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Jan 19, 1946 — —· 80 yrs

UNITED KINGDOM AUTHOR · FICTION · LITERATURE

Julian Barnes

Also known as: Julian P. Barnes

34
BOOKS
3.8
AVG RATING (74)
5
READERS

Julian Patrick Barnes is an English writer. Barnes won the Man Booker Prize for his book The Sense of an Ending (2011). He has also written crime fiction under the pseudonym Dan Kavanagh. In addition to novels, Barnes has published collections of essays and short stories. - Wikipedia

Leicester, United Kingdom
Wikipedia

All he knew was that this was the worst time.

— from The noise of time

Most acclaimed

#2

Arthur and George

2005

3.6 (8)

Arthur and George grow up worlds and miles apart in late nineteenth-century Britain: Arthur in shabby-genteel Edinburgh, George in the vicarage of a small Staffordshire village. Arthur becomes a doctor, and then a writer; George a solicitor in Birmingham. Arthur is to become one of the most famous men of his age, George remains in hardworking obscurity. But as the new century begins, they are brought together by a sequence of events which made sensational headlines at the time as The Great Wyrley Outrages. George Edjali's father is Indian, his mother Scottish. When the family begins to receive vicious anonymous letters, many about their son, they put it down to racial prejudice. They appeal to the police, to no less than the Chief Constable, but to their dismay he appears to suspect George of being the letters' author. Then someone starts slashing horses and livestock. Again the police seem to suspect the shy, aloof Birmingham solicitor. He is arrested and, on the flimsiest evidence, sent to trial, found guilty and sentenced to seven years' hard labour. Arthur Conan Doyle, famous as the creator of the world's greatest detective, is mourning his first wife (having been chastely in love for ten years with the woman who was to become his second) when he hears about the Edjali case. Incensed at this obvious miscarriage of justice, he is galvanised into trying to clear George's name. With a mixture of detailed research and vivid imagination, Julian Barnes brings to life not just this long-forgotten case, but the inner lives of these two very different men. The reader sees them both with stunning clarity, and almost inhabits them as they face the vicissitudes of their lives, whether in the dock hearing a verdict of guilty, or trying to live an honourable life while desperately in love with another woman. This is a novel in which the events of a hundred years ago constantly set off contemporary echoes, a novel about low crime and high spirituality, guilt and innocence, identity, nationality and race; about what we think, what we believe, and what we know.

#1

The Sense of an Ending

3.9 (28)

By an acclaimed writer at the height of his powers, The Sense of an Ending extends a streak of extraordinary books that began with the best-selling Arthur & George and continued with Nothing to Be Frightened Of and, most recently, Pulse. This intense new novel follows a middle-aged man as he contends with a past he has never much thought about—until his closest childhood friends return with a vengeance, one of them from the grave, another maddeningly present. Tony Webster thought he’d left all this behind as he built a life for himself, and by now his marriage and family and career have fallen into an amicable divorce and retirement. But he is then presented with a mysterious legacy that obliges him to reconsider a variety of things he thought he’d understood all along, and to revise his estimation of his own nature and place in the world. A novel so compelling that it begs to be read in a single sitting, with stunning psychological and emotional depth and sophistication, The Sense of an Ending is a brilliant new chapter in Julian Barnes’s oeuvre.

#3

The noise of time

4.0 (2)

"A compact masterpiece dedicated to the Russian composer Dmitri Shostakovich--Julian Barnes's first novel since his best-selling, Booker Prize-winning The Sense of an Ending. 1936: Shostakovich, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, shot dead on the spot), he reflects on his predicament, his personal history, his parents, various women and wives, his children all of those hanging in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for years to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party, and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovich's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant meditation on the meaning of art and its place in society"--

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