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Jan 1, 1941 — Jan 1, 2007· 66 yrs

UNITED KINGDOM AUTHOR · BIOGRAPHY · MOTION PICTURE ACTORS AND ACTRESSES

Sheridan Morley

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Sheridan Morley (5 December 1941 − 16 February 2007) was an English author, biographer, critic and broadcaster. He was the official biographer of Sir John Gielgud and wrote biographies of many other theatrical figures he had known, including Noël Coward. Nicholas Kenyon called him a "cultural omnivore" who was "genuinely popular with people".

Ascot, United Kingdom
Wikipedia

The Hepburn persona can be related to an American tradition of feeling about women which finds its most significant expression in Henry James's image of the 'American princes'.

— from Katharine Hepburn, 1987

Most acclaimed

#1

Oscar Wilde

1913

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In this long-awaited biography, Wilde the legendary Victorian--brilliant writer and conversationalist, reckless flouter of social and sexual conventions--is brought to life. More astute and forbearing, yet more fallible than legend has allowed, Wilde is given here the dimensions of a modern hero. The author depicts Wilde's comet-like ascent on the Victorian scene and his equally dramatic sudden eclipse. He presents Wilde's Irish background, the actresses to whom he paid court, his unfortunate wife and lovers, his clothes, coiffures, and the decor of his rooms. The saga of his 1882 American tour is recounted with a wealth of new details; also his later impact on the bastions of the French literary establishment. The London of the Nineties, of Whistler and the Pre-Raphaelites, Lillie Langtry and the Prince of Wales, is evoked alongside Paris of the "belle époque" and the Greece, Italy and North Africa of Wilde's travels. This critical account of Wilde's entire oeuvre shows him as the proponent of a radical new aesthetic who was perilously at odds with Victorian society. After his period of success and daring, the fatal love affair with Lord Alfred Douglas is followed by exposure, imprisonment, a few wretched years abroad and death in exile. The tragic end of Wilde's life leaves the reader with a sense of compassion and grief for the protagonist.

#2

Katharine Hepburn

1987

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"Of all the major Hollywood stars, Katharine Hepburn was the least conventional, conforming to none of the stereotypes of female superstardom. She was not an exotic outsider in Hollywood like Greta Garbo or Marlene Dietrich; nor was she a victim of the studios like Judy Garland or Marilyn Monroe; and she was certainly not a creature of the system like Joan Crawford and Lana Turner. Instead, she always appeared intelligent, willful, and independent, able to develop her own persona within the confines of the studio system." "Andrew Britton proposes a feminist reading of Hepburn's films, arguing that her persona raises problems about class, female sexuality, and women's oppression that strain to the limits the conventions of a cinema ultimately committed to the reassertion of bourgeois gender roles. Hepburn's work is also used to explore more general issues, such as the functioning of the star system. This is one of the very few analyses of American cinema to focus on a film star rather than a director or a genre and as such is essential reading for anyone interested in the movies. This edition also includes Andrew Britton's cogent and perceptive program notes for a Hepburn season at London's National Film Theatre."--Jacket.

#3

Shooting stars

0.0 (0)

Discusses some famous meteorites, what happens when they hit the earth, the elements of which they are composed, what their source may have been, different types of meteorites, their speed and movement, and meteor swarms.

Books

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