Karl Ove Knausgård

Teenage girls are disappearing from this town where an idyllic beach community is terrorized, and where one reporter must get to the truth to protect her family. Trying to mix business with pleasure, KEY News correspondent Diane Mayfield has brought her children and her sister to the New Jersey shore town of Ocean Grove to investigate a story on "girls who cry wolf" for the season premiere of Hourglass, television's highly rated news magazine. Diane lands an exclusive interview with a troubled young woman whose tale of being abducted and held against her will for three terrifying days had been disbelieved by the authorities. No sooner does Diane finish taping the interview, though, than a second victim disappears. The small community, already in the grip of a record heat wave, is now wracked by fear and terror, no one knows who could be next. With only the first victim as eyewitness, Diane and the police turn to her for clues. But it may be too late to save Diane and her loved ones from the mortal danger that lurks in Ocean Grove.

At eighteen years old, Karl Ove moves to a tiny fisherman's village in the far north of the arctic circle to work as a school teacher. No interest in the job itself, his intention is to save up enough money to travel while finding the space and time to start his writing career. Initially everything looks fine. He writes his first few short stories, finds himself accepted by the hospitable locals, and receives flattering attention from several beautiful local girls. But as the darkness of the long arctic nights start to consume the landscape, Karl Ove's life takes a darker turn. His writing repeats itself, his drinking escalates to some disturbing blackouts, his attempts at losing his virginity end in humiliation and shame, and to his distress, he also develops romantic feelings towards one of his students. Along the way, there are flashbacks to his high school years and the roots of his current problems. Ever present is the long shadow cast by his father, whose own sharply increasing alcohol consumption serves as an ominous backdrop to the author's lifestyle.

A young girl grows up amid many family problems in a small English village during World War II.

It's the 1560s and Antinous Bellori, a boy of 11, is exploring the woods above his home in the north Italian mountains when night falls. Suddenly fearful, the boy wanders blindly through the trees, sensing danger at every turn, until he comes, unseen, upon a clearing in which there stand two glowing beings, one carrying a spear, the other a flaming torch: angels - this event is decisive in Bellori's life, just as encounters with angels have been for others throughout history. Beginning in the Garden of Eden and soaring right through to the present day, we revisit key moments when men have come face to face with these intermediaries of the divine: Cain and Abel cultivating their differences murderously; Lot's shame in Sodom; Noah's isolation before the Flood; Ezekiel tied to his bed, prophesying fiercely; and the death of Christ.

"The fifth book of Knausgaard's powerful My Struggle series is written with tremendous force and sincerity. As a nineteen-year-old, Karl Ove moves to Bergen and invests all of himself in his writing. But his efforts get the opposite effect - he wants it so much that he gets writer's block. At the same time, he sees his friends, one-by-one, publish their debuts. He suspects that he will never get anything published. Book Five is also a book about strong new friendships and a shattering love affair. Then one day Karl Ove reaches two crucial points in his life: his father dies, and shortly thereafter, he completes his first novel"--

