James Baldwin

"James Baldwin was newly recognized as the most brilliant black writer of his generation when his first book of essays, Notes of a Native Son, firmly established his reputation in 1955. No one was more pleased by the book's reception than Baldwin's high school friend Sol Stein. A rising New York editor, novelist, and playwright, Stein had suggested that Baldwin write the book and coaxed his old friend through the long and sometimes agonizing process of putting the volume together and seeing it into print. Now, in this new book, Sol Stein documents the story of his and Baldwin's intense creative partnership through newly uncovered letters, photos, inscriptions, and an illuminating memoir of the friendship that resulted in one of the classics of American literature. Also included in this book are the two works they created together - the story "Dark Runner" and the play Equal in Paris, both published here for the first time."--BOOK JACKET.

In his internationally acclaimed novels, short stories, plays and essays, James Baldwin was and remains a powerfully prophetic voice in the American literary landscape, fearlessly brooding upon issues such as race, sex, politics, and art. His literary achievement is a lasting legacy about what it means to be American. Vintage Baldwin includes the short story “Sonny’s Blues”; the galvanizing civil rights examination “My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation”; the essays “Fifth Avenue, Uptown: A Letter from Harlem,” “The Discovery of What It Means to Be an American,” and “Nobody Knows My Name: A Letter from the South”; and excerpts from the novel Another Country and the play The Amen Corner. Vintage Readers are a perfect introduction to some of the great modern writers presented in attractive, accessible paperback editions.

From the foreword by Felice Picano: "This volume makes no attempt to rival those gay travel guides that already exist. It is something different, far more intriguing: a collection of stories that aim at being what Herman Melville deemed "an inside narrative." That is, what being a gay man in a foreign land really feels like, smells like, tastes like, and hurts like. The voices here might be likened to those of friends sitting around a dinner table the night before your journey who provide you with insights and warnings that only later do you discover add infinitely to your excursion."

This sprawling drama traces the passage of three individuals through the events of the nineteen-fifties, sixties, and seventies from the Apollo in Harlem to the Olympia in Paris. Love and courage bind a former child evangelist, a famous gospel singer, and the latter's manager-brother.

Considered an 'audacious' second novel, GIOVANNI'S ROOM is set in the 1950s Paris of American expatriates, liaisons, and violence. This now-classic story of a fated love triangle explores, with uncompromising clarity, the conflicts between desire, conventional morality and sexual identity.

In one of the greatest American classics, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Originally published in 1953, Baldwin said of his first novel, "Mountain is the book I had to write if I was ever going to write anything else."

(From the introduction) On August 25, 1970, anthropologist Margaret Mead and writer James Baldwin met for the first time to have three recorded conversations, totaling more than seven hours of tape that, once transcribed, would compose the book, A Rap on Race (1971). The Mead and Baldwin Book is an amazing account documenting the meeting of two of the twentieth century's paradigmatic thinkers and cultural creators discussing the meanings of "race" in the United Staes and in the world.

Told with Baldwin's characteristically unflinching honesty, this collection of illuminating, deeply felt essays examines topics ranging from race relations in the United States to the role of the writer in society, and offers personal accounts of Richard Wright, Norman Mailer and other writers.

Baldwin’s personal reflections on movies gathered here in a book-length essay are also a probing appraisal of American racial politics. Offering an incisive look at racism in American movies and a vision of America’s self-delusions and deceptions, Baldwin challenges the underlying assumptions in such films as In the Heat of the Night, Guess Who’s Coming to Dinner, and The Exorcist. Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained us and shaped our consciousness. And here too is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change.

""The novelist works with what life has given him," wrote William Maxwell. "It was no small gift that I was allowed to lead my boyhood in a small town in Illinois where the elm trees cast a mixture of light and shade over the pavements." The patterns of light, love, and a sorrow in this town, and the domestic particulars of the early 20th century, are at the heart of Maxwell's early fiction. They Came Like Swallows is the story of two boys, their father, and the unbearable loss they suffer in the winter of 1918. The Folded Leaf describes the arc of an obsessive adolescent friendship that ends in near-tragedy. Time Will Darken It paints a portrait of a small, straitlaced community where gossip can ruin even its most blameless member. The achievement of these novels is here complemented by the youthful, comic Bright Center of Heaven - out of print for nearly 70 years - and nine short stories."--Jacket.

