Martin Scorsese

#2

Edith Wharton's The Age of Innocence has captivated generations of American readers since it won the 1921 Pulitzer Prize for Fiction. Subtle, ironic, and superbly crafted, Wharton's masterwork is a vivid portrait of late-19th-century New York society. The author's keen observations of the restrictive social mores and the position of women in 19th-century America is underscored by the compelling tale of one man's inability to achieve true happiness with the woman he loves. The novel's popularity endures as the story captures the reader's imagination with the sheer romance of the complicated, yet realistic portrayal of the marriage of Newland Archer to May Welland, and of his love for May's cousin, Ellen Olenska. In this volume - the first devoted exclusively to The Age of Innocence - Linda Wagner-Martin not only examines the historical and social influences of Wharton's time, but also incorporates extended analyses of the novel itself. Wagner-Martin devotes a chapter to each of the principal characters and considers the story from each character's distinctive viewpoint. She also considers The Age of Innocence from several literary perspectives - as a "novel of manners," as a "traditional" novel, and as a "modern" novel. Wagner-Martin traces the critical response to The Age of Innocence, from publication to the present, and examines the novel's importance in the American literary canon. A chronology of Wharton's life and literary career and an extensive bibliography further enhance this study. The combination of Wagner-Martin's sophisticated and wide-ranging critical perspective and impeccable scholarship makes The Age of Innocence: A Novel of Ironic Nostalgia an invaluable reference.

#3

Ever since her boyfriend Nathan had died in a tragic accident, Emma had been coming to the graveyard at night. During the day she went through the motions at her prep school, in class, with her friends, but that?s all it was. For Emma, life had stopped with Nathan?s death. But tonight was different. Tonight Emma and her dog were not alone in the cemetery. There were two others there?Eric, who had just started at her school, and an ancient woman who looked as though she were made of rags. And when they saw Emma there, the old woman reached out to her with a grip as chilling as death?. Emma was not quite like other teenagers. It was true that other girls had experienced grief. Other girls had also lost their fathers, or had their boyfriends die in a senseless accident. But though she hadn?t known it till that night in the graveyard, unlike those other girls, she could see, touch, and speak with the dead. In fact, Emma could draw upon the essence of the dead to work magic. That was what Necromancers did. But Emma had no desire to be a Necromancer. She just wanted to help the ghosts who walked the streets of Toronto, unable to escape from the land of the living. And that was just as well, because had she chosen the path of the Necromancer, Eric would have had to kill her. Instead, Eric and his fellow Necromancer hunter Chase found themselves violating every rule they were sworn to follow, becoming part of Emma?s group, helping her to stand against those who preyed upon the dead. But whether Emma and her friends could survive such a battle was anyone?s guess. And whether Emma could learn to use the magic of the dead against her enemies without herself falling victim to the lure of such power remained to be seen. Eric seemed to think she could, and her living friends would never abandon her. But only time would tell what Emma?s true destiny was?