UNITED STATES AUTHOR · DRAMA · PERIODICALS
Louis Kronenberger
Louis Kronenberger (December 9, 1904 – April 30, 1980) was an American literary critic (longest with Time, 1938–1961), novelist, and biographer who wrote extensively on drama and the 18th century.
Most acclaimed
The last word
2007
If there is such a thing as reason, it has to be universal. Reason must reflect objective principles whose validity is independent of our point of view - principles that anyone with enough intelligence ought to be able to recognize as correct. But this universality of reason is what relativists and subjectivists deny in ever-increasing numbers. And such subjectivism is not just an inconsequential intellectual flourish or badge of theoretical chic. It is exploited to deflect argument and to belittle the pretensions of the arguments of others. The continuing spread of this relativistic way of thinking threatens to make public discourse increasingly difficult and unproductive. . In The Last Word, Thomas Nagel, one of the most influential philosophers writing in English, presents a sustained defense of reason against the attacks of subjectivism, delivering systematic rebuttals of relativistic claims with respect to language, logic, science, and ethics. He shows that the last word in disputes about the objective validity of any form of thought must lie in some unqualified thoughts about how things are - thoughts that we cannot regard from outside as mere psychological dispositions. His work sets a new standard in the debate on this crucially important question and should generate intense interest both within and outside the philosophical community.
Oscar Wilde
1913
In this long-awaited biography, Wilde the legendary Victorian--brilliant writer and conversationalist, reckless flouter of social and sexual conventions--is brought to life. More astute and forbearing, yet more fallible than legend has allowed, Wilde is given here the dimensions of a modern hero. The author depicts Wilde's comet-like ascent on the Victorian scene and his equally dramatic sudden eclipse. He presents Wilde's Irish background, the actresses to whom he paid court, his unfortunate wife and lovers, his clothes, coiffures, and the decor of his rooms. The saga of his 1882 American tour is recounted with a wealth of new details; also his later impact on the bastions of the French literary establishment. The London of the Nineties, of Whistler and the Pre-Raphaelites, Lillie Langtry and the Prince of Wales, is evoked alongside Paris of the "belle époque" and the Greece, Italy and North Africa of Wilde's travels. This critical account of Wilde's entire oeuvre shows him as the proponent of a radical new aesthetic who was perilously at odds with Victorian society. After his period of success and daring, the fatal love affair with Lord Alfred Douglas is followed by exposure, imprisonment, a few wretched years abroad and death in exile. The tragic end of Wilde's life leaves the reader with a sense of compassion and grief for the protagonist.