Peter Gay

Beschrijvende studie van het modernisme als allesomvattende stroming in kunst en cultuur.

"Gay begins with a compelling analysis of the separate love stories of two young men, one English and one German, and proceeds from there to a wide-ranging inquiry into what love meant to the Victorians, both as an ideal and as a reality."--Jacket.

Schnitzler's Century reassesses nineteenth-century history and traces the dramatic rise of the middle class. We have always believed that corseted Queen Victoria defined the mores of the nineteenth century. Yet cultural historian Peter Gay asserts in this work that it is the sexually emboldened Viennese playwright, Arthur Schnitzler, who provides a better symbol for the age. Challenging many sacrosanct notions about middle-class prudery and hypocrisy, he shows that in important ways, the Victorians were not Victorians. Gay chronicles the rise of modernity in countries as diverse as Germany and Italy, England and the United States, and in doing so presents a century filled with science and superstition, revolutionaries and reactionaries, and eros and anxiety -- an age that made us largely what we are today. - Publisher.

A guide for the reading of four historians: Gibbon, Ranke, Macaulay and Burckhardt.

Gay presents a series of essays ranging from reflections on Freud and Shakespeare to Gay's controversial spoof review of Freud's The Interpretation of Dreams.

Peter Gay will inevitably leave his stamp on our conception of the Enlight- ment for decades to come. The sheer bulk of his writing on the subject alone will ensure that. He began his re-interpretation of the movement in 1959 with Voltaire's Politics: the Poet as Realist, showing the foremost philosophe to have been a much more liberal and practical political thinker than had often been assumed. There followed in 1964 The Party of Humanity, a series of essays in which Gay challenged some of the commonplace characterizations of the philosophes, especially the notion that they were impractical idealists. Then in 1966 he published The Rise of Modern Paganism, the first volume of his interpretation of the Enlightenment. He completed this analysis in 1969 with a second tome entitled The Science of Freedom. Finally last year he capped his work with The Bridge of Criticism, a debate among Lucian, Eras- mus, and Voltaire which the author admits amounts to a polemic on behalf of the Enlightenment. Meanwhile he had propagated his view of the movement in the introductions to his translations of Voltaire's Philosophical Dictionary and Candide, his anthologies of the works of Deists and of Locke on educa- tion, and his numerous articles and public lecture. -- Description from (April 17, 2012).