Mark Doty

Mark Doty's Fire to Fire collects the best of Mark Doty's seven books of poetry, along with a generous selection of new work. Doty's subjects—our mortal situation, the evanescent beauty of the world, desire's transformative power, and art's ability to give shape to human lives—echo and develop across twenty years of poems. His signature style encompasses both the plainspoken and the artfully wrought; here one of contemporary American poetry's most lauded, recognizable voices speaks to the crises and possibilities of our times.

Why do dogs speak so profoundly to our inner lives? When Mark Doty decides to adopt a dog as a companion for his dying partner, he finds himself bringing home Beau, a large golden retriever, malnourished and in need of loving care. Beau joins Arden, the black retriever, to complete their family. As Beau bounds back into life, the two dogs become Mark Doty's intimate companions, his solace, and eventually the very life force that keeps him from abandoning all hope during the darkest days. Their tenacity, loyalty, and love inspire him when all else fails.Dog Years is a remarkable work: a moving and intimate memoir interwoven with profound reflections on our feelings for animals and the lessons they teach us about life, love, and loss. Mark Doty writes about the heart-wrenching vulnerability of dogs, the positive energy and joy they bring, and the gift they bear us of unconditional love. A book unlike any other, Mark Doty's surprising meditation is radiantly unsentimental yet profoundly affecting. Beautifully written, Dog Years is a classic in the making.

With School of the Arts, Mark Doty's darkly graceful seventh collection, the poet reinvents his own voice at midlife, finding his way through a troubled passage. At once witty and disconsolate -- formally inventive, acutely attentive, insistently alive -- this is a book of fierce vulnerability that explores the ways in which we are educated by the implacable powers of time and desire in a world that constantly renews itself.

Written a deceased friend, Doty's poem contrasts the permanence of Murano glass with the stench and death often associated with Venice, in a volume accompanied by color photos of the Murano glass collection at the J. Paul Getty Museum.

Mark Doty's last two award-winning collections of poetry, as well as his acclaimed memoir Heaven's Coast, used the devastation of AIDS as a lens through which to consider questions of loss, love and identity. The poems in his new collection, Sweet Machine, see the world from a new, hard-won perspective: A coming back to life, after so much death, a way of seeing the body's "sweet machine" not simply as a time bomb, but also as a vibrant, sensual, living thing. These poems are themselves "sweet machines"--lyrical, exuberant and joyous--and they mark yet another milestone in the extraordinary career of one of our most distinguished and accomplished poets.

The year is 1989 and Mark Doty's life has reached a state of enviable equilibrium. His reputation as a poet of formidable talent is growing, he enjoys his work as a college professor and, perhaps most importantly, he is deeply in love with his partner of many years, Wally Roberts. The harmonious existence these two men share is shattered, however, when they learn that Wally has tested positive for the HIV virus. From diagnosis to the initial signs of deterioration to the heartbreaking hour when Wally is released from his body's ruined vessel, Heaven's Coast is an intimate chronicle of love, its hardships, and its innumerable gifts. We witness Doty's passage through the deepest phase of grief — letting his lover go while keeping him firmly alive in memory and heart — and, eventually beyond, to the slow reawakening of the possibilities of pleasure. Part memoir, part journal, part elegy for a life of rare communication and beauty, Heaven's Coast evinces the same stunning honesty, resplendent descriptive power and rapt attention to the physical landscape that has won Doty's poetry such attention and acclaim.

Poet and memoirist Mark Doty ruminates on the importance of how we render the world through description.

"Originating in the Middle Ages, bestiaries were illustrated volumes that described various animals - some real, some mystical. The natural history and illustration of each beast was usually accompanied by a moral lesson. In this beautifully illustrated book, renowned painter Darren Waterston and distinguished poet Mark Doty come together to breathe new life into the medieval genre. Waterston's precise and haunting silhouettes depict species from insect to bird to mammal, captured in motion as they hunt their prey, build their nests, or protect their young. Accompanying these illustrations are Doty's poetic observations on the wonders of the animal world - its panoply of sounds and shapes, its dignity and its cruelty. Lovers of art, animals, and poetry will delight in this elegant volume that captures nature's exquisite and terrible beauty."--Publisher's description.

Edited this year by acclaimed poet and writer Mark Doty, the foremost annual anthology of contemporary American poetry returns. Mark Doty brings the vitality and imagination that illuminate his own work to his selections for the twenty-fifth volume in the Best American Poetry series. He has chosen poems of high moral earnestness and poems in a comic register; poems that tell stories and poems that test the boundaries of innovative composition. This landmark edition includes David Lehman’s keen look at American poetry in his foreword, Mark Doty’s gorgeous introduction, and notes from the poets revealing the germination of their work. Over the last twenty-five years, The Best American Poetry has become an annual rite of the poetry world, and this year’s anthology is a welcome and essential addition to the series.