J. M. Coetzee

On a remote farm in South Africa, the protagonist of J. M. Coetzee's fierce and passionate novel watches the life from which she has been excluded. Ignored by her callous father, scorned and feared by his servants, she is a bitterly intelligent woman whose outward meekness disguises a desperate resolve to not become "one of the forgotten ones of history."

"Youth" sprang from Joseph Conrad's own experience sailing in the Far East with the merchant navy. In it he captures a young man's exhilaration in the face of danger and the unknown.

In a South Africa torn by civil war, Michael K sets out to take his mother back to her rural home. On the way there she dies, leaving him alone in an anarchic world of brutal roving armies. Imprisoned, Michael is unable to bear confinement and escapes, determined to live with dignity. Life and Times of Michael K goes to the centre of human experience -- the need for an interior, spiritual life, for some connections to the world in which we live, and for purity of vision.

Published in conjunction with Berlinde De Bruyckere's participation in the 2013 Biennale di Venezia, this catalog is the result of an extraordinary encounter between the Flemish artist and the writer J.M. Coetzee.

Again two carriages stood at the front door of the house at Petrovskoe. In one of them sat Mimi, the two girls, and their maid, with the bailiff, Jakoff, on the box, while in the other - a britchka - sat Woloda, myself, and our servant Vassili. Papa, who was to follow us to Moscow in a few days, was standing bareheaded on the entrance-steps. He made the sign of the cross at the windows of the carriages, and said:...

"The Good Story" is an exchange between a writer with a long-standing interest in moral psychology and a psychotherapist with a training in literary studies. Arabella Kurtz and J.M. Coetzee consider psychotherapy and its wider social context from different perspectives, but at the heart of both their approaches is a concern with stories. Working alone, the writer is in sole charge of the story he or she tells. The therapist, on the other hand, collaborates with the patient in telling the story of their life. What kind of truth do the stories created by patient and therapist aim to uncover: objective truth or the shifting and subjective truth of memories explored and re-experienced in the safety of the therapeutic relationship? The authors discuss both individual psychology and the psychology of the group: the school classroom, the gang, the settler nation where the brutal deeds of the ancestors have to be accommodated into a national story. Drawing on great writers like Cervantes and Dostoevsky and on psychoanalysts like Freud and Melanie Klein, they offer illuminating insights into the stories we tell of our lives.

Mrs. Cullen, the narrator in this novel, is an elderly white woman dying of cancer in a country afflicted with its own mortal sickness. "In Cape Town, South Africa, an old woman is dying of cancer. A classics professor, Mrs. Curren has been opposed to the lies and brutality of apartheid all her life, but has lived insulated from its true horrors. Now she is suddenly forced to come to terms with the iron-hearted rage that the system has wrought. In an extended letter addressed to her daughter, who has long since fled to America, Mrs. Curren recounts the strange events of her dying days. She witnesses the burning of a nearby black township and discovers the bullet-riddled body of her servant's son. A teenage black activist hiding in her house is killed by security forces. And through it all, her only companion, the only person to whom she can confess her mounting anger and despair, is a homeless man, an alcoholic, who one day appears on her doorstep."--Goodreads.com.

From the Nobel Prize-winning author J. M. Coetzee, the haunting sequel to The Childhood of Jesus, continuing the journey of David, Simon, and Ines. When you travel across the ocean on a boat, all your memories are washed away and you start a completely new life. That is how it is. There is no before. There is no history. The boat docks at the harbour and we climb down the gangplank and we are plunged into the here and now. Time begins. David is the small boy who is always asking questions. Simon and Ines take care of him in their new town, Estrella. He is learning the language; he has begun to make friends. He has the big dog Bolivar to watch over him. But he'll be seven soon and he should be at school. And so, with the guidance of the three sisters who own the farm where Simon and Ines work, David is enrolled in the Academy of Dance. It's here, in his new golden dancing slippers, that he learns how to call down the numbers from the sky. But it's here, too, that he will make troubling discoveries about what grown-ups are capable of. In this mesmerizing allegorical tale, Coetzee deftly grapples with the big questions of growing up, of what it means to be a parent, the constant battle between intellect and emotion, and how we choose to live our lives.

"Writers from Alice Walker to Michael Ondaatje to Claire Messud share their thoughts on one of the most vital gatherings of writers and readers in the world. The Palestine Festival of Literature was established in 2008 by authors Ahdaf Soueif, Brigid Keenan, Victoria Brittain and Omar Robert Hamilton. Bringing writers to Palestine from all corners of the globe, it aimed to break the cultural siege imposed by the Israeli military occupation, to strengthen artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, "the power of culture over the culture of power." Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems, and sketches from some of the world's most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and hope in the most desperate of situations."--