Art Spiegelman

"For Art Spiegelman, the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers, his first new book of comics since the groundbreaking Maus, is an account of the events and aftermath of that tragic day." "Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda." "He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey - with his singular artistry and his characteristic provocation, outrage, and wit - the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy."--BOOK JACKET.

A collection of nineteen strange stories, presented in a comic book format.

A dog explains how he came to be a book after falling foul of a wizard's curse.

A graphic poem on an all-night party during the Roaring Twenties which ends in a murder. The book was banned in Boston when it was first published in 1928.

"Acclaimed as a quiet triumph and a brutally moving work of art, the first volume of Art Spiegelman's Mausintroduced readers to Vladek Spieglman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist trying to come to terms with his father, his father's terrifying story, and History itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events described, approaching, as it does, the unspeakable through the diminutive. This second volume, subtitled And Here My Troubles Began, moves us from the barracks of Auschwitz to the bungalows of the Catskills. Genuinely tragic and comic by turns, it attains a complexity of theme and a precision of thought new to comics and rare in any medium. Mausties together two powerful stories: Vladek's harrowing take of survival against all odds, delineating the paradox of family life in the death camps, and the author's account of his tortured relationship with his aging father. At every level this is the ultimate survivor's tale-and that too of the children who somehow survive even the survivors." --Front flap

A story of a Jewish survivor of Hitler's Europe and his son, a cartoonist who tries to come to terms with his father's story and history itself.

The creator of the Pulitzer Prize-winning Maus reflects on the comics form and its influence on his life and art as he traces his evolution from comics obsessed boy to a neurotic adult exploring the effects of his parents' memories of Auschwitz on his own son, in a volume that includes a facsimile of Breakdowns, the artist's comics from the 1970s.

Presents selections of mainstream and alternative American literature, including both fiction and nonfiction, that discuss a broad spectrum of subjects.

Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals. In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize-winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. He probes the questions that Maus most often evokes -- Why the Holocaust? Why mice? Why comics? -- and gives us a new and essential work about the creative process. MetaMaus includes a bonus DVD-R that provides a digitized reference copy of The Complete Maus linked to a deep archive of audio interviews with his survivor father, historical documents, and a wealth of Spiegelman's private notebooks and sketches. Compelling and intimate, MetaMaus is poised to become a classic in its own right. - Publisher.

"Si Lewen's Parade is a timeless story told in a language that knows no country--a wordless epic that, despite its muteness, is more powerful than the written or the spoken word. First published in 1957, The Parade is a lost classic, newly discovered, remastered, and presented by Art Spiegelman, the Pulitzer Prize-winning author of Maus. Reproduced in a unique two-sided accordion-fold format with an extensive overview of the artist's career on the verso, The Parade is a celebration of art and the story of recurring war as Si Lewen experienced it over the past 90 years, watching the joyful parades that marked the end of World War I lead into the death marches of World War II and the Korean War. As The Parade unfolds, the reader is taken on an unforgettable journey of sequential images"--

"Art Young was one of the most renowned and incendiary political cartoonists in the first half of the 20th century. And far more--an illustrator for magazines such as The Saturday Evening Post and Colliers, a magazine publisher, a New York State Senatorial candidate on the Socialist ticket, and perhaps the only cartoonist to be tried under the Espionage Act for sedition. He made his reputation appearing in The Masses on a regular basis using lyrical, vibrant graphics and a deep appreciation of mankind's inherent folly to create powerful political cartoons. To Laugh That We May Not Weep is a sweeping career retrospective, reprinting--often for the first time in 60 or 70 years--over 800 of Young's timeless, charming, and devastating cartoons and illustrations, many reproduced from original artwork, to create a fresh new portrait of this towering figure in the worlds of cartooning and politics. With essays by Art Spiegelman, Justin Green, Art Young biographer Marc Moorash, Anthony Mourek, and Glenn Bray, with a biographical overview of Young's life and work by Frank M. Young, To Laugh That We May Weep is a long-awaited tribute to one of the great lost cartoonists whose work is as relevant in the 21st century as it was in its own time."--Amazon.com.