Norbert Elias

Drawn largely from unpublished manuscripts, this compilation illustrates Norbert Elias' theory that the emergence of the professional naval officer in Great Britain was related both to the necessities of naval warfare and to the structure of society on land. Specifically, the innovation of the rank of midshipman meant that the British were able to mitigate the impact of social barriers between officers and ratings and gradually merge the two hierarchies.

They have given mankind unique triumphs in science, literature, philosophy, music, and art. They have also produced Hitler and the Holocaust. They are romantic and conservative, idealistic and practical, proud and insecure, ruthless and good-natured. They are, in short, the Germans. In this definitive history, Professor Gordon A. Craig, one of the world’s premier authorities on Germany, comes to grips with the complex paradoxes at the heart of the German identity. His masterly study explores the roots of many contemporary institutions in German history and closely examines such topics as religion, money, Germans and Jews, women, professors and students, romantics, literature and society, soldiers, Berlin, and the German language. Craig also discusses the events surrounding the fall of the Berlin Wall and the German reunification, while offering invaluable insights into Germany’s pivotal role in world affairs for over a century. (Source: [Penguin Random House](

Nobert Elias (1897-1990) is among the great sociologists of the twentieth century. This volume is a carefully chosen collection of Elias's most important writings and includes many of his most brilliant ideas. The development of Elias's thinking during the course of his long career is traced along with a discussion of how his work relates to other major sociologists and how the various selections are interconnected. The result is a consistent and stimulating look at one of sociology's founding thinkers.

Originally published in 1991 and now reissued by Continuum International, this book consists of three sections. The first, written in 1939, was either left out of Elias's most famous book, The Civilizing Process, or was written along with it. Part 2 was written between 1940 and 1960. Part 3 is from 1987. The entire book is a study of the unique relationship between the individual and society--Elias's best-known theme and the basis for the discipline of sociology.

In this volume Elias paints Mozart as a freelance artist and genius who did not sit comfortably with the social makeup of his own time. It also includes two essays on the courtly painter Watteau and on the fate of German baroque poetry.