Vintage Crime/Black Lizard

It's been six years since Ripley murdered Dickie Greenleaf and inherited his money. Now, in Ripley Under Ground (1970), he lives in a beautiful French villa, surrounded by a world-class art collection and married to a pharmaceutical heiress. All seems serene in Ripley's world until a phone call from London shatters his peace. An art forgery scheme he set up a few years ago is threatening to unravel: a nosy American is asking questions and Ripley must go to London to put a stop to it. In this second Ripley novel, Patricia Highsmith offers a mesmerizing and disturbing tale in which Ripley will stop at nothing to preserve his tangle of lies.

The first in a trilogy of novels centered around the investigations of a Swedish police officer, Detective Superintendent Evert Bäckström, of the National Murder Squad. "It's the dead of summer in the sleepy town of Växjö when twenty-year-old police cadet Linda Wallin is found lying facedown in her mother's apartment, brutally murdered and raped. With no clear motive or suspect in sight, a series of bureaucratic mix-ups leads the National Crime Unit to send Bäckström and his team into the countryside to solve the case. The ever-irritable Bäckström leaves behind his beloved goldfish, checks into a local hotel, and begins to reconstruct the night of Linda's murder. But with more than a few bottles in tow, and a constantly growling stomach to look after, things don't go so well, and Bäckström has to rely on the help of his colleagues to solve the crime--no matter how angry that makes him" -- Page of cover.

The best mysteries--whether detective, historical, police procedural, cozy, or comedy--have one thing in common: a memorable perpetrator. For every Sherlock Holmes or Sam Spade in noble pursuit, there's a Count Dracula, a Lester Leith, or a Jimmy Valentine. These are the rogues and villains who haunt our imaginations--and who often have more in common with their heroic counterparts than we might expect. Now, for the first time ever, Otto Penzler gathers the iconic traitors, thieves, con men, sociopaths, and killers who have crept through the mystery canon over the past 150 years, captivating and horrifying readers in equal measure.

Harry always knew he would go back one day! Eighteen years ago when he was a boy, he had made a decision that drove him from the place he knew and loved. In those early years, between boy and man, he had carved out a life for himself, and somehow, he had found a semblance of peace. Yet through every waking moment during those long aching years, he was haunted by what happened when he was a boy. He had never forgotten that warm, carefree girl with the laughing eyes. Then he recalled the sadness, the bad timings and even now, he could not forgive himself. They say you never forget your first love and it's true. You could have a dozen loving relationships and even settle down with someone you would die for, but your first love is always there, safe and protected in your heart and soul. Now for the first time in all those years, Harry is heading back. Excited, afraid, and full of doubts, he knows he has no choice. Rightly or wrongly, he needs to know the outcome of what happened all those years ago. And most importantly, he needs to find forgiveness.

Number 2 in the Martin Beck Mystery Series, 1966.

Art critic James Figueras is a psychotic, an amoral unrepentant killer. Out to make a lasting name for himself, he seeks out the greatest painter in the world, now a hermit in the Florida swamplands. Figueras is after more than the man, however - he wants the work, and something more . . . something more horrible than can be imagined.

Arthur Johnson's empty and solitary existence is suddenly threatened when a wordly young man arrives at the Trinity Road lodging house.

Living on his posh French estate with his elegant heiress wife, Tom Ripley, on the cusp of middle age, is no longer the striving comer of The Talented Mr. Ripley. Having accrued considerable wealth through a long career of crime—forgery, extortion, serial murder—Ripley still finds his appetite unquenched and longs to get back in the game. In Ripley's Game, first published in 1974, Patricia Highsmith's classic chameleon relishes the opportunity to simultaneously repay an insult and help a friend commit a crime—and escape the doldrums of his idyllic retirement. This third novel in Highsmith's series is one of her most psychologically nuanced—particularly memorable for its dark, absurd humor—and was hailed by critics for its ability to manipulate the tropes of the genre. With the creation of Ripley, one of literature's most seductive sociopaths, Highsmith anticipated the likes of Norman Bates and Hannibal Lecter years before their appearance.

"Edgar Award-winning editor Otto Penzler collects sixty of his all-time favorite holiday crime stories--many of which are difficult or nearly impossible to find anywhere else"--Provided by publisher.

