Classics of Russian literature

Filled with dreams of pursuing a career as a poet, the young Alexander Aduev moves from the country to St Petersburg, where he takes up lodgings next to his uncle Pyotr, a shrewd and world-weary businessman. As his ideals are challenged by disappointment in the fields of love, friendship and poetical ambition, Alexander must decide whether to return to the homely values he has left behind or adapt to the ruthless rules and morals of city life.

Hidden in the forest, the poet Trirodov attempts to secede from the troubled society of early twentieth century Russia to build his own utopia: a school for the quiet children he cares for. Nothing is ever that easy though, and his personal connections to the outside world tie him into the political whirlwind of agitators, factions and power struggles that threaten his solitude. The Created Legend portrays a stark contrast to the protagonists of Sologub’s earlier work The Little Demon, even though the setting is the same town of Skorodozh. There, they varied from at best well-meaning to actively malignant; here the lead characters are idealistic, and isolate themselves from the trials of Russian society in an attempt to maintain their idealism. Trirodov sees beauty and mystery everywhere he looks, and (following the title) works to create his own legend. This volume, originally titled “Drops of Blood,” is the first of the “Created Legend” trilogy and the only one translated contemporaneously into English. It was received with some bewilderment by critics: the combination of current affairs and magical events proved too strange for many. However, treated as an early example of magic realism and with the benefit of hindsight, the setting and symbolism is less shocking and more readily accessible to the modern reader.

"In The Precipice Goncharov combines various genres: novel about the artist, political novel, and romance. This work contrasts the then new ideas of philosophical positivism, utilitarianism and atheism with romantic idealism and traditional values. These various views are examined through the characters of three men laboring to win the love of the heroine, Vera: Boris Raisky, an artist-dilettant; Mark Volokhov, a nihilist in the tradition of Turgenev's Bazarov; and Ivan Tushin, a traditional, yet enlightened landowner.". "The Precipice is especially notable for its women. The heroine, Vera, is one of Russian literature's most independent and intelligent female characters, and the full-blooded portrait of Raisky's wise and strong grandmother is no less remarkable."--BOOK JACKET.

Arina Petrova, matriarch of the Golovlyov family, runs a large estate (4,000 serfs) in Russia. She learns that her first born son, Stepan/Styopka/The Dolt has squandered the land and house she gave to him. She was a practical and strict noblewoman, and she banished her drunken husband Vladmir Mihailitch to his room for several decades while she ran the estate. Arina sent Stepan to college, where he was the class clown. He worked in a series of government jobs, but lost them all due to laziness. He returns home after losing his estate. Arina's second child is Anna, who ran off and married a musician named Ulanov. Anna has twin girls Anninka and Lubinka. Ulanov soon abandons his family, and Anna dies of an illness 3 months later. Arina hoped to be rid of her children by giving them estates. She was very upset when Anna died ("throwing her two brats on to my shoulders") and when Stepan returned. Her third son is Porphyry/Iudushka/Bloodsucker; he is an obsequious, scheming son. Her fourth son is Pavel; he is normal and unremarkable in any way. She keeps her family on a very tight financial leash, and they live at poverty level despite their wealth. Stepan, having nowhere to go, sadly travels back home. Arina declares that she hates him, and says "he has been nothing but a worry and a disgrace to me all his life." She wonders who she is saving her money for. Stepan is let back into the estate, but becomes depressed and runs away one winter evening. He is found alive but never speaks again; he dies shortly thereafter.