Peter Watts

A follow-up to the Hugo Award-nominated Blindsight, Echopraxia is set in a 22nd-century world transformed by scientific evangelicals, supernatural beings and ghosts, where defunct biologist Daniel Bruks becomes trapped on a spaceship destined to make an evolutionary-changing discovery.

This is a collection of the best science fiction stories set on planet Earth published in 2023 by leading authors of the genre, edited by Allan Kaster. - "A Soul in the World" by Charlie Jane Anders—A childless woman is given a most unusual child to raise as her own. - "A Kingdom of Seagrass and Silk" by Cécile Cristofari—An elderly couple fend for themselves on a deserted island while waiting out an epidemic. - "LOL, Said the Scorpion" by Rich Larson—Wealthy tourists wear bio-filtering suits to go on live vacations to impoverished countries. - "A Borrowing of Bones" by Karin Lowachee—Reality blurs as people become menageries of other lives. - "Devil in the Deep" by Lucie Lukačovičová—A Bolivian mining community blames lady scientists for their bad luck. - "Gravesend, or, Everyday Life in the Anthropocene" by Paul McAuley—An army veteran, suffering from the aftereffects of a psych bomb, convalesces in the eco-stressed marshes of the Thames. - "Sigh No More" by Ian McDonald—The show must go on despite a solar flare that has crashed London’s power grid. - "Cuttlefish" by Anil Menon—A family seeks to escape the modern world at an old fashioned Indian guesthouse. - "Highway Requiem" by T. R. Napper—A trucker’s way of life on the roads of the Outback is threatened by automation. - "Contracting Iris" by Peter Watts—A novel microbial infection changes the behavior of a woman diagnosed with MS. - "Deep Blue Jump" by Dean Whitlock—Children are forced to pick drug-like dreamberries in desert canyons under austere conditions.

Combining complex science with skillfully executed prose, these edgy, award-winning tales explore the shifting border between the known and the alien. The beauty and peril of technology and the passion and penalties of conviction merge in narratives that are by turns dark, satiric, and introspective. Among these bold storylines: a seemingly humanized monster from John Carpenter's The Thing reveals the true villains in an Antarctic showdown; an artificial intelligence shields a biologically enhanced prodigy from her overwhelmed parents; a deep-sea diver discovers her true nature lies not within the confines of her mission but in the depths of her psyche; a court psychologist analyzes a psychotic graduate student who has learned to reprogram reality itself; and a father tries to hold his broken family together in the wake of an ongoing assault by sentient rainstorms. Gorgeously saturnine and exceptionally powerful, these collected fictions are both intensely thought-provoking and impossible to forget.

"How do you stage a mutiny when you're only awake one day in a million? How do you conspire when your tiny handful of potential allies changes with each job shift? How do you engage an enemy that never sleeps, that sees through your eyes and hears through your ears, and relentlessly, honestly, only wants what's best for you? Trapped aboard the starship Eriophora, Sunday Ahzmundin is about to discover the components of any successful revolution: conspiracy, code—and unavoidable casualties."

"A simple introduction to starfish using rebuses"--Provided by publisher.

A soldier on his own in alien-controlled New York City, on the run from his own superiors as well as the enemy when the rest of his unit is massacred, is convinced that he might be able to change everything if he only knew the true situation.

A cutting-edge anthology, published on the 100th anniversary of the word “Robot”, exploring the possibilities and place of robots in society going forwards. 100 years after Karel Capek coined the word, “robots” are an everyday idea, and the inspiration for countless stories in books, film, TV and games. They are often among the least privileged, most unfairly used of us, and the more robots are like humans, the more interesting they become. This collection of stories is where robots stand in for us, where both we and they are disadvantaged, and where hope and optimism shines through. Including stories by: Brooke Bolander · John Chu · Daryl Gregory · Peter F. Hamilton · Saad Z. Hossain · Rich Larson · Ken Liu · Ian R. Macleod · Annalee Newitz · Tochi Onyebuchi · Suzanne Palmer · Sarah Pinsker · Vina Jie-Min Prasad · Alastair Reynolds · Sofia Samatar · Peter Watts

364 pages ; 23 cm

An anthology of "best of" short science fiction published in 2019.

Two months since the stars fell... Two months since sixty-five thousand alien objects clenched around the Earth like a luminous fist, screaming to the heavens as the atmosphere burned them to ash. Two months since that moment of brief, bright surveillance by agents unknown. Two months of silence while a world holds its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions on an intelligence with motives unknown, maybe unknowable? Who do you send to meet the alien when the alien doesn't want to meet? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees X-rays and tastes ultrasound, so compromised by grafts and splices that he no longer feels his own flesh. You send a pacifist warrior in the faint hope she won't be needed, and a fainter hope that she'll do any good if she is needed. You send a monster to command them all, an extinct hominid predator once called "vampire," recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there, a conduit through which the Dead Center might hope to understand the Bleeding Edge. You send them all to the edge of interstellar space, praying you can trust such freaks and retrofits with the fate of a world. You fear they may be more alien than the thing they've been sent to find. But you'd give anything for that to be true, if you only knew what was waiting for them....