"Vachss is a contemporary master."--The Atlanta Journal-Constitution"Vachss' writing is like a dark roller coaster ride of fear, love and hate." --The Times- PicayuneA hit man defies the confines of a life sentence to avenge his sister's batterer. An immaculately dressed man hires a street gang to extract his daughter from a Central American prison, for reasons as mysterious as they are deadly. A two-bit graffiti artist with a taste for Nazi-ganda finds himself face-to-face with three punks out to make a mark of their own--literally--with a tattoo needle. From neo-noir master Andrew Vachss comes Everybody Pays, 38 white-knuckle rides into a netherworld of pederasts and prostitutes, stick-up kids and fall guys--where private codes of crime and punishment pulsate beneath a surface system of law and order, and our moral compass spins frighteningly out of control. Here is the street-grit prose that has earned Vachss comparisons to Chandler, Cain, and Hammett--and the ingenious plot twists that transform the double-cross into an expression of retribution, the dark deed into a thing of beauty. Electrifying and enigmatic, Everybody Pays is a sojourn into the nature of evil itself--a trip made all the more frightening by its proximity to our front doorstep. "Vachss [is] in the first rank of contemporary American crime writers."--The Kansas City Star"Andrew Vachss has become a cult favorite, and for good reason." --CosmopolitanFrom the Trade Paperback edition.

Apocalyptic fiction is a subgenre of science fiction that is concerned with the end of civilization due to a potentially existential catastrophe such as nuclear warfare, pandemic diseases, extraterrestrial attack, impact event, cybernetic revolt, technological singularity, dysgenics, supernatural phenomena, divine judgment, climate change, resource depletion, or some other general disaster. Post-apocalyptic fiction is set in a world or civilization after such a disaster. The time frame may be immediately after the catastrophe, focusing on the travails or psychology of survivors, or considerably later, often including the theme that the existence of pre-catastrophe civilization has been forgotten (or mythologized). Apocalypse is a Greek word referring to the end of the world. Apocalypticism is the religious belief that there will be an apocalypse, a term which originally referred to a revelation of God's will, but now usually refers to the belief that the end of the world is imminent, even within one's own lifetime.

"After overhearing a terrible conversation between her mother and sister concerning her, Patricia Merrill flees to New York City, assumes a fake identity and finds a job. When her childhood sweetheart shows up, she is torn between maintaining her secret or confiding in him"--

The unblinking story of two lost and self-destructive drifters—a failed painter working as a counterman in a cheap diner and a woman in flight from domestic violence—trying to find a place for themselves in the back streets of San Francisco, Pick-Up is hardboiled writing at its nihilistic best: Willeford’s preferred title for the book was Until I Am Dead. Its bleak vision of life beyond the edge is haunted by rape, racism, alcoholism, suicide, and inescapable poverty, yet shot through with a tenderness and compassion sustained against all odds in a society offering few breaks to its outcasts and misfits.

"A high-tension, sexy, political thriller in which freelance CIA agent Malko Linge brings a project to his bosses that could blow open a ring of Russian spies operating in the United States. At a benefit dinner, Austrian playboy and CIA freelancer Malko Linge meets an intriguing woman, Zhanna Khrenkov, who has an unusual proposal. She will disclose everything she knows about her husband Alexei's business if Malko will get rid of Alexei's younger, British mistress. Appalled, Malko refuses--until Zhanna reveals her husband's real job: head of a ring of Russian spies operating undercover inside the U.S. For Malko's CIA contacts, this is a highly necessary job; for Malko, it is a highly sensitive one. He will move cautiously from Vienna to London to Moscow, trying to find the right balance of winning Zhanna's trust without compromising his moral integrity"--

After a brutal day investigating a quadruple homicide, Detective Hoke Moseley settles into his room at the un-illustrious El Dorado Hotel and nurses a glass of brandy. With his guard down, he doesn’t think twice when he hears a knock on the door. The next day, he finds himself in the hospital, badly bruised and with his jaw wired shut. He thinks back over ten years of cases wondering who would want to beat him into unconsciousness, steal his gun and badge, and most importantly, make off with his prized dentures. But the pieces never quite add up to revenge, and the few clues he has keep connecting to a dimwitted hooker, and her ex-con boyfriend and the bizarre murder of a Hare Krishna pimp.

