Gollancz SF

After thirty years, Suzy McKee Charnas has completed her incomparable epic tale of men and women, slavery and freedom, power and human frailty. It starts with Walk to the End of the World, where Alldera the Messenger is a slave among the Fems, in thrall to men whose own power is waning. In continues with Motherlines, where Alldera the Runner is a fugitive among the Riding Women, who live a tribal life of horse-thieving and storytelling, killing the few men who approach their boundaries. The books that finish Alldera's story, The Furies and The Conqueror's Child, are now available. Once you start here, you won't want to stop until you've read the last word of the last book.

Human telepaths receive calls for help from an endangered world. However, the interstellar being threatening them, may be trying to help.

Centuries in the future, Terrans have established a logging colony & military base named “New Tahiti” on a tree-covered planet whose small, green-furred, big-eyed inhabitants have a culture centered on lucid dreaming. Terran greed spirals around native innocence & wisdom, overturning the ancient society. Humans have learned interstellar travel from the Hainish (the origin-planet of all humanoid races, including Athsheans). Various planets have been expanding independently, but during the novel it’s learned that the League of All Worlds has been formed. News arrives via an ansible, a new discovery. Previously they had been cut off, 27 light years from home. The story occurs after The Dispossessed, where both the ansible & the League of Worlds are unrealised. Also well before Planet of Exile, where human settlers have learned to coexist. The 24th century has been suggested. Terran colonists take over the planet locals call Athshe, meaning “forest,” rather than “dirt,” like their home planet Terra. They follow the 19th century model of colonization: felling trees, planting farms, digging mines & enslaving indigenous peoples. The natives are unequipped to comprehend this. They’re a subsistence race who rely on the forests & have no cultural precedent for tyranny, slavery or war. The invaders take their land without resistance until one fatal act sets rebellion in motion & changes the people of both worlds forever.

Slow glass was an amusing scientific toy. Light traveled through it so slowly that, looking through a pane of it, you might see what had happened five minutes ago on the other side--or five years. It stopped being a toy when great new jeliners began to crash, caraccidents multiplied astronomically and a mounting toll of deaths and disasters revealed its true potential. And it was no toy at all when blackmailers discovered how to use it to see into the secret life of any victim--and government officials found it could permit surveillance of any person, any time, anywhere.

According to the accompanying note by Malcolm Edwards the length for the story entries was limited to a maximum of 3,000 words, though it was allowed to slightly revised and expand them for the publication; a number of over 1,000 stories were supplied. The jurors were J. G. Ballard, Angela Carter and Malcolm Edwards.

Set in 1899 in South Africa, as the rumblings of dissent and racial resentment began to erupt into a savage war between Boer and Briton, so three young men found their lives drawn together. Matthew Paget, son of an archdeacon, was turbulent, rebellious, and longing for excitement. Will Marriott, his cousin, was an officer who believed in England's greatness and the glory of battle. Hendon Bashford was an upstart social climber, a swindler and a cheat. as the passage of war unfolded, so the lives of these three young men, and the women they loved, moved towards a tumultuous climax.

"Twenty-third century Earth, ravaged by climate change, looks backwards to the holy ideal of a pre-industrial Eden. Political power has been grabbed by a few powerful families and their green saints. Millions of people are imprisoned in teeming cities; millions more labour on Pharaonic projects to rebuild ruined ecosystems." "On the moons of Jupiter and Saturn, the Outers, descendants of refugees from Earth's repressive regimes, have constructed a wild variety of self-sufficient cities and settlements: scientific utopias crammed with exuberant creations of the genetic arts; the last outposts of every kind of democratic tradition." "The fragile detente between the Outer cities and the dynasties of Earth is threatened by the ambitions of the rising generation of Outers, who want to break free of their cosy, inward-looking pocket paradises, colonise the rest of the Solar System, and drive human evolution in a hundred new directions. On Earth, many demand pre-emptive action against the Outers before it's too late; others want to exploit the talents of their scientists and gene wizards. Amid campaigns for peace and reconciliation, political machinations, crude displays of military might, and espionage by cunningly wrought agents, the two branches of humanity edge towards war ..." "From the prison cities of Earth to the scrupulously realised landscapes of the moons of Jupiter and Saturn, The Quiet War is an exotic, fast-paced space opera that turns on a single question: who decides what it means to be human?"--BOOK JACKET.

