Middle Ages series

Presents several theories concerning the first discoverers of America and describes pre-Columbian voyages of exploration by the Irish, the Norsemen, the English, and others.

In Old Age in Late Medieval England, Joel T. Rosenthal explores the life spans, sustained activities, behaviors, and mentalites of the individuals who approached and who passed the biblically stipulated span of three score and ten in late medieval England. Drawing on a wide variety of documentary and court records (which were, however, more likely to specify with precision an individual's age on reaching majority or inheriting property than on the occasion of his or her death) as well as literary and didactic texts, he examines "old age" as a social construct and web of behavioral patterns woven around a biological phenomenon. Focusing on "lived experience" in late medieval England, Rosenthal uses demographic and quantitative records, family histories, and biographical information to demonstrate that many people lived into their sixth, seventh, and occasionally eighth decades. Those who survived might well live to know their grandchildren. This view of a society composed of the aged as well as of the young and the middle aged is reinforced by an examination of peers, bishops, and members of parliament and urban office holders, for whom demographic and career-length information exists. Many individuals had active careers until near the end of their lives; the aged were neither rarities nor outcasts within their world. Late medieval society recognized the concept of retirement, of old age pensions, and of the welcome release from duty for those who had served over the decades.

The meter of Middle English alliterative poetry, Thomas Cable contends, holds the key to a reinterpretation of both Old English meter and iambic pentameter, which in turn provides a new understanding of Middle English meter itself. Drawing upon recent insights in linguistics, Cable articulates a revolutionary theory of rhythm in English poetry from its beginnings through the Renaissance and beyond. Cable's discussion moves from the rhythms of Old English poetry and prose to the poetry of Chaucer and the Alliterative Revival, to Shakespeare and T.S. Eliot. He demonstrates that Middle English poetry does not show the continuity of tradition that standard authorities have asserted. With the Norman Conquest of 1066 came a clear break, and what followed was a drastic misreading by the poets of what had come before. Throughout the book, Cable constantly asks fundamental questions regarding the intentions of the poet, the impact of the perceived metrical tradition upon that poet, and, with reference to Peircean abduction, the possibility of constructing any metrical theory, especially one from the distant past. The answers and their implications - metrical, cognitive, and philosophical - provide the foundation for a new understanding of the creation and evolution of English versification from the seventh century to the present. The English Alliterative Tradition is a major and controversial study in medieval English poetics that illustrates and clarifies key ideas of the New Philology. It will be of interest to scholars and students of Old and Middle English, prosody, and historical linguistics.