Anne Carson

The Beauty Of The Husband is an essay on Keats's idea that beauty is truth, and is also the story of a marriage. It is told in 29 tangos. A tango (like a marriage) is something you have to dance to the end.This clear-eyed, brutal, moving, darkly funny book tells a single story in an immediate, accessible voice--29 "tangos" of narrative verse that take us vividly through erotic, painful, and heartbreaking scenes from a long-time marriage that falls apart. Only award-winning poet Anne Carson could create a work that takes on the oldest of lyrical subjects--love--and make it this powerful, this fresh, this devastating.From the Hardcover edition.

A novel in verse on a homosexual romance between two boys. Geryon "understood / that people need / acts of attention from one another, does it really matter which acts? / He was fourteen. / 'Sex is a way of getting to know someone, ' / Herakles had said. He was sixteen." There is a strong mixture of whimsy and sadness in Geryon's story. He is tormented as a boy by his brother, escapes to a parallel world of photography, and falls in love with Herakles--a golden young man who leaves Geryon at the peak of infatuation. Geryon retreats ever further into the world created by his camera, until that glass house is suddenly and irrevocably shattered by Herakles' return. Running throughout is Geryon's fascination with his wings, the color red, and the fantastic accident of who he is. Anne Carson bridges the gap between classicism and the modern, poetry and prose, with a volcanic journey into the soul of a winged red monster named Geryon. There is a strong mixture of whimsy and sadness in Geryon's story. He is tormented as a boy by his brother, escapes to a parallel world of photography, and falls in love with Herakles - a golden young man who leaves Geryon at the peak of infatuation. Geryon retreats ever further into the world created by his camera, until that glass house is suddenly and irrevocably shattered by Herakles' return. Running throughout is Geryon's fascination with his wings, the color red, and the fantastic accident of who he is.

Anne Carson's poetry - characterized by various reviewers as "short talks," "essays," or "verse narratives" - combines the confessional and the critical in a voice all her own. Known as a remarkable classicist, Anne Carson in Glass, Irony and God weaves contemporary and ancient poetic strands with stunning style. This collection includes: "The Glass Essay," a powerful poem about the end of a love affair, told in the context of Carson's reading of the Bronte sisters; "Book of Isaiah," a poem evoking the deeply primitive feel of ancient Judaism; and "The Fall of Rome," about her trip to "find" Rome and her struggle to overcome feelings of a terrible alienation there.

A book about romantic love, Eros is Anne Carson's exploration of the concept of "eros" in both classical philosophy and literature. Beginning with, "It was Sappho who first called eros 'bittersweet.' No one who has been in love disputes her," Carson examines her subject from numerous points of view, creating a lyrical meditation in the tradition of William Carlos Williams's Spring and All and William H. Gass's On Being Blue.

"The ancient Greek lyric poet Simonides of Keos was the first poet in the Western tradition to take money for poetic composition. From this starting point, Anne Carson launches an exploration, poetic in its own right, of the idea of poetic economy. She offers a reading of certain of Simonides' texts and aligns these with writings of the modern Romanian poet Paul Celan, a Jew and survivor of the Holocaust, whose "economies" of language are notorious. Asking such questions as, What is lost when words are wasted? and Who profits when words are saved, Carson reveals the two poets' striking commonalities."--BOOK JACKET.

A continuation of the author's Autobiography of red (1998), following the characters in later life, but in a different style and with changed names.

American Wild: it can kill you, or exhilarate you. It's always there, a character in its own right in the great unfolding narrative of American writing. This issue of Granta is dedicated to stories of the wild, from MELINDA MOUSTAKIS on gutting fish in Alaska to CLAIRE VAYE WATKINS on a lost child in a dystopian California. Also: ANTHONY DOERR on a family of pioneers in Idaho, ADAM NICOLSON on tracking wolves in New Mexico and DAVID TREUER on cage fighting and his Ojibwe heritage.