"A family of four--mother, father and two boys--move to the South Coast of Norway to a new house on a newly developed site. It is the early 1970s and the family's trajectory, upwardly mobile: the future seems limitless. In painstaking, sometimes self-lacerating detail, Knausgaard paints a world familiar to anyone who can recall the intensity and novelty of childhood experience, one in which children and adults lead parallel lives that never meet. Perhaps the most Proustian in the series, Book Three gives us Knausgaard's vivid, technicolor recollections of childhood, his emerging self-understanding, and the multilayered nature of time's passing, memory, and existence. "Of course, I remember nothing from this time. It is completely impossible to identify with the infant my parents photographed; this is in fact so difficult it almost seems wrong to use the word 'I' when referring to it, lying in the baby bath, for instance, its skin unnaturally red, its arms and legs sprawling, and its face distorted in a scream no one remembers the reason for anymore... Is that creature the same as the one sitting here in Malmo, writing this?" --from Book Three of My Struggle More praise for Book Three: "A superbly told childhood story... Knausgaard writes about everyday life as a child with a flow and continuity that all hangs together... the text has a gravitational pull that draws the reader in only further." --Dag Og Tid (Norway) "An aesthetic pleasure... A patient, chiseled, and intense portrayal of a child's sensory experience. Book Three is a classic." --Klassekampen (Norway) "Compelling reading... Knausgaard has an equally good eye for small and large events." --Aftenposten (Norway) "A gripping novel... This childhood portrayal drifts off with a lightness and sensitivity that not many will associate with him... There is no doubt that the series is worth following the author all the way." --Dagens Næringsliv (Norway) "The man can write a novel about a solid, pretty traditional upbringing too... A sensitive, sharp depiction of growing up in the 70's." --Adresseavisen (Norway)"-- "A portrait of the artist as a young boy. On the heels of Book One and Two of the internationally celebrated autobiographical novel series My Struggle, Book Three finds us in the sensuous realm of Karl Ove's childhood. A family of four -- mother, father, and two boys -- move to the South Coast of Norway to a new house on a newly developed site. It's the early 1970s and the family's trajectory: upwardly mobile. The future seems limitless. We follow Karl Ove through bicycle expeditions, tense swim meets and locker rooms, girls, football pyromaniac pranks, and rock music in what seem like a traditional, if brutal, coming-of-age novel. In painstaking, sometimes self-lacerating detail, Knausgaard paints a world familiar to anyone who can recall the intensity and singularity of childhood experience, one in which children and adults lead parallel lives that never meet. Perhaps the most Proustian in the series, Book Three gives us Knausgaard's vivid, technicolor recollections of childhood, his emerging self-understanding, and the multilayered nature of time's passing, memory, and existence, all formed by the fear of his controlling, unpredictable, and omnipresent father"--

With a plot that defies the most inspired second-guessing and with menace ticking quietly away on every page, Jill McGown's Death in the Family firmly establishes her as a master of mystery and psychological suspense. This gritty, sophisticated novel is the twelfth in the author's internationally acclaimed series starring Chief Detective Inspector Lloyd and his colleague and lover, Chief Detective Inspector Judy Hill.Dean Fletcher had spent virtually all his twenty-four years doing things practically guaranteed to land him in trouble. But not until he fell for a blonde nymphet named Kayleigh Scott did he manage to totally ruin his life. Kayleigh had told him she was eighteen. In truth, she was not quite thirteen, and poor Dean was soon off to prison, a convicted sex offender, still smitten with his adolescent lover.Now he's finally free again, only to be ensnared by two crimes that have Lloyd pulling out what's left of his hair. One is an infant kidnapping (the child was born within hours of Lloyd's and Judy's own baby, Charlotte); the other is the murder of Kayleigh's mother, Lesley, on the very eve of the family's sudden move to Australia.Fortunately, Lloyd thinks he hears the ring of truth in Dean's protestations of innocence. He is extremely curious about Lesley's new lover, Ian, who has jumped headfirst into another relationship, and her old lover, Phil, whose world she had destroyed. And for all her air of placid innocence, Kayleigh herself isn't above suspicion.With Judy out on maternity leave, Lloyd is obliged to pick his way alone through the minefield of birth, death, murder, and domestic evil. Death in the Family is a novel of uncanny power and chilling credibility.

Karl Ove Knausgaard leaves his wife and everything he knows in Oslo for a fresh start in Stockholm. There he strikes up a deep and competitive friendship with Geir and pursues Linda, a beautiful poet who captivated him years ago.

"Why I Write" may prove to be the most difficult question Karl Ove Knausgaard has struggled to answer yet it is central to the project of one of the most influential writers working today. To write, for the Norwegian artist, is to resist easy thinking and preconceived notions that inhibit awareness of our lives.