His wife was among the rekindled dead now. He'd heard that she was on a plane to Zanzibar with five other rekindled dead. As a "warm" he was not really allowed to make contact with her. The dead liked to stay in their cold-cities. But he'd loved her so much when she was alive, he just had to try. Science Fiction Hall of Fame Pick, Nebula Award(R) Winner, Locus Poll Award Winner, Hugo Award Nominee

These stories were written before the end of Silverberg's "first period" (i.e., before 1974), and represent some of the finest short work he did during that time. The title story is a fine exploration of both survivor's guilt and the healing power of religious ecstasy. "Trips" is an playful take on the now over-used cliche of the alternate universe; no real conclusion, but still a fun ride. The remaining stories all entertain as only Silverberg can.

From the back cover: INCONSTANT MOON a moon so bright could mean only one thing. The sun had gone nova. DEATH BY ECSTASY Belters didn't get addicted to current stimulation, so why did the spacer die with electrodes in his brain? BORDERED IN BLACK the continent had a thin black border all the way around. The things that made it drove a space explorer raving mad.

A whisperjewel summoned him to Worlorn, and a love he thought he'd lost. But Worlorn isn't the world Dirk t'Larien imagined, and Gwen Delvano is no longer the woman he once knew. She is bound to another man, and to a dying planet that is trapped in twilight, forever falling toward night. Amid this bleak landscape is a violent clash of cultures in which there is no code of honor--and the hunter and the hunted are often interchangeable. Caught up in a dangerous triangle, Gwen is in need of Dirk's protection, and he will do anything to keep her safe, even if it means challenging the barbaric man who has claimed her--and his cunning cohort. But an impenetrable veil of secrecy surrounds them all, and it's becoming impossible for Dirk to distinguish between his allies and his enemies. While each will fight to stay alive, one is waiting for escape, one for revenge, and another for a brutal, untimely demise.From the Trade Paperback edition.

A Maze of Death is a 1970 science fiction novel by American writer Philip K. Dick. Like many of Dick's novels, it portrays what appears to be a drab and harsh off-world human colony and explores the difference between reality and perception. It is, however, one of his few to examine the human death instinct and capacity for murder and is one of his darkest novels.

Poul Anderson's Tau Zero is an outstanding work of science fiction, in part because it combines two qualities that are often at odds in this genre: an interest in the emotional lives of its characters and a fascination with all things technological and scientific. In Tau Zero these components are not merely fused; they work together with a remarkable synergy that makes the novel much more than just a deep space adventure story.The novel centers on a ten-year interstellar voyage aboard the spaceship Leonora Christine, and it opens with members of the crew preparing for their departure from earth. It is an especially moving departure because they know that while they are aboard the ship and traveling close to the speed of light, time will be passing much more quickly back home. As a result, by the time they return everyone they know will have long since died. From practically the very first page, therefore, Tau Zero sets the scientific realities of space travel in dramatic tension with the no-less-real emotional and psychological states of the travelers. This is a dynamic Anderson explores with great success over the course of the novel as fifty crewmembers settle in for the long journey together. They are a highly-trained team of scientists and researchers, but they are also a community of individuals, each trying to make a life for him or herself in space.This is the background within which the action of the novel takes place. Anderson carefully depicts the network of relationships linking these people before the real plot begins to unfold. The voyage soon takes a unexpected and disastrous turn for the worse. The ship passes through a small, uncharted, cloudlike nebula that makes it impossible for the crew to decelerate the ship. The only hope, in fact, is for the ship to speed up. But acceleration towards the speed of light means that time outside the spaceship passes even more quickly, and the crew finds itself hurtling deeper into space and further into the future. Anderson's experience as a physicist is evidenced in the knowledgeable way he discusses the technical details of space and time travel, although his explanations never become burdensome or tedious. More to the point, the painstaking care with which he has drawn the characters ensures that the action is both imaginatively compelling and emotionally meaningful. It is a combination that is unfortunately all too rare in science fiction.