cultural and scientific engagement, the search for national identity, and political agendas in the long nineteenth century that made the search for archaic origins an entangled history"--