African-American fiction

Like the blues -- sweet, sad and full of truth -- this masterly work of fiction rocks us with powerful emotions. In it are anger and pain, but above all, love -- affirmative love of a woman for her man, the sustaining love of a black family. Fonny, a talented young artist, finds himself unjustly arrested and locked in New York's infamous tombs. But his girlfriend, Tish, is determined to free him, and to have his baby, in this starkly realisitic tale... a powerful endictment of American concepts of justice and punishment in our time.

During his lifetime (1924–1987), James Baldwin authored seven novels, as well as several plays and essay collections, which were published to wide-spread praise. These books, among them Notes of a Native Son, The Fire Next Time, Giovanni’s Room, and Go Tell It on the Mountain, brought him well-deserved acclaim as a public intellectual and admiration as a writer. However, Baldwin’s earliest writing was in poetic form, and Baldwin considered himself a poet throughout his lifetime. Nonetheless, his single book of poetry, Jimmy’s Blues, never achieved the popularity of his novels and nonfiction, and is the one and only book to fall out of print. This new collection presents James Baldwin the poet, including all nineteen poems from Jimmy’s Blues, as well as all the poems from a limited-edition volume called Gypsy, of which only 325 copies were ever printed and which was in production at the time of his death. Known for his relentless honesty and startlingly prophetic insights on issues of race, gender, class, and poverty, Baldwin is just as enlightening and bold in his poetry as in his famous novels and essays. The poems range from the extended dramatic narratives of “Staggerlee wonders” and “Gypsy” to the lyrical beauty of “Some days,” which has been set to music and interpreted by such acclaimed artists as Audra McDonald. Nikky Finney’s introductory essay reveals the importance, relevance, and rich rewards of these little-known works. Baldwin’s many devotees will find much to celebrate in these pages.

This edition of a classic work by one of America’s premier writers offers a new Foreword by Derrick Bell (with Janet Dewart Bell) to the 1995 paperback edition, and is as meaningful today as it was when it was first published in 1985. In his searing and moving essay, James Baldwin explores the Atlanta child murders that took place over a period of twenty-two months in 1979 and 1980. Examining this incident with a reporter’s skill and an essayist’s insight, he notes the significance of Atlanta as the site of these brutal killings—a city that claimed to be “too busy to hate”—and the permeation of race throughout the case: the black administration in Atlanta; the murdered black children; and Wayne Williams, the black man tried for the crimes. Rummaging through the ruins of American race relations, Baldwin addresses all the hard-to-face issues that have brought us a moment in history where it is terrifying to to be a black child in white America, and where, too often, public officials fail to ask real questions about “justice for all.” Baldwin takes a time-specific event and makes it timeless: The Evidence of Things Not Seen offers an incisive look at race in America through a lens at once disturbing and profoundly revealing.

Shows examples of African sculpture, masks, dolls, jars, bronze vessels, and combs, and shares the comments of painters, sculptors, writers, a collector, archaeologist, and art historians

Depicts the environment and daily life of two boys coming of age in Harlem.

'Wir schwarzen Menschen sind nicht nur unserer Bürgerrechte, sondern auch unserer Menschenrechte beraubt worden, des Rechts auf menschliche Würde. Aber es gibt auch hier Weiße, die ebenso leidenschaftlich eine Veränderung wollen wie ich.'§Das Drehbuch des berühmten Autors und Bürgerrechtlers James Baldwin ist mehr als die 'Story' des Malcolm X. Es zeichnet das Porträt eines Mannes, der sich zu äußersten Menschlichkeit verpflichtete und so zu einem heldenmütigen Menschen wurde. Nach Baldwins Drehbuch und Alex Haleys Biographie drehte Spike Lee seinen aufsehenerregenden Film 'Malcolm X'.

In a small Southern town, a white man murders a black man, then throws his body in the weeds. With this act of violence--which is loosely based on the notorious 1955 killing of Emmett Till--James Baldwin launches an unsparing and at times agonizing probe of the wounds of race. For where once a white storekeeper could have shot a "boy" like Richard Henry with impunity, times have changed. And centuries of brutality and fear, patronage and contempt, are about to erupt in a moment of truth as devastating as a shotgun blast. In his award-winning play, Baldwin turns a murder and its aftermath into an inquest in which even the most well-intentioned whites are implicated--and in which even a killer receives his share of compassion.