Charles Ray Willeford

Hoke Moseley has had enough. Tired of struggling against alimony payments, two teenage daughters, a very pregnant, very single partner, and a low paying job as a Miami homicide detective, Hoke moves to Singer Island and vows never step foot on the mainland again. But on the street, career criminal Troy Louden is hatching plans of his own with a gang including a disfigured hooker, a talentless artist, and a clueless retiree. But when his simple robbery results in ruthless and indiscriminate bloodshed, Hoke quickly remembers why he is a cop and hurls himself back into the world he meant to leave behind forever.A masterly tale of both mid-life crisis and murder, Sideswipe is a page-turning thriller packed with laughs, loaded with suspense, and featuring one of the truly original detectives of all time.From the Trade Paperback edition.

Art critic James Figueras is a psychotic, an amoral unrepentant killer. Out to make a lasting name for himself, he seeks out the greatest painter in the world, now a hermit in the Florida swamplands. Figueras is after more than the man, however - he wants the work, and something more . . . something more horrible than can be imagined.

The unblinking story of two lost and self-destructive drifters—a failed painter working as a counterman in a cheap diner and a woman in flight from domestic violence—trying to find a place for themselves in the back streets of San Francisco, Pick-Up is hardboiled writing at its nihilistic best: Willeford’s preferred title for the book was Until I Am Dead. Its bleak vision of life beyond the edge is haunted by rape, racism, alcoholism, suicide, and inescapable poverty, yet shot through with a tenderness and compassion sustained against all odds in a society offering few breaks to its outcasts and misfits.

"We have lost the ability to deal with death. Most of the dying spend their last days in general hospitals and nursing homes, in the care of strangers. They may not even know they are dying, victims of the kindly lie that there is still hope. They are often robbed of their dignity after a long series of excessive and hopeless medical interventions. This is the starting point of Seamus O'Mahony's book on the Western way of death. Dying has never been more exposed, with public figures writing detailed memoirs of their illnesses, but in private we have done our best to banish all thought of death. Dying has become medicalized and sanitized, but doctors cannot prescribe a 'good death.' [This book] asks us to consider how we have gotten to this age of spiritual poverty and argues that giving up our fantasies of control over death can help restore its significance."--Jacket.

After a brutal day investigating a quadruple homicide, Detective Hoke Moseley settles into his room at the un-illustrious El Dorado Hotel and nurses a glass of brandy. With his guard down, he doesn’t think twice when he hears a knock on the door. The next day, he finds himself in the hospital, badly bruised and with his jaw wired shut. He thinks back over ten years of cases wondering who would want to beat him into unconsciousness, steal his gun and badge, and most importantly, make off with his prized dentures. But the pieces never quite add up to revenge, and the few clues he has keep connecting to a dimwitted hooker, and her ex-con boyfriend and the bizarre murder of a Hare Krishna pimp.

This adventurous volume, with its companion devoted to the 1930s and 40s, presents a rich vein of modern American writing too often neglected in mainstream literary histories. Evolving out of the terse and violent hardboiled style of the pulp magazines, noir fiction expanded over the decades into a varied and innovative body of writing. Tapping deep roots in the American literary imagination, the novels in this volume explore themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force, they create a dark and violent mythology out of the most commonplace elements of modern life. The raw power of their vernacular style has profoundly influenced contemporary American culture and writing. Far from formulaic, they are ambitious works which bend the rules of genre fiction to their often experimental purposes.

Russel Haxby, vendeur de voitures d'occasion en Californie, a toute la vie devant lui. Il rencontre Alyce Vitale dans un dancing. Elle est attirante, pas insensible à ses avances, mais aussi tour à tour provocante et effarouchée. Il décide d'en avoir pour son argent et de découvrir ce qu'elle lui cache. Un psychopathe dans la lignée des personnages créés par l'auteur.