R. G. Collingwood

"An Essay on Philosophical Method contains the most sustained discussion in the twentieth century of the subject matter and method of philosophy and an unparalleled explanation of why philosophy has a distinctive domain of enquiry that differs from that of the sciences of nature. This new edition of the Essay focuses on Collingwood's contribution to metaphilosophy and locates his argument for the autonomy of philosophy against the twentieth century trend to naturalize its subject matter. Collingwood argues that the distinctions which philosophers make, for example, between the concepts of duty and utility in moral philosophy, or between the concepts of mind and body in the philosophy of mind, are not empirical taxonomies that cut nature at the joints but semantic distinctions to which there may correspond no empirical classes. This identification of philosophical distinctions with semantic distinctions provides the basis for an argument against the naturalization of the subject matter of philosophy for it entails that not all concepts are empirical concepts and not all classifications are empirical classifications. Collingwood's explanation of why philosophy has a distinctive subject matter thus constitutes a clear challenge to the project of radical empiricism."--Book cover.

The readings in this book represent Collingwood's most important contributions on the subject, including selections from Religion and Philosophy as well as "Faith and Reason," "The devil," and "What is the problem of evil?" Professor Rubinoff presents the selections in the light of a new interpretation of Collingwood's thought which traces his developing search for a rapprochement between faith and reason.

"An Essay on Metaphysics is one of the finest works of the great Oxford philosopher, historian, and archaeologist R.G. Collingwood (1889-1943). First published in 1940, it is a broad-ranging work in which Collingwood considers the nature of philosophy, especially of metaphysics. He puts forward his well-known doctrine of absolute presuppositions, expounds a logic of question and answer, and gives an original and influential account of causation. The book has been widely read and much discussed ever since." "In this new edition the complete original text is accompanied by three previously unpublished essays by Collingwood which will be essential reading for any serious student of his thought."--Jacket.

liii, 510 p. ; 20 cm

The book propounds Collingwood's theory of philosophical method applied to the problem of the philosophy of nature. The book is divided into four major sections: Introduction, Greek Cosmology, The Renaissance View of Nature, and the Modern View of Nature.

The New Leviathan, originally published in 1942, a few months before the author's death, is the book which R.G. Collingwood chose to write in preference to completing his life's work on the philosophy of history. It was occasioned by the Second World War and the threat which Nazism and Fascism constituted to civilization. The book draws upon many years of work in moral and political philosophy and attempts to establish the multiple and complex connections between the levels of consciousness, society, civilization, and barbarism. Collingwood argues that traditional social contract theory has failed to account for the continuing existence of the non-social community and its relation to the social community in the body politic. He is also critical of the tendency within ethics to confound right and duty. The publication of additional manuscript material in this revised edition demonstrates in more detail how Collingwood was determined to show that right and duty occupy different levels of rational practical consciousness. The additional material also contains Collingwood's unequivocal rejection of relativism. David Boucher's introduction shows that The New Leviathan and The Idea of History are integrally related and that neither can be properly understood independently of the other. He is also concerned to show how many of Collingwood's ideas have a contemporary relevance, and that his ideas on barbarism are not so unusual as they might at first appear.

This inspiring life-story by a towering figure of our era is an epic of genius in relation to the twentieth century. In these pages, Frank Lloyd Wright's personal revelations illumine an astonishing variety of experiences, opening with his life as a child with his Welsh forebears in the Midwest, his running away to plunge into the creative ferment of the Chicago of the Nineties, the beginning of one of the world's most productive careers, through his long dramatic life which culminated in his transforming influence on the modern world. His autobiography is a book of triumph over nearly incredible adversity. It is filled with memorable descriptions: of the young architect's apprentice with the pioneer Louis Sullivan; the fire which destroyed his renowned home, Taliesin, in the tragedy that took several lives, and his courageous re-building of his Imperial Hotel, in which he reveals why it rode out the disastrous 1923 earthquake in Tokyo, unharmed, while the city lay bout it in ruins; his romantic meeting with the woman whose devotion was to transform his life; the ordeals to which he and Olgivanna Lloyd Wright were early subjected and out of which they built a new life; the story of how they established the Taliesin Fellowship, the now renowned school of architecture to which students come from every part of the world; his friendships with Carl Sandburg, Alexander Woollcott, Lloyd Lewis, Ferdinand Schevill, among his others; his journeys to Japan and Russia; his creation of building after building-low cost houses, skyscrapers, churches, celebrated dwellings such as Hollyhock House, La Miniatura, Fallingwater, the Jacobs House (cost $5,500, including the architect's fee in 1936), etc.-which revolutionized the architecture of our century. During what he called "a very bad time in my life" Mrs. Wright urged him to begin work on his life-story and encouraged him through the years to complete it; and it is to her that he dedicated this final, definitive edition. Shortly after the preceding version of his autobiography appeared thirty-five years ago, Frank Lloyd Wright began to revise it, adding material over a period of sixteen years. This is the first edition of the corrected manuscript. Besides all his revisions of the earlier (and unillustrated) version, this new edition includes eighty-two illustrations, photographs of his family and of the people involved in his life, as well as his architectural masterpieces produced over a span of seventy years (including houses built as recently as 1976). This volume consists of six books, of which Book Six, titled BROADACRE CITY, comprises one of the most important additions to this comprehensive edition: the master's concepts of the future city and government-a major presentation of his ideas, prophecies being increasingly borne out in our time and destined to have an enduring influence in the future. Frank Lloyd Wright's autobiography is an incomparable book, a frankly revealing and uncompromising personal achievement to stand with his great buildings.