Black drama, second ed

Limited slip cased edition of 250 copies signed by the author.

The only literary collaboration between Langston Hughes and Zora Neale Hurston, this play marked a turning point in African-American theater. This volume tells the story of the play's conception and inspiration and gives complete details of the irreparable rift in Hurston and Hughes's friendship that came about because of it. Also included is Hurston's short story, "Bone of Contention."

First published in 1975, Shange's choreopoem has been read and performed because it truly revealed what it meant to be of color and female in the twentieth century. Here is the complete text, with stage directions of the dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

Only a boy preacher who had grown up to become one of America's most eminent writers could have produced a play like The Amen Corner. For to his first work for the theater James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers. For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path. The Amen Corner is a play about faith and family, about the gulf between black men and black women and black fathers and black sons. It is a scalding, uplifting, sorrowful and exultant masterpiece of the modern American theater.