Guy Delisle

After developing his acclaimed style of firsthand reporting with his bestselling graphic novels Pyongyang: A Journey in North Korea and Shenzhen: A Travelogue From China, Guy Delisle is back with Burma Chronicles. In this country notorious for its use of concealment and isolation as social control-where scissor-wielding censors monitor the papers, the leader of the opposition has spent twelve of the past eighteen years under house arrest, insurgent-controlled regions are effectively cut off from the world, and rumor is the most reliable source of current information-he turns his gaze to the everyday for a sense of the big picture. Delisle's deft and recognizable renderings take note of almsgiving rituals, daylong power outages, and rampant heroin use in outlying regions, in this place where catastrophic mismanagement and iron-handed rule come up against profound resilience of spirit, expatriate life ambles along, and nongovernmental organizations struggle with the risk of co-option by the military junta. Burma Chronicles is drawn with a minimal line, and interspersed with wordless vignettes and moments of Delisle's distinctive slapstick humor.

"For three summers beginning when he was 16, cartoonist Guy Delisle worked at a pulp and paper factory in Quebec City. Factory Summers chronicles the daily rhythms of life in the mill, and the twelve-hour shifts he spent in a hot, noisy building filled with arcane machinery. Delisle takes his noted outsider perspective and applies it domestically, this time as a boy amongst men through the universal rite of passage of the summer job. Even as a teenager, Delisle's keen eye for hypocrisy highlights the tensions of class and the rampant sexism an all-male workplace permits... Guy and his dad aren't close, and Guy's witnessing of the workplace politics and toxic masculinity leaves him reconciling whether the job was the reason for his dad's unhappiness. On his days off, Guy found refuge in art, a world far beyond the factory floor. Delisle shows himself rediscovering comics at the public library, and preparing for animation school--only to be told on the first day, 'There are no jobs in animation.' Eager to pursue a job he enjoys and to avoid a career of unhappiness, Guy throws caution to the wind."--

Presents selections of mainstream and alternative American literature, including both fiction and nonfiction, that discuss a broad spectrum of subjects.

From Publishers Weekly Last year's Pyongyang introduced Delisle's acute voice, as he reported from North Korea with unusual insight and wit, not to mention wonderfully detailed cartooning. Shenzhen is not a follow-up so much as another installment in what one hopes is an ongoing series of travelogues by this talented artist. Here he again finds himself working on an animated movie in a Communist country, this time in Shenzhen, an isolated city in southern China. Delisle not only takes readers through his daily routine, but also explores Chinese custom and geography, eloquently explaining the cultural differences city to city, company to company and person to person. He also goes into detail about the food and entertainment of the region as well as animation in general and his own career path. All of this is the result of his intense isolation for three months in an anonymous hotel room. He has little to do but ruminate on his surroundings, and readers are the lucky beneficiaries of his loneliness. As in his earlier work, Delisle draws in a gentle cartoon style: his observations are grounded in realism, but his figures are light cartoons, giving the book, as Delisle himself remarks, a feeling of an alternative Tintin. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist Delisle's Pyongyang (2005) documented two months spent overseeing cartoon production in North Korea's capital. Now he recounts a 1997 stint in the Chinese boomtown Shenzhen. Even a decade ago, China showed signs of Westernization, at least in Special Economic Zones such as Shenzhen, where Delisle found a Hard Rock Cafe and a Gold's Gym. Still, he experienced near-constant alienation. The absence of other Westerners and bilingual Chinese left him unable to ask about baffling cultural differences ranging from exotic shops to the pervasive lack of sanitation. Because China is an authoritarian, not totalitarian, state, and Delisle escaped the oppressive atmosphere with a getaway to nearby Hong Kong, whose relative familiarity gave him "reverse culture shock," Delisle's wittily empathetic depiction of the Western-Chinese cultural gap is less dramatic than that of his Korean sojourn. That said, his creative skill suggests that the comic strip is the ideal medium for such an account. His wry drawings and clever storytelling convey his experiences far more effectively than one imagines a travel journal or film documentary would. Gordon Flagg Copyright © American Library Association. All rights reserved

Ever wanted to know how to be awarded the Best Dad in the Whole World? Guy Delisle has all the answers for you in these lighthearted, entertaining tales of parental mishaps and practical jokes gone wrong. Whether he's helping remove a pesky, wobbly, but not quite loose tooth or trying to win at hide-and-seek, his antics will resonate with every parent who has wanted to give a sarcastic answer to a funny question from their kid.

"Delisle explores the complexities of a city that represents so much to so many. He eloquently examines the impact of the conflict on the lives of people on both sides of the wall while drolly recounting the quotidian: checkpoints, traffic jams, and holidays. When observing the Christian, Jewish, and Muslim populations that call Jerusalem home, Delisle's drawn line is both sensitive and fair, assuming nothing and drawing everything" -- paper band on book.

"The Handbook to Lazy Parenting is bestselling cartoonist Guy Delisle's final tribute to the frequently hilarious and absurd situations that any parent will find themselves in when raising young children--all told with Delisle's trademark sarcastic wit. But even as Delisle's children grow older, wiser, and less interested in their father's antics, Delisle has no shortage of bad parenting stories, only now, sometimes, the joke is on him!"--

An intimate, offbeat look at the joys of parenting. The trademark dry humor that pervades Guy Delisle's landmark and praised graphic travelogues takes center stage. Quick, light vignettes play on the worries and cares any young parent might have, and offer wry solutions to the petty frustrations of being a dad who works from home. Readers familiar with Delisle's stranger-in-a-strange-land technique for storytelling (employed in Jerusalem, Pyongyang, Burma, and Shenzhen) will recognize the parent in this book; the portrait of an all-too-irony-aware stay-at-home dad's ever-changing relationship with his young children while his wife is out working for Doctors Without Borders. Born in Quebec, Guy Delisle now lives in the South of France with his wife and son.

En 1997, alors qu'il est responsable d'une ONG médicale dans le Caucase, Christophe André a vu sa vie basculer du jour au lendemain après avoir été enlevé en pleine nuit et emmené, cagoule sur la tête, vers une destination inconnue. Guy Delisle l'a rencontré des années plus tard et a recueilli le récit de sa captivité - un enfer qui a duré 111 jours. Que peut-il se passer dans la tête d'un otage lorsque tout espoir de libération semble évanoui?

A Westerner's visit into North Korea, told in the form of a graphic novel. Famously referred to as one of the "Axis of Evil" countries, North Korea remains one of the most secretive and mysterious nations in the world today. In early 2001 cartoonist Guy Delisle became one of the few Westerners to be allowed access to the fortresslike country. While living in the nation's capital for two months on a work visa for a French film animation company, Delisle observed what he was allowed to see of the culture and lives of the few North Koreans he encountered; his findings form the basis of this remarkable graphic novel. "Pyongyang "is an informative, personal, and accessible look at a dangerous and enigmatic country.

432 pages : 23 cm