Susan Gubar

"In this study Susan Gubar demonstrates that Theodor Adorno's famous injunction against writing poetry after Auschwitz paradoxically inspired an ongoing literary tradition. From the 1960s to the present, as the Shoah receded into a more remote European past, North American and British writers struggled to keep memory of it alive.". "Many contemporary writers - among them Anthony Hecht, Gerald Stern, Sylvia Plath, William Heyen, Michael Hamburger, Irena Klepfisz, Adrienne Rich, Jorie Graham, Jacqueline Osherow, and Anne Michaels - have grappled with personal and political, ethical and aesthetic consequences of the disaster. Through confessional verse and reinventions of the elegy, as well as documentary poems about photographs and trials, poets serve as proxy-witnesses of events that they did not experience firsthand. By speaking about or even as the dead, these men and women of letters elucidate what it means to cite, reconfigure, consume, or envy the traumatic memories of an earlier generation."--BOOK JACKET.

Discusses the works of Jane Austen, Mary Shelley, Emily Bronte, Charlotte Bronte, George Eliot, and Emily Dickinson.

"Tender, unsparing, poignant. . . . [A] love story that braids together intimate self-revelation with a rich meditation on the literature of aging.'-- Stephen Greenblatt. On Susan Gubar's seventieth birthday, she receives a beautiful ring from her husband, a gift that startles her into an appreciation of their luck. As she contemplates their sustaining relationship, Susan considers how older lovers differ from their youthful counterparts--and from ageist stereotypes. When her husband encounters age-related disabilities, Susan procrastinates over moving from their burdensome house in the country to a more manageable town apartment by searching out literature on the longevity of desire by authors from Ovid and Shakespeare to Toni Morrison and Marilynne Robinson. During subsequent months of care-giving, her own ongoing cancer treatments, and apartment-hunting, Susan studies the obstacles many older couples overcome and marvels at the passion that buoys her own relationship. A memoir proving that love and desire have no expiration date, Late-Life Love is a resounding retort to negative valuations of old age and a celebration of second chances"--

Welcome to Gospel, Idaho where everyone knows that there are two universal truths. First, God did His best work when He created the Sawtooth Wilderness Area. Second, every sin known to heaven and earth -- from the hole in the ozone to alien abductions -- is all California's fault. This is the story of what happened when a Californian came to visit... L.A. based tabloid reporter Hope Spencer has come to Gospel hoping for inspiration. Well, she gets inspiration...Hope has never met anyone quite like the resident of Gospel. From the Dean sisters with their color-coordinated hair to the toilet-tossing sportsmen...to the murder victim whose body had been found in her house years before. She discovers that reality is stranger than fiction -- even tabloid fiction! And then there is local sheriff Dylan Taber. He is no made-up character from one of her stories. Dylan is all too real...and soon Hope is forced to face the awful truth -- she's been too long without a man. But once she gets wind of a Hollywood actress somehow mixed up Dylan's life, Hope realizes that if they are to have a furture together, he has some true confessing to do.

"With a little help from Virginia Woolf, Susan Gubar contemplates startling transformations produced by the women's movement in recent decades. What advances have women made and what still needs to be done? Taking Woolf's classic A Room of One's Own as her guide, Gubar engages these questions by recounting one year in the life of an English professor." "A meditation on the teaching of literature and on the state of the humanities today, her chapters also provide a crash course on challenges and changes in feminist intellectual history over the past several decades: the influence of post-structuralism and of critical race, post-colonial, and cultural studies scholarship; the stakes of queer theory and the institutionalization of women's studies; the effects of globalism and bioengineering on conversations about gender, sex, and sexuality. Yet Rooms of Our Own eschews a scholarly approach. Instead, through narrative criticism it enlists a thoroughly contemporary cast of characters who tell us as much about the comedies and tragedies of campus life today as they do about the sometimes contentious but invariably liberating feminisms of our future. Book jacket."--BOOK JACKET.

"Elaborating upon her “Living with Cancer” column in the New York Times, Susan Gubar helps patients, caregivers, and the specialists who seek to serve them. In a book both enlightening and practical, she describes how the activities of reading and writing can right some of cancers wrongs. To stimulate the writing process, she proposes specific exercises, prompts, and models. In discussions of the diary of Fanny Burney, the stories of Leo Tolstoy and Alice Munro, numerous memoirs, novels, paintings, photographs, and blogs, Gubar shows how readers can learn from art that deepens our comprehension of what it means to live or die with the disease,"--Amazon.com.

In this moving memoir, a renowned feminist scholar explores the physical and psychological ordeal of living with ovarian cancer.

Contains selections written by over 150 women authors from English-speaking countries. Ranges from the fourteenth century to the present.

Companion Web site to the PBS television special. Presented in four segments: The quality gap: medicine's secret killer; The chronically ill: pain and profit and managed care; The idealistic HMO: can good care survive the market; and, The uninsured: 44 million forgotten Americans. Includes video clips and suggested readings.

A compelling standalone dark fantasy set in a gritty post-WWI Britain which has been overrun by the fae, from the award-winning author of Altered Carbon. The Great War was supposed to be the war to end all wars—and maybe it would have been, had an even greater, otherworldly foe not arisen to extinguish the conflict. Overnight, as guns blazed away in France and Flanders, village after village in the quiet British countryside were swallowed by the Forest. And within the Forest lurk the Huldu—an ancient fae race, monstrous in their inhumanity, who have decided that mankind’s ascendency over the world can endure no longer. Enter Duncan Silver. Scarred by the war, fueled by a rage deeper than the trenches in which he once fought, Duncan is determined to show the Huldu that the world is not theirs for the taking. Armed with a cut-down trench gun filled with iron shot and a deadly iron knife, Duncan will stop at nothing to return the children the Huldu have stolen from the arms of their families. No matter how many Huldu he may have to slaughter along the way. But when he is hired by a mother to return her four-year-old daughter, Miriam—taken by the Huldu six months past and replaced with a Changeling—all hell breaks loose. Miriam is a pawn in a much bigger game for dominance than Duncan ever expected, and several long-buried secrets from his past are about to be violently resurrected.

A unique collection of verse about maternity and the celebration of motherhood, MotherSongs brings together for the first time a range of classic and contemporary poems from the United States, Great Britain, and Canada by some of our most memorable writers. The editors have included traditional ballads about maternity and courtly elegies for or by mothers as well as landmark nineteenth-century tributes to mothers and early twentieth-century meditations on motherhood. MotherSongs opens with poems about pregnancy, labor, delivery, and nursing and moves to poems about women raising children, delighting in their growth, or mourning their loss. The volume then turns to poems by sons and daughters who "remember mama." Mythic mothers and mother goddesses, moral or political reflections on maternity, and philosophical analyses of the meaning of motherhood are also represented. Taken together, the works collected here bear witness to the powerful ways in which motherhood has been transformed into art, and artistry has been shaped by maternity.