Panther science fiction

It's the 35th century where a person is given one day a week to live, work and play and the other six days remain in suspended animation. There are "daybreakers", outlaws, who live seven different lives and Jeff Caird is one of these who finds his life in danger.

The West African jungle is turning into crystal. Everywhere plants, trees and animals are changing and men are fleeing except some foolhardy types who remain to drift, dazzled, through this spectacular dreamworld.

1972 Locus Poll Award nominee, best SF novel IN THE BEGINNING... there was no Brooklyn, no St. Louis, no Shakespeare, no moon, no hunger, no death... IN THE BEGINNING... there were no real men, no real women, nothing but dispassionately passionate ambisexuals of the lowest and highest order... IN THE BEGINNING... the heavens, the seas and the Earth belonged to more intelligent species than a man called Clay could ever have dreamed possible in his own time. But his own time as a man had passed, and now his time as the son of man had come! Clay is a man from the 20th Century who is somehow caught up in a time-flux and transported into a distant future. The earth and the life on it have changed beyond recognition. Even the human race has evolved into many different forms, now coexisting on the planet. The seemingly omnipotent Skimmers, the tyrannosaur-like Eaters, the sedentary Awaiters, the squid-like Breathers, the Interceders, the Destroyers—all of these are "Sons of Man". Befriended and besexed by the Skimmers, Clay goes on a journey which takes him around the future earth and into the depths of his own soul. He is human, but what does that mean?

An early (1985 but based on earlier work) Powers novel with many of his usual themes such as alcoholism, vampirism, possession, erosion of the self, and the weight of one's past. Set in a post-apocalyptic LA area. Not as good as The Anubis Gates or Last Call, but still wildly inventive and full of beautiful imagery. It won the Philip K. Dick Award and was nominated for a Nebula. Note: pretty brutal in parts.

The story of two communities of outcasts from earth living on another planet.

Centuries in the future, Terrans have established a logging colony & military base named “New Tahiti” on a tree-covered planet whose small, green-furred, big-eyed inhabitants have a culture centered on lucid dreaming. Terran greed spirals around native innocence & wisdom, overturning the ancient society. Humans have learned interstellar travel from the Hainish (the origin-planet of all humanoid races, including Athsheans). Various planets have been expanding independently, but during the novel it’s learned that the League of All Worlds has been formed. News arrives via an ansible, a new discovery. Previously they had been cut off, 27 light years from home. The story occurs after The Dispossessed, where both the ansible & the League of Worlds are unrealised. Also well before Planet of Exile, where human settlers have learned to coexist. The 24th century has been suggested. Terran colonists take over the planet locals call Athshe, meaning “forest,” rather than “dirt,” like their home planet Terra. They follow the 19th century model of colonization: felling trees, planting farms, digging mines & enslaving indigenous peoples. The natives are unequipped to comprehend this. They’re a subsistence race who rely on the forests & have no cultural precedent for tyranny, slavery or war. The invaders take their land without resistance until one fatal act sets rebellion in motion & changes the people of both worlds forever.

For all the strange worlds borne of his vast and vivid imagination, Philip K. Dick was largely concerned with humanity's most achingly familiar heartaches and struggles. In Our Friends From Frolix 8, he clashes private dreams against public battles in a fast-paced and provocative tale that ultimately addresses our salvation both as individuals and a whole.Nick Appleton is a menial laborer whose life is a series of endless frustrations. Willis Gram is the despotic oligarch of a planet ruled by big-brained elites. When they both fall in love with Charlotte Boyer, a feisty black marketer of revolutionary propaganda, Nick seems destined for doom. But everything takes a decidedly unpredictable turn when the revolution's leader, Thors Provoni, returns from ten years of intergalactic hiding with a ninety-ton protoplasmic slime that is bent on creating a new world order. Winner of both the Hugo and John W. Campbell awards for best novel, widely regarded as the premiere science fiction writer of his day, and the object of cult-like adoration from his legions of fans, Philip K. Dick has come to be seen in a literary light that defies classification in much the same way as Borges and Calvino. With breathtaking insight, he utilizes vividly unfamiliar worlds to evoke the hauntingly and hilariously familiar in our society and ourselves.From the Trade Paperback edition.

In The Dragon Masters, the first of ibooks definitive reissues of the work of Jack Vance, he develops several races of people and follows the life of a boy born into and growing up in a stratified society, in which he comes into conflict and is eventually driven into rebellion. “A Rebel Without a Cause” for an Alien world.

