Edward St Aubyn

Twelve-year-old New York City twins Meg and Edward have nothing in common, so they are just as shocked as everyone else when Meg's hopes for popularity and Edward's mischievous schemes coincidentally collide in a hilarious showdown.

A virus is sweeping the Navajo reservation, and two of her childhood friends are dead. For Sheila Metcalf that's a call to leave Hideaway, Missouri, and return to Arizona. Neither her father's objections nor the arguments of Preston Black, the man who loves her, can stop Sheila from returning to the land of her youth. Her nursing skills are needed, and it's past time she found out the truth about her mother's long-ago death.There's a medical mystery to unravel, secrets about the past to uncover and questions about the future to explore. Along the way, Sheila will need courage and strength--and faith that God will protect her and lead her to where she belongs.

I'm a robber, John Dortmunder says, "not a grave robber." Yet he soon finds himself in a Long Island cemetery, in the very dead of night, with dirt up to his knees. His old friend Andy Kelp is to blame--Andy Kelp and the Internet. For it was while ambling on the Net that Kelp met up with master manipulator Fitzroy Guilderpost and his nefarious companions, the flunked teacher Irwin Gabel and the Las Vegas showgirl Little Feather Redcorn. What these three have in mind is the amazing takeover of an upstate New York casino, and what they also envision is that Dortmunder and Kelp will not share in the ill-gotten gains, even though ill-gotten gains are Dortmunder's and Kelp's only source of income. Shovel in hand, Dortmunder wonders whose grave this is. And if he isn't very careful, and very alert, it could be his.

Henry Dunbar, the once all-powerful head of a global media corporation, is not having a good day. In his dotage he hands over care of the corporation to his two eldest daughters, Abby and Megan, but as relations sour he starts to doubt the wisdom of past decisions. Now imprisoned in Meadowmeade, an upscale sanatorium in rural England, with only a demented alcoholic comedian as company, Dunbar starts planning his escape. As he flees into the hills, his family is hot on his heels. But who will find him first, his beloved youngest daughter, Florence, or the tigresses Abby and Megan, so keen to divest him of his estate? Edward St Aubyn is renowned for his masterwork, the five Melrose novels, which dissect with savage and beautiful precision the agonies of family life. His take on King Lear, Shakespeares most devastating family story, is an excoriating novel for and of our times an examination of power, money and the value of forgiveness.

Follows the life of Patrick Melrose, a member of an upper class English family, through his traumatic childhood with an abusive father, drug addiction, fatherhood, and the possible loss of his family home.

"Edward St. Aubyn is "great at dissecting an entire social world" (Michael Chabon, Los Angeles Times) Edward St. Aubyn's Patrick Melrose novels were some of the most celebrated works of fiction of the past decade. Ecstatic praise came from a wide range of admirers, from literary superstars such as Zadie Smith, Francine Prose, Jeffrey Eugenides, and Michael Chabon to pop-culture icons such as Anthony Bourdain and January Jones. Now St. Aubyn returns with a hilariously smart send-up of a certain major British literary award. The judges on the panel of the Elysian Prize for Literature must get through hundreds of submissions to find the best book of the year. Meanwhile, a host of writers are desperate for Elysian attention: the brilliant writer and serial heartbreaker Katherine Burns; the lovelorn debut novelist Sam Black; and Bunjee, convinced that his magnum opus, The Mulberry Elephant, will take the literary world by storm. Things go terribly wrong when Katherine's publisher accidentally submits a cookery book in place of her novel; one of the judges finds himself in the middle of a scandal; and Bunjee, aghast to learn his book isn't on the short list, seeks revenge. Lost for Words is a witty, fabulously entertaining satire that cuts to the quick of some of the deepest questions about the place of art in our celebrity-obsessed culture, and asks how we can ever hope to recognize real talent when everyone has an agenda"--