Tom Ripley passes his leisured days at his French country estate tending the dahlias, practicing the harpsichord, and enjoying the company of his lovely wife, Heloise. Never mind the bloodstains on the basement floor. But some new neighbors have moved to Villeperce: the Pritchards, just arrived from America. They are a ghastly pair, with vulgar manners and even more vulgar taste. Most inconvenient, though, is their curiosity. Ripley does, after all, have a few things to hide. When menacing coincidences begin to occur, a spiraling contest of sinister hints and mutual terrorism ensues, resulting in one of Patricia Highsmith's most elegantly harrowing novels to date.

Des animaux immolés par le feu, la tête et les mains d'une femme gisant près d'une bible aux pages griffonnées... Le commissaire Wallander est inquiet. Ces actes seraient-ils un prélude à des sacrifices humains de plus vaste envergure ? La propre fille de Wallander, impatiente d'entrer dans la police, se lance dans une enquête parallèle. Entraînée vers une secte fanatique résolue à punir le monde de ses péchés, elle va rapidement le regretter. [payot.ch]

"Edgar Award-winning editor Otto Penzler's new anthology brings together the most cunning, resourceful, and brilliant female sleuths in mystery fiction ... For the first time ever, Otto Penzler gathers the most iconic women of the detective canon over the past 150 years, captivating and surprising readers in equal measure. The 74 handpicked stories in this collection introduce us to the most determined of gumshoe gals, from debutant detectives like Anna Katharine Green's Violet Strange to spinster sleuths like Mary Roberts Rinehart's Hilda Adams, from groundbreaking female cops like Baroness Orczy's Lady Molly to contemporary crime-fighting P.I.s like Sue Grafton's Kinsey Millhone, and include indelible tales from Agatha Christie, Carolyn Wells, Edgar Wallace, L.T. Meade and Robert Eustace, Sara Paretsky, Nevada Barr, Linda Barnes, Laura Lippman, and many more. Meet determined law-enforcing ladies and captivating criminal masterminds of all kinds, including a brilliant scientist who solves a murder using a single tea leaf ; a master thief who leaves a calling card at the scene of the crime lest the servants be wrongly accused ; a powerful woman who oversees a rogue band of vigilantes ; a nosy detective best known for her outrageous hats who solves a murder using tropical fish ; an X-rated sleuth who gets shanghaied by an unsavory character ; a puritanical villainess hell-bent on avenging a perceived wrong ; and, last but not least, a crime-solving nun who unravels a complicated poisoning plot" --

For the first time ever, legendary editor Otto Penzler has handpicked some of the most respected and bestselling thriller writers working today for a riveting collection of spy fiction. From first to last, this stellar collection signals mission accomplished. Including: Lee Child with an incredible look at the formation of a special ops cell. James Grady writing about an Arab undercover FBI agent with an active cell. Joseph Finder riffing on a Boston architect who's convinced his Persian neighbors are up to no good. John Lawton concocting a Len Deighton-esque story about British intelligence. * Stephen Hunter thrilling us with a tale about a WWII brigade. Full list of Contributors: James Grady, Charles McCarry, Lee Child, Joseph Finder, John Lawton, John Weisman, Stephen Hunter, Gayle Lynds, David Morrell, Andrew Klavan, Robert Wilson, Dan Fesperman, Stella Rimington, Olen Steinhauer

145 p. ; 21 cm

"A classic."--The London Times What on earth could have provoked a modern day St. Valentine's Day massacre?On Valentine's Day, four members of the Coverdale family--George, Jacqueline, Melinda and Giles--were murdered in the space of 15 minutes. Their housekeeper, Eunice Parchman, shot them, one by one, in the blue light of a televised performance of Don Giovanni. When Detective Chief Superintendent William Vetch arrests Miss Parchman two weeks later, he discovers a second tragedy: the key to the Valentine's Day massacre hidden within a private humiliation Eunice Parchman has guarded all her life. A brilliant rendering of character, motive, and the heady discovery of truth, A Judgement in Stone is among Ruth Rendell's finest psychological thrillers. "It will be an amazing achievement if [Rendell] ever writes a better book."--London Daily Express"Ruth Rendell is the best mystery writer in the English-speaking world."--TimeFrom the Trade Paperback edition.