From Robert Silverberg's contemporary afterword: "What I wanted to do in short was to produce a masterpiece. I don't mean that word 'masterpiece' in the pretentious sense, not a sublime work of genius but merely the piece of work which a craftsman presents by way of proving that the apprenticeship is over. That required an elaborate plot. My earliest books suffered from an inability to tie up loose ends...so I studied my elders, I analyzed the means by which the science fiction writers I admired wove the strands of their stories...I studied and I imitated and finally in Master of Life and Death, I let loose with all my thunderbolts." In The Magazine of Fantasy and Science Fiction, Anthony Boucher wrote that "Silverberg's success in maintaining complete clarity and narrative drive while 'manipulating unnumbered plots and complex concepts is a technical triumph" and Master of Life and Death, returning in this RosettaBooks edition, has the contemporaneity of Silverberg's best work.When his superior disappears, Roy Walton, the assistant director of population relocation, suddenly becomes the Master of Life and Death on an overcrowded Earth and must reapportion the population to avoid fear and panic. But this is only the first of Walton's challenges. He is confronted by menacing aliens with an ambiguous agenda which may include conquest. A renegade scientist has produced a new immortality serum which if distributed would only strain resources and deepen human misery. But how can such information be withheld and will Walton become the Master of Death alone if he suppresses that information? Manifold obstacles make efforts to solve one problem only contribute to increasing the others. Ultimately, however, Walton finds the ingenious solution which ties and resolves all of the difficulties.

When a young Russian boy disappears from a top-secret research establishment, and turns up in Tokyo, he presents a major problem for American security officials. The youth appears to be part of a sophisticated experiment--and to have the mind of a supposedly dead astronaut perfectly imprinted on his own. And, the boy claims the tests have been extended to a whale. As these strange events unfold, other cataclysmic events begin to occur too: a groundbreaking Nobel Prize winner proves that what we perceive as the universe is nothing more than a ghost of the real thing. Then the whales begin singing their death-mantra throughout the world's oceans.

Now Wait for Last Year is a 1966 science fiction novel by American writer Philip K. Dick. It is set in 2055, when Earth is caught between two galactic powers in an interstellar conflict. Dr. Eric Sweetscent and his wife Kathy get addicted to a powerful drug that appears to cause time travel. The doctor's patient is the world leader, UN Secretary General. Of the twenty-eight novels Dick published in the 1960s and 1970s, this novel is one of the five chosen to represent this period of his career in The Library of America series, Volume Two. Dr. Eric Sweetscent has problems. His planet is enmeshed in an unwinnable war. His wife is lethally addicted to a drug that whips its users helplessly back and forth across time -- and is hell-bent on making Eric suffer along with her. And Sweetscent's newest patient is not only the most important man on the embattled planet Earth but quite possibly the sickest. For Secretary Gino Molinari has turned his mortal illness into an instrument of political policy -- and Eric cannot tell if his job is to make the Male better or to keep him poised just this side of death.Now Wait for Last fear bursts through the envelope between the impossible and the inevitable. Even as ushers us into a future that looks uncannily LIKE the present, it makes the normal seem terrifyingly provisional -- and compels anyone who reads it to wonder if he really knows what time it is.From the Trade Paperback edition.

Après une explosion atomique, la plupart des terriens survivants sont partis s'installer sur les planètes de la Confédération de Véga. L'espérance de vie de certains hommes a augmenté. Ainsi, personne ne connaît l'âge de Conrad Nomikos, le conservateur de la Terre, qui vit sur une île grecque miraculeusement préservée. Il a pour mission de guider Cort Myshtigo, un végan venu explorer la planète.

Simeon Krug has a vision--and the vast wealth necessary to turn dream into reality. What he wishes is to communicate with the stars, to answer signals from deep space. The colossal tower he's constructing for this purpose soars above the Arctic tundra, and the seemingly perfect androids building it view Krug as their god. But, Krug is only flesh-and-blood, and when his androids discover the truth, their anger knows no bounds...and it threatens much more than the tower. "...a multi-levelled work of high adventure, considerable tension and social consciousness."--Harlan Ellison. Simeon Krug, a fantastically wealthy entrepreneur, endeavors to communicate with the stars in this fascinating tale of a man's incredible hubris and the destruction it wreaks on all within his sphere of influence, which includes the entire world. Every one of Krug's actions appears to be motivated by the need for self-aggrandizement, although he would probably be shocked to hear it; this blindness is a fascinating aspect of the character. Krug wants to stretch his presence across this universe, so he is building a mile-high glass tower on the northern tundra that will house a tachyon projector. He needs workers for his project, so he creates androids that are capable of the full range of human emotion and presses them into service. Some reviewers have complained that the story ends on an inconclusive note but, if you read this story, just think about the havoc that Krug has caused through his single-minded attachment to his own grand schemes without adequate thought to their consequences. Robert Silverberg has penned a worthy cautionary tale about the danger of pairing too much power with too much ambition and too little ability or desire to imagine any result but what the great man intends. Simeon Krug is the king of the universe. A self-made man, he is the Bill Gates of the era, having built a mega-commercial empire on the backs of his products: "androids", genetically-engineered human slaves. Having amassed incredible wealth, his next major goal is to communicate with aliens living in an uninhabitable world, sending a mysterious signal. This requires building a mile-high tower in the arctic tundra. The androids want civil equality with humans, but are divided on the best means to the goal, political agitation or religious devotion to Krug, their creator. And Krug's son, Manuel, is reluctant to step into his role as heir to his father's empire.

