Stephen Graham Jones

Imagine a world where the American government signed a conservation act to "restore all indigenous flora and fauna to the Great Plains," which means suddenly the Great Plains are Indian again. Now fast-forward fourteen years to a bowling alley deep in the Indian Territories. People that bowling alley with characters named LP Deal, Cat Stand, Mary Boy, Courtney Peltdowne, Back Iron, Denim Horse, Naitche, and give them a chance to find a treaty signed under duress by General Sherman, which effectively gives all of the Americas back to the Indians, only hide that treaty in a stolen pipe, put it in a locker, and flush the key down the toilet. Ask LP Deal and the rest what they will trade to get that key back--maybe, everything.

Legendary genre editor Ellen Datlow brings together eighteen dark and terrifying original stories inspired by cinema and television. A BLUMHOUSE BOOKS HORROR ORIGINAL. From the secret reels of a notoriously cursed cinematic masterpiece to the debauched livestreams of modern movie junkies who will do anything for clicks, Final Cuts brings together new and terrifying stories inspired by the many screens we can't peel our eyes away from. Inspired by the rich golden age of the film and television industries as well as the new media present, this new anthology reveals what evils hide behind the scenes and between the frames of our favorite medium. With original stories from a diverse list of some of the best-known names in horror, Final Cuts will haunt you long after the credits roll.

You won’t find a more hardcore eighties-slasher-film fan than high school senior Jade Daniels. And you won’t find a place less supportive of girls who wear torn T-shirts and too much eyeliner than Proofrock, nestled eight thousand feet up a mountain in Idaho, alongside Indian Lake, home to both Camp Blood – site of a massacre fifty years ago – and, as of this summer, Terra Nova, a second-home celebrity Camelot being carved out of a national forest. That’s not the only thing that’s getting carved up, though – this, Jade knows, is the start of a slasher. But what kind? Who’s wearing the mask? Jade’s got an encyclopedic recall of every horror movie on the shelf, but… will that help her survive? Can she get a final girl trained enough to stop all this from happening? Does she even want to? Isn’t a slasher exactly what her hometown deserves?

There are borders and then there are borders. Between right and wrong. Between Texas and Mexico. The first is a joke to Dodd Raines, the second a payday. Then there's the borders he's made. Between himself and his estranged daughter, the border patrol agent. Between himself and his one-time employers. And there's another border, one he cares about even less than the Rio Grande: the border between life and death. Used to, the shadow Dodd Raines cast when he stood dripping from that water - it was the shadow of a fugitive. But now that fugitive's coming home, and the shadow he's casting? It's got rabbit ears. Listen, you can hear the chupacabras padding along beside him - their new master. He's that big guy in the hood, slouching out by the gas pumps. Walking north, for justice. Austin's never seen anything like Dodd Raines, and never will again.

Contains: Introduction, by Steve Berman If Damon Comes, by Charles L. Grant Treats, by Norman Partridge The Family, by Halli Villegas The Horse Lord, by Lisa Tuttle My Name Is Leejun, by John Schoffstall Princess of the Night, by Michael Kelly Duck Hunt, by Joe R. Lansdale The Choir, by Joel D. Lane Children of the Corn, by Stephen King Yellowjacket Summer, by Robert R. McCammon The Stuff that Goes on in Their Heads, by Michael Marshall Smith Second Grade, by Charles Antin Respects, by Ramsey Campbell Melanie Klein Said, by Robert McVey Gaslight, by Jeffrey Ford Endless Encore, by Will Ludwigsen Cockroach, by Dale Bailey By the Mark, by Gemma Files The Disappearance of James H, by Hal Duncan I Was a Teenage Slasher Victim, by Stephen Graham Jones Blue Rose, by Peter Straub Making Friends, by Gary Raisor You Deserve, by Alex Jeffers The Queen of Knives, by Georgina Bruce The Naughty List, by Christine Morgan The Perfect Dinner Party, by Cassandra Clare & Holly Black Make Believe, by Michael Reaves

"The Fast Red Road, A Plainsong is a novel which plunders, in a gleeful, two-fisted fashion, the myth and pop-culture surrounding the American Indian. It is a story fueled on pot fumes and blues, borrowing and distorting the rigid conventions of the traditional Western. Indians, cowboys, and outlaws are as interchangeable as their outfits; men strike poses from Gunsmoke, and horses are traded for Trans-Ams. Pidgin, the half-blood protagonist, inhabits a world of illusion - of aliens, ghosts, telekinesis, and water-pistol violence, where television offers redemption, and "the Indian always gets it up the ass."" "Having escaped the porn factories of Utah, he heads for Clovis, NM, to bury his father, Cline. But the body is stolen at the funeral, and Pidgin must recover it. With the aid of car thief Charlie Ward, he crisscrosses a wasted New Mexico, straying through bars, junkyards, and rodeos, evading the cops, and tearing through barriers Dukestyle. "Charlie Ward slid his thin leather belt from his jeans and held it out the window, whipped the Cutlass faster, faster, his dyed-black hair unbraiding in the fifty-five mile per hour wind, and the never had to stop for gas." Along the way, Pidgin escapes a giant coyote, survives a showdown with Custer, and encounters the remnants of the Goliard Tribe, a group of radicals to which Cline belonged." "Pidgin's search allows him to reconcile the death of his father with five hundred years of colonial myth-making and eventually places him in a position to rewrite history."--BOOK JACKET.

181 p. ; 21 cm

When a fellow officer is killed while searching the vehicle of a Native American, deputy sheriff Jimmy Doe discovers that the killer is targeting another victim, prompting Doe to launch an investigative road trip across Texas.