Discover
Book Series

The Critical heritage series

Minsik readers
0.0
0 ratings
Other platforms
4.0
2 ratings
6
BOOKS
2,482
PAGES
~41h 22min
READING TIME

About Author

Linda Wagner-Martin

George Raymond Richard Martin (born George Raymond Martin; September 20, 1948), also known by the initials G.R.R.M., is an American author, screenwriter, and television producer. Martin is best known as the author of the epic fantasy novel series A Song of Ice and Fire, which was adapted by HBO into the Primetime Emmy Award–winning television series Game of Thrones (2011–2019) and its prequel series House of the Dragon (2022–present). Martin also wrote a related series of novellas, Tales of Dunk and Egg, which have been adapted by HBO as A Knight of the Seven Kingdoms (2026–present). Outside of A Song of Ice and Fire and its related media, Martin helped create the Wild Cards anthology series and contributed worldbuilding for the video game Elden Ring (2022). In 2005, Lev Grossman of Time called Martin "the American Tolkien", and in 2011, he was included on the annual Time 100 list of the most influential people in the world.

Description

Shakespeare: The Critical Heritage also known as William Shakespeare: The Critical Heritage is a six-volume work edited by Brian Vickers. Volumes 1 through 3 were published in 1974 and 1975 by Routledge & Kegan Paul. Vickers' "Critical Heritage" is described as a "...more or less complete collection of criticisms of Shakespeare's works." Additionally, this set was expected to span three centuries by the time Volume 3 was available. Vickers as the editor, wrote digestible introductions to each volume and easy to read headnotes throughout. Volume 6 covers the years of 1774 to 1801, and was published in 1981.

How the series evolves

beginning
Sylvia Plath, the critical heritage
0.0· tough start
peak
John Keats.
4.0· best book in series
finale
Kipling
0.0· messes up the ending
overall
1.3· maybe series needed more care

Books in this Series

John Keats.

4.0 (1)
0

The life of Keats provides a unique opportunity for the study of literary greatness and of what permits or encourages its development. Its interest is deeply human and moral, in the most capacious sense of the words. In this authoritative biography—the first full-length life of Keats in almost forty years—the man and the poet are portrayed with rare insight and sympathy. In spite of a scarcity of factual data for his early years, the materials for Keats’s life are nevertheless unusually full. Since most of his early poetry has survived, his artistic development can be observed more closely than is possible with most writers; and there are times during the period of his greatest creativity when his personal as well as his artistic life can be followed week by week. The development of Keats’s poetic craftsmanship proceeds simultaneously with the steady growth of qualities of mind and character. Walter Jackson Bate has been concerned to show the organic relationship between the poet’s art and his larger, more broadly humane development. Keats’s great personal appeal—his spontaneity, vigor, playfulness, and affection—are movingly recreated; at the same time, his valiant attempt to solve the problem faced by all modern poets when they attempt to achieve originality and amplitude in the presence of their great artistic heritage is perceptively presented. In discussing this matter, Mr. Bate says, “The pressure of this anxiety and the variety of reactions to it constitute one of the great unexplored factors in the history of the arts since 1750. And in no major poet, near the beginning of the modern era, is this problem met more directly than it is in Keats. The way in which Keats was somehow able, after the age of twenty-two, to confront this dilemma, and to transcend it, has fascinated every major poet who has used the English language since Keats’s death and also every major critic since the Victorian era.” Mr. Bate has availed himself of all new biographical materials, published and unpublished, and has used them selectively and without ostentation, concentrating on the things that were meaningful to Keats. Similarly, his discussions of the poetry are not buried beneath the controversies of previous critics. He approaches the poems freshly and directly, showing their relation to Keats’s experience and emotions, to premises and values already explored in the biographical narrative. The result is a book of many dimensions, not a restricted critical or biographical study but a fully integrated whole.

George Orwell

4.0 (1)
0

"An intellectual who did not like intellectuals, a socialist who did not trust the state, a liberal who was against free markets, a Protestant who believed in religion but not in God, a fierce opponent of nationalism who defined Englishness for a generation. Aside from being one of the greatest political essayists in the English language and author of two of the most famous books in twentieth century literature, George Orwell was a man of profound contradictions. George Orwell: English Rebel takes us through the many twists and turns of Orwell's life and thought, from precocious, public school satirist at Eton and imperial policeman in Burma, through his early years as a rather dour documentary writer, and his formative experiences as a volunteer soldier in the Spanish Civil War. Robert Colls traces, in particular, Orwell's complex relationship with his country, from the alienated intellectual of the mid-1930s through a gradual reconciliation, to the exhilarating peaks of his wartime writing. He explores the mistakes and contradictions, the lucky escapes and near misses, and what they tell us about Orwell as man and author."--Publisher's description.

Kipling

0.0 (0)
0

Collection of Stort Stories & Poems written by Rudyard Kipling in the late 1800's I& early l900's.