Joe has witnessed things that cannot be erased. A former FBI agent and Marine, his abusive childhood has left him damaged beyond repair. He has completely withdrawn from the world and earns his living rescuing girls who have been kidnapped into the sex trade. When he's hired to save the daughter of a corrupt New York senator held captive at a Manhattan brothel, he stumbles into a dangerous web of conspiracy, and he pays the price. As Joe's small web of associates are picked off one by one, he realizes that he has no choice but to take the fight to the men who want him dead.

When the corpse of the shady industrialist who owns the local football team is found both shot and stabbed with a Parmesan knife, Italian police inspector Aurelio Zen is called to Bologna to oversee the investigation. Recovering slowly from surgery, and fleeing an equally painful crisis in his personal life, Zen is only too happy to take on what at first appears to be a routine and relatively undemanding assignment.But soon a world-famous university professor is shot with the same gun, immediately after publicly humiliating Italy?s leading celebrity television chef, and the case?intertwined with the fates of an earnest student of semiotics and a mysterious young immigrant who claims to be from Ruritania?spins out of control, and Zen is in no condition to rise to the challenge. There?s also a wild card in the pack, Tony Speranza, Bologna?s most flamboyant private detective.Back to Bologna is dazzlingly plotted, features a cast of vivid and idiosyncratic characters, and along the way delivers both comic and serious insights into the realities of today?s Italy.

Florence,1855. "The English are dying too much," the city's police chief observes. And members of the foreign community in this quaint Italian backwater, both English and American, are indeed dying at an alarming rate and in an extraordinary variety of ingenious and horrible ways. With the local authorities out of their depth, the distinguished resident Robert Browning launches his own private investigation, aided and abetted by an expatriot Robert Booth. Unfortunately, their amateur sleuthing is hampered by the fact that each of their suspects becomes the next victim in a series of murders orchestrated by a killer with a taste for poetic justice. A Rich Full Death features characters both historical and imaginary, ranging from an enticing servant girl to Mr. Browning's consumptive, world-famous wife, Elizabeth Barrett, in a tale lush with period detail, intricately plotted, and with a truly astonishing final twist.From the Trade Paperback edition.

Phoebe Wycherly -- twenty-one, rich, and beautiful -- has been missing for two months when her father, Homer, hires private investigator Lew Archer to locate her. The girl was last seen leaving the San Francisco docks after seeing her father off on a cruise. When she disappeared, she left college and a lovesick boyfriend behind her. Archer's investigation leads him to Phoebe's mother, Catherine, who is divorced from Homer and acting very strangely. Then the bodies start piling up: a real estate agent in Catherine's Atherton home, a sound expert in San Mateo, and a naked woman in a Volkswagen at the bottom of San Francisco Bay. Archer eventually solves this case of missing persons, family secrets, blackmail, and murder.

"Somebody in Pacific Point is guilty of a kidnapping, but what probation officer Howard Cross wants to find most is innocence: in an ex-war hero who has taken a tough manslaughter rap, in a wealthy woman with a heart full of secrets, and in a blue-eyed beauty who has lost her way. The trouble is that the abduction has already turned to murder, and the more Cross pries into the case the further he slips into a pool of violence and evil. Somewhere in the California desert the whole scheme may come down on the wrong man. Somewhere Cross is going to find the last piece of a bloody puzzle—a mystery of blackmail, passion, and hidden identities that might be better left unsolved." --Publisher.

America's low-key high priest of human vice and violently wounded psyches, Jim Thompson emerged from the darkness with this his first novel. Now and On Earth is proof that Thompson has always been the bleak and compassionate teller of tawdry terror that critics and fans have come to treasure. Amid the fresh landscape and smooth illusions of wartime California a young bellboy is tipped into a world too rich in corruption. A lonely down-and-out writer tries to finish just one more book before the bottle finishes him off first. A worn out and tumbling Okie family, displaced and depressed, tries to hold on to the coarse edge of destruction at the end of the road. Thompson takes these characters and imbues them with a disgruntled grace and disillusion that perfectly echoes the dark sinking sensation that American prosperity was built on.