Harvest Book

Burnt Norton -- East Coker -- The dry salvages -- Little Gidding

Combination of fairy tale and ballad story about a bandit chief and the daughter of a Mississippi planter.

"The Publication of Mrs. Dalloway in 1925 secured Virginia Woolf's place as a master of the modern literary form and inspired generations of writers to come. This unique collection includes the complete text of Mrs. Dalloway and Mrs. Dalloway's Party, and also various journal entries and letters by Virginia Woolf relating to the genesis and writing of her masterpiece. Editor Francine Prose has selected these pieces as well as essays and appreciations, critical views, and commentary by writers famous and unknown. While Mrs. Dalloway remains Woolf's classic work, the lesser-known companion book, Mrs. Dalloway's Party, is a kind of writer's notebook, containing many outtakes from Woolf's initial attempt to write Mrs. Dalloway. This complete volume illuminates the creation of a beloved book and the genius of its author. Book jacket."--Jacket.

Hannah Arendt's definitive work on totalitarianism and an essential component of any study of twentieth-century political history The Origins of Totalitarianism begins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I. Arendt explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in her time—Nazi Germany and Stalinist Russia—which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left. From this vantage point, she discusses the evolution of classes into masses, the role of propaganda in dealing with the nontotalitarian world, the use of terror, and the nature of isolation and loneliness as preconditions for total domination.

Contains 26 essays on aspects of English literature. Among her subjects are the writings of Mary Wollstonecraft, Dorothy Wordsworth, and Christina Rossetti. She also reflects on the poetry of John Donne; the works of Daniel Defoe, Lawrence Sterne, George Meredith, and Thomas Hardy; Lord Chesterfield’s letters; and Thomas De Quincey’s autobiography. Noteworthy too is the last essay, "How Should One Read a Book?".

"In The Double Flame, Nobel Laureate Octavio Paz explores the intimate connection between sex, eroticism, and love - themes that have been a constant in his writing, from his first published poems to the great works of his maturity. Beginning with Plato's Symposium, he gives a short history of love and eroticism in literature throughout the ages: from the influence of the great cities Alexandria and Rome on the development of love poetry, to courtly love in Heian Japan and twelfth-century France, to love in modern novels such as Madame Bovary and Ulysses. Rich in scope, The Double Flame examines everything from taboo to repression, Carnival to Lent, Sade to Freud, Original Sin to artificial intelligence."--BOOK JACKET. In The Double Flame, Nobel Laureate Octavio Paz explores the intimate connection between sex, eroticism, and love - themes that have been a constant in his writing, from his first published poems to the great works of his maturity. Beginning with Plato's Symposium, he gives a short history of love and eroticism in literature throughout the ages: from the influence of the great cities Alexandria and Rome on the development of love poetry, to courtly love in Heian Japan and twelfth-century France, to love in modern novels such as Madame Bovary and Ulysses. Rich in scope, The Double Flame examines everything from taboo to repression, Carnival to Lent, Sade to Freud, Original Sin to artificial intelligence.

When Julia is cleaning a 15th century Flemish painting, in a corner she finds the words: "Who killed the knight?" As she investigates the mystery, she becomes mixed up with several late 20th century unscrupulous characters.

What is to become of a magician's assistant without her magician? This is the question Sabine asks herself after the death of Parsifal, the magician she worked with for more than twenty years and her husband for only a few months. Parsifal loved men, especially Phan, and though Sabine loved Parsifal, she contented herself with his friendship. Now Parsifal and Phan are both gone, and Sabine is left with full responsibility for their possessions and their histories. Always the assistant, her life is still defined by service to Parsifal. But in the world of illusion Sabine has occupied for her entire life, things are rarely what they seem. According to Parsifal, he had no living relatives. Now, with his death, comes the news that he has a mother and two sisters living in Alliance, Nebraska. Inevitably, the strangers will meet and Sabine will be carried away from her beloved Los Angeles to seek the truth of Parsifal's past in the bitterly windswept steppes of Nebraska in winter. It is here that Sabine will learn the truth about Parsifal's father, which lies at the heart of his son's abandonment of his family and of his identity. As the members of Parsifal's family turn to Sabine for help, she realizes that she is something of a magician herself. In this newfound strength Sabine may at last find the kind of love she had always been denied.

Includes material on John D. Rockefeller, J. Pierpoint Morgan, Cornelius Vanderbilt, William H. Vanderbilt, Andrew Carnegie, E.H. Harriman, Jay Gould, Jim Fisk, Jay Cooke, Daniel Drew, Henry C. Frick, James J. Hill, Charles M. Schwab, Henry Villard, Standard Oil Company, trusts.

After the tragic sinking of a cargo ship, one solitary lifeboat remains bobbing on the wild, blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a zebra (with a broken leg), a female orang-utan… and a 450-pound Royal Bengal tiger. The scene is set for one of the most extraordinary works of fiction in recent years.

When Jose Saramago decided some twenty years ago to write a book about Portugal, his only desire was that it be unlike any other book on the subject, and in this he certainly has succeeded. Recording the events and observations of a journey across the length and breadth of the country he loves dearly, Saramago brings Portugal to life as only a writer of his brilliance can. Forfeiting sources of information such as tourist guides and road maps, he scours the country with the eyes and ears of an observer fascinated by the ancient myths and history of his people. Whether an inaccessible medieval fortress set on a cliff, a wayside chapel thick with cobwebs, or a grand mansion in the city, the extraordinary places of this land come alive with kings, warriors, painters, explorers, writers, saints, and sinners. Always meticulously attentive to those elements of ancient Portugal that persist today, Saramago examines the country in its current period of rapid transition and growth.

Senhor Jose is a clerk at the Central Registry, where records are stored on the birth, marriage and death of all of the city's populace. Jose stumbles across a record for a woman he has never met and becomes consumed with finding out more about her. His quest for knowledge pushes him to perform in ways he never thought possible.

One of Orwell’s earlier novels this relates the strange story of a young unmarried woman who is seemingly content to keep house for her father, a village rector. After a dinner with a local bachelor she wakes eight days later in the Old Kent Road in London’s East End with amnesia and no idea how she came to be there. Being without funds she accompanies some vagrants to Kent for hop-picking and then returns to London where she ends up sleeping rough in Trafalgar Square.

"Sefarad" de Antonio Muñoz Molina es una geografía musical de voces narrativas en la que los narradores y los lectores comparten el destino trágico del terror totalitario que marcó el rumbo del siglo XX y de diferentes modalidades de destierro. En "Sefarad", más allá de los estereotipos cinematográficos y de los lugares comunes literarios, un universo de recreación ficcional vincula emocionalmente a los lectores en la radical experiencia de vivencias traumáticas a través de la técnica compositiva de la "Fuga" musical. Considerada como una de las obras maestras de la literatura actual, la palabra "Sefarad" encarna el símbolo universal de todas las víctimas que han conformado la memoria cultural europea compartida del Holocausto y del exilio republicano de 1939.