David Marin risks his reputation and government career when he makes a plea for Wade Trask, a brilliant scientist condemned to be executed for sedition. What Marin doesn't yet realize is that time is quickly running out -- for both of them. Trask is experimenting with transplanting the mind and nervous system of one animal into the body of another. Hysterical with worry, he frantically works. When Marin tries to calm him, this almost mad scientist suddenly blasts his gas gun at him! Now, Marin's very identity is encased in Trask's body. Is Marin doomed to this twisted fate? Will they both become enemies of the government?

Ted Kennedy, advertising executive for the Ganymede Project, is made aware of a plan for genocide, for the murder of all the peaceful natives of Ganymede in furtherance of commerce...and it is his decision as to whether he collaborates with, facilitates this genocide or - by opposing it, by bringing the truth to the public - he risks not mere failure but utter destruction.Robert Silverberg's comment on his novel: ..."it involves a Madison Avenue hoax involving a nonexistent colony on Ganymede being worked up for political purposes, some sort of cynical disinformation campaign of the kind that was science fiction in l958 but is everyday news these days."Everyday news and, of course, the premise of the successful and frighteningly premonitory film, Wag the Dog.

This is a collection containing, among other stories, the short story that started the Earthsea series." Along with "The Rule of Names," the story establishes the world and characters of Earthsea. First published in 1964 in an issue of Fantastic, the story can be found in a handful of anthologies but can be hard to lay hands on.

Menschen zwischen den Sternen Das Universum ist fünf Meilen lang und besitzt einen Durchmesser von 2000 Fuß. Das denken die Bewoh- ner des Schiffes, denn sie haben das Erbe und die Mission ihrer Vorväter längst vergessen. Sie kennen die Sterne nicht mehr, und sie glauben nicht daran oder wollen nichts davon wissen, daß außerhalb des Schiffes, ihres Universums, überhaupt etwas existiert. Doch ein Mann lebt unter ihnen, der neugieriger und wißbegieriger ist als seine Mitmenschen. Dieser Mann namens Hugh Hoyland liest die Verbo- tenen Bücher und dringt sogar in den Geheiligten Ort ein, den niemand mehr zu betreten wagt. Hugh sieht zum erstenmal in seinem Leben die Sterne – und be- greift die schockierende Wahrheit.

This is a parting goodbye to the golden age of Sci-Fi. Science was discovering just how lifeless Mars really was, and Zelazney wanted to write something fantastical beforehand. The end of a civilization, and the beginning of something new, all before the backdrop of Martian soil.

Set in a future where the United States has largely broken down into reluctantly cooperating enclaves run by a wide variety of strongmen and warlords, with a veneer of government control that seems largely interested in controlling technology. Dr. Adder is an artist-surgeon, who modifies sexual organs of his patients to satisfy the weirdest of perversion; he is clearly depicted as a partly criminal, partly countercultural figure in a future Los Angeles.

It was January 2021, and Rick Deckard had a license to kill. Somewhere among the hordes of humans out there, lurked several rogue androids. Deckard's assignment--find them and then..."retire" them. Trouble was, the androids all looked exactly like humans, and they didn't want to be found!

Essentially a linked group of short stories, it recounts the colonisation of the planet Rustum, a fictional terrestrial world orbiting Epsilon Eridani, by a group of refugees from an authoritarian planet Earth bearing some resemblance to the historical Pilgrim Fathers. Although habitable, Rustum's atmospheric pressure is so great that only its mountains and high plateaus are suitable for human settlement. The novel, like much of Anderson's work, has a libertarian subtext as the colonists flee the oppression on their home planet.

From inside front jacket: TRADER TO THE STARS: Van Rijn boards a ship in space and discovers that he's captured a zoo. The race that had commanded the ship have hidden themselves among the other animals... and Nicholas, unable to operate the ship's controls, must determine which of the animals can. TERRITORY: Nicholas and a pretty young biotechnician are attacked by the natives of an ammonia-enveloped planet. Their only hope of escape lies in turning one faction against another... and then uniting them to meet still another. THE MASTER KEY: Van Rijn plays Sherlock Holmes as he lounges in his penthouse and hears a baffling tale of interstellar double-cross.

The controversial Kilgore Trout episode was neither the first nor the last time Farmer would impishly slip out of his own skin and assume the persona of another author. In Venus on the Half-Shell and Others, Philip Jose Farmer transforms himself into fictional personalities as compelling as they are diverse: Cordwainer Bird, Paul Chapin, Rod Keen, Harry "Bunny" Manders, Leo Queequeg Tincrowdor, John H. Watson, M.D. and even the real-life author William S. Burroughs.