Middle Ages series

David Townsend's translation - the first ever into English verse - affords modern readers a vivid sense of the aesthetic appeal and sophisticated artistry of Walter's poem. A concise introduction sets out the poem's background and significance in literary history, while also suggesting how Walter's text resonates with the literary sensibilities of our own times. Townsend's explanatory notes, adapted in large part from glosses in the surviving manuscripts, allow modern audiences a remarkable glimpse into the ways in which medieval readers of the Alexandreis must have understood the poem.

The armies of the Fourth Crusade that left Western Europe at the beginning of the thirteenth century never reached the Holy Land to fight the Infidel; they stopped instead at Byzantium and sacked that capital of eastern Christendom. Much of what we know today of those events comes from contemporary accounts by secular writers; their perspective is balanced by a document written from a monastic point of view and now available for the first time in English. The Hystoria Constantinopolitana relates the adventures of Martin of Pairis, an abbot of the Cistercian Order who participated in the plunder of the city, as recorded by his monk Gunther. Written to justify the abbot's pious pilferage of sacred relics and his transporting them back to his monastery in Alsace, it is a work of Christian metahistory that shows how the sack of Constantinople fits into God's plan for humanity, and that deeds done under divine guidance are themselves holy and righteous. The Hystoria Constantinopolitana is one of the most complex and sophisticated historiographical works of its time, deftly interweaving moods and motifs, themes and scenes. In producing the first English translation and analysis of this work, Alfred Andrea has captured the full flavor of the original with its alternating sections of prose and poetry. His introduction to the text provides background on Gunther's life and work and explores the monk's purpose in writing the Hystoria Constantinopolitana - not the least of which was extolling the virtues of Abbot Martin, who was sometimes accused of laxity by his superiors in the Order. Gunther's work is significant for its effort to deal with problems raised by the participation of monks in the Crusades, making it a valuable contribution to both crusading and monastic history. The Capture of Constantinople adds to our knowledge of the Fourth Crusade and provides unusual insight into the attitudes of the participants and the cultural-intellectual history of the early thirteenth century.

In Old Age in Late Medieval England, Joel T. Rosenthal explores the life spans, sustained activities, behaviors, and mentalites of the individuals who approached and who passed the biblically stipulated span of three score and ten in late medieval England. Drawing on a wide variety of documentary and court records (which were, however, more likely to specify with precision an individual's age on reaching majority or inheriting property than on the occasion of his or her death) as well as literary and didactic texts, he examines "old age" as a social construct and web of behavioral patterns woven around a biological phenomenon. Focusing on "lived experience" in late medieval England, Rosenthal uses demographic and quantitative records, family histories, and biographical information to demonstrate that many people lived into their sixth, seventh, and occasionally eighth decades. Those who survived might well live to know their grandchildren. This view of a society composed of the aged as well as of the young and the middle aged is reinforced by an examination of peers, bishops, and members of parliament and urban office holders, for whom demographic and career-length information exists. Many individuals had active careers until near the end of their lives; the aged were neither rarities nor outcasts within their world. Late medieval society recognized the concept of retirement, of old age pensions, and of the welcome release from duty for those who had served over the decades.

The meter of Middle English alliterative poetry, Thomas Cable contends, holds the key to a reinterpretation of both Old English meter and iambic pentameter, which in turn provides a new understanding of Middle English meter itself. Drawing upon recent insights in linguistics, Cable articulates a revolutionary theory of rhythm in English poetry from its beginnings through the Renaissance and beyond. Cable's discussion moves from the rhythms of Old English poetry and prose to the poetry of Chaucer and the Alliterative Revival, to Shakespeare and T.S. Eliot. He demonstrates that Middle English poetry does not show the continuity of tradition that standard authorities have asserted. With the Norman Conquest of 1066 came a clear break, and what followed was a drastic misreading by the poets of what had come before. Throughout the book, Cable constantly asks fundamental questions regarding the intentions of the poet, the impact of the perceived metrical tradition upon that poet, and, with reference to Peircean abduction, the possibility of constructing any metrical theory, especially one from the distant past. The answers and their implications - metrical, cognitive, and philosophical - provide the foundation for a new understanding of the creation and evolution of English versification from the seventh century to the present. The English Alliterative Tradition is a major and controversial study in medieval English poetics that illustrates and clarifies key ideas of the New Philology. It will be of interest to scholars and students of Old and Middle English, prosody, and historical linguistics.