Meridian Books

"Every man has his dark side ... Spero Lucas confronts his own in the most explosive thriller yet from one of America's best-loved crime writers. The job seems simple enough: retrieve the valuable painting--"The Double"--Grace Kinkaid's ex-boyfriend stole from her. It's the sort of thing Spero Lucas specializes in: finding what's missing, and doing it quietly. But Grace wants more. She wants Lucas to find the man who humiliated her--a violent career criminal with a small gang of brutal thugs at his beck and call. Lucas is a man who knows how to get what he wants, whether it's a thief on the run--or a married woman. In the midst of a steamy, passionate love affair that he knows can't last, in pursuit of a dangerous man who will stop at nothing to get what he wants, Lucas is forced to decide what kind of man he is--and how far he'll go to get what he wants"-- "The job seems simple enough: retrieve the valuable painting--"The Double"--Grace Kinkaid's ex-boyfriend stole from her. It's the sort of thing Spero Lucas specializes in: finding what's missing, and doing it quietly. But Grace wants more. She wants Lucas to find the man who humiliated her--a violent career criminal with a small gang of brutal thugs at his beck and call. Lucas is a man who knows how to get what he wants, whether it's a thief on the run--or a married woman. In the midst of a steamy, passionate love affair that he knows can't last, in pursuit of a dangerous man who will stop at nothing to get what he wants, Lucas is forced to decide what kind of man he is--and how far he'll go to get what he wants"--

Companion volume to the author's The European mind, 1680-1715. Bibliographical footnotes.

Un tratado sobre el Romanticismo, y su versión americana, que Mario Praz bautizó como Dark Romanticism.

Previous editions published under title: Berlioz and the romantic century.

Thompson galvanized audiences in New York and in England with his unique blend of historical analysis and literary acuity as he examined the turbulent 1790s through the work of Wordsworth, Coleridge, Mary Wollstonecraft, and that of such less well-known authors as William Godwin and John Thelwall. Prepared for publication by his widow, Dorothy Thompson, The Romantics contains all of E. P. Thompson's original texts and notes, as well as an overview of the ideas behind his study of the period. Combining a historian's intimate knowledge of contemporary politics with a close and sympathetic reading of the writings themselves, Thompson traces the intellectual influences that gave rise to the English Romantic movement, and examines the societal pressures - paternalism, authoritarianism, respect for tradition, and the French Revolution - that informed it.

Originally titled For the Sake of Heaven, Gog and Magog is a fictional religious chronicle in which the heroes are Hasidic rabbis. The setting for the novel is Poland and Hungary during the Napoleonic wars at the end of the eighteenth century. Although magic and superstition play their parts in the story, it is really Martin Buber's effort to articulate two approaches to the question: May men use evil to accomplish good? May men take power into their own hands - even to do the work of redemption - without submitting first to the will of God? More particularly, Buber unfolds the inner world of messianic longing and expectations that characterized Judaism then and continues to characterize it to the present day.

screw you

"Wilhelm Worringer's landmark study in the interpretation of modern art, first published in 1908, has seldom been out of print. Its profound impact not only on art historians and theorists but on generations of creative writers and intellectuals is almost unprecedented. Starting from the notion that beauty derives from our sense of being able to identify with an object, Worringer argues that representational art produces satisfaction from our "objectified delight in the self," reflecting a confidence in the world as it is - as in Renaissance art. By contrast, the urge to abstraction, as exemplified by Egyptian, Byzantine, primitive, or modern expressionist art, articulates a totally different response to the world: it expresses man's insecurity. Thus in historical periods of anxiety and uncertainty, man seeks to abstract objects from their unpredictable state and transform them into absolute, transcendental forms. In his Introduction to Abstraction and Empathy, Hilton Kramer calls the book "one of the key documents in the literature of modernism." He considers the influence of Worringer's thesis and places Abstraction and Empathy in historical context, showing how its ideas are very much alive today."--BOOK JACKET.

"Based on the [2d ser. of] Encyclopaedia Britannica lectures delivered [by the author] at the University of Chicago, 1966." Bibliographical references included in "Notes" (p. -367) Bibliography: p. 371-387.

"The 1848 Revolution in France, sometimes known as the February Revolution (révolution de Février), was one of a wave of revolutions in 1848 in Europe. In France, the revolutionary events ended the Orleans monarchy (1830?48) and led to the creation of the French Second Republic."--Wikipedia.