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Jan 1, 1933 — —· 93 yrs

Robert Hollander

Also known as: Hollander, Robert

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Dante, having lost his way, in a dark wood hint of dawn: the sun on a mountaintop simile: survivor of shipwreck looking back at sea journey resumed;

— from Inferno - English/Italian translation

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#1

Inferno - English/Italian translation

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"The Inferno, the opening section of Dante Alighieri's epic theological poem La Divina Commedia, is one of the indispensable works of the Western literary canon. The modern concept of hell and damnation owes everything to this work, and it is the rock upon which vernacular Italian was built. Its influence is woven into the very fabric of Western imagination, and poets, painters, scholars, and translators return to it endlessly.". "This new verse translation (with facing-page Italian text) by international scholar and teacher Robert Hollander and his wife, poet Jean Hollander, is a collaboration that combines the virtues of maximum readability with complete fidelity to the original Italian - and to Dante's intentions and subtle shadings of meaning. The book reflects Robert Hollander's faultless Dante scholarship and his nearly four decades' teaching experience at Princeton. The introduction, notes, and commentary on the poem cannot be matched for their depth of learning and usefulness for the lay reader. In addition, the book matches the English and Italian text on the Web site of the Princeton Dante Project, which also offers a voiced Italian reading, fuller-scale commentaries, and links to a database of some sixty Dante commentaries."--BOOK JACKET.

#2

Boccaccio's Dante and the shaping force of satire

1997

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In Boccaccio's Dante and the Shaping Force of Satire, Robert Hollander offers a valuable synthesis of new material and some previously published essays, addressing the question of Dante's influence on Boccaccio, particularly concerning the Commedia and the Decameron. Hollander reveals that Boccaccio's writings are heavy with reminiscences of the Dante text that he believed to be the greatest "modern" work. It was Boccaccio's belief that Dante was the only writer who had achieved a status similar to that reserved for the greatest writers of antiquity. Most of these essays try to show how carefully Boccaccio reflects the texts of Dante in the Decameron. Some essays also turn to the question of Boccaccio's allied reading of Ovid, especially the amatory work, as part of his strategy to base his work primarily on these two great authorities as he develops his own vernacular and satiric vision of human foolishness. Boccaccio's Dante and the Shaping Force of Satire will be of tremendous value to scholars of medieval studies in general.

#3

The elements of grammar in 